Feeds:
Posts
Comments

Archive for the ‘Advice’ Category

[LISTENED TO: September 2017] The Hitchhiker’s Guide to the Galaxy complete radio series

The history of the Hitchhiker’s Guide to the Galaxy is almost as convoluted as the story itself.

Douglas Adams (with help from John Lloyd) wrote the radio story in 1977.  It aired in 1978.  A second season aired in 1980.

Adams wrote the novel based on the radio series in 1979.  And then the second book The Restaurant at the End of the Universe in 1980.

Then they made the TV show.

Apparently Adams considered writing a third radio series to be based on Life, the Universe and Everything in 1993, but the project did not begin until after his death in 2001.  The third, fourth and fifth radio series were based on Life, So Long, and Thanks for All the Fish and Mostly Harmless which were transmitted in 2004 and 2005.

It’s interesting and a little disconcerting how different the radio play is from the story of the book. There are a lot of similarities of course, but some very large differences.

The first series obviously leaves a lot out from the book, since the book wasn’t written yet. (more…)

Advertisements

Read Full Post »

SOUNDTRACKNILÜFER YANYA-“Baby Luv” NPR’S SOUTH X LULLABY (April 6, 2018). 

Sometimes I wonder if I should automatically know a featured artist. So it’s comforting when you find out that an artist is “relatively new” like Nilüfer Yanya.

For our final lullaby recording during South by Southwest 2018, we meet the London-based singer Nilüfer Yanya for her performance in the memory-filled world of Uncommon Objects. It’s a shop in Austin, Texas dedicated to sentimental curiosities of a world gone by. With that in mind, the relatively new musician with a bright future tackles a tune about something old and familiar: fond memories overwhelmed by the pain of love gone wrong.

“Baby Luv” can be found on Nilüfer Yanya’s 2018 release Do You Like Pain?. The EP’s title is a line she repeats multiple times on “Baby Luv,” while her choppy guitar punctuates a weary, clock-like rhythm. That ticking beat is then amplified by the saxophone of her bandmate, Jazzi Bobbi while a camera pans a literary world of books that all seem blood-red. Objects once shiny and proud are worn and somewhat torn, with a future as uncertain as the love in this song.

The song is a simple up and down melody with her startlingly staccato singing style–in which words are somewhat audible but not always clear.  Like the strange, repeated chant of gain again again.

I love that Jazzi Bobbi is visible, but how on first viewing, you gloss over her as she sort of blends in with the curios.  It’s when her sax comes in that you realize she’s there.  In fact it’s her sax that is the most compelling part of this song.  It’s the strangely amorphous notes that seems to burst from nowhere that are more compelling that the repeated guitar.

[READ: April 5, 2018] “The State of Nature”

I enjoyed Bordas’ previous story quite a lot.  I loved how it was structured and the surprising twists it had.

This one was also enjoyable but for different reasons.  It opens with the narrator admitting to us that she had slept through a burglary.  A cop asked if she was unemployed since she was napping on Thursday afternoon.

She tells them that she is an ophthalmologist  with a varied schedule who can sleep through just about anything.

A varied assortment of things were stolen–a rug, some jewelry and an optometrist case.  It was quite old and has sentimental value (she told the cops).  An average person wouldn’t have thought much of it but it could have fetched about $1,200.

When she returned to her apartment her cat, Catapult, seemed to be vocally distressed.  She believes the cat is sad because her favorite napping place is now gone: “You could have summoned some of that bitchiness earlier, when they came to steal your bed.” (more…)

Read Full Post »

SOUNDTRACK: JOHN PRINE-Tiny Desk Concert #717 (March 12, 2018).

For all of the legendary status of John Prine, I don’t really know that much about him.  I also think I don’t really know much of his music.  I didn’t know any of the four songs he played here.

I enjoyed all four songs.  The melodies were great, the lyrics were thoughtful and his voice, although wizened, convey the sentiments perfectly.

The blurb sums up things really well

An American treasure came to the Tiny Desk and even premiered a new song. John Prine is a truly legendary songwriter. For more than 45 years the 71-year-old artist has written some of the most powerful lyrics in the American music canon, including “Sam Stone,” “Angel From Montgomery,” “Hello In There” and countless others.

John Prine’s new songs are equally powerful and he opens this Tiny Desk concert with “Caravan of Fools,” a track he wrote with Pat McLaughlin and Dan Auerbach. Prine adds a disclaimer to the song saying, “any likeness to the current administration is purely accidental.”

I thought the song was great (albeit short) with these pointed lyrics:

The dark and distant drumming
The pounding of the hooves
The silence of everything that moves
Late in night you see them
Decked out in shiny jewels
The coming of the caravan of fools

That song, and his second tune, the sweet tearjerker “Summer’s End,” are from John Prine’s first album of new songs in 13 years, The Tree of Forgiveness.

He introduces this song by saying that.  This one is a pretty song.  It might drive you to tears.  He wrote this with Pat McLaughlin.  We usually write on Tuesdays in Nashville because that’s the day they serve meatloaf.  I love meatloaf.  We try to write a song before they serve the meatloaf.  And then eat it and record it.

For this Tiny Desk Concert John Prine also reaches back to his great “kiss-off” song from 1991 [“an old song from the 90s (whoo)…  a song from the school of kiss off 101”] called “All the Best,” and then plays “Souvenirs,” a song intended for his debut full-length but released the following year on his 1972 album Diamonds in the Rough. It’s just one of the many sentimental ballads Prine has gifted us.

He says he wrote it in 1968…when he was about 3.

Over the years, his voice has become gruffer and deeper, due in part to his battle with squamous cell cancer on the right side of his neck, all of which makes this song about memories slipping by feel all the more powerful and sad.

“Broken hearts and dirty windows
Make life difficult to see
That’s why last night and this mornin’
Always look the same to me
I hate reading old love letters
For they always bring me tears
I can’t forgive the way they rob me
Of my sweetheart’s souvenirs”

The musicians include John Prine, Jason Wilber, David Jacques and Kenneth Blevins.

 

[READ: December 11, 2017] X

I really enjoyed Klosterman’s last essay book, although I found pretty much every section was a little too long.  So this book, which is a collection of essays is perfect because the pieces have already been edited for length.

I wasn’t even aware of this book when my brother-in-law Ben sent it to me with a comment about how much he enjoyed the Nickelback essay.

Because I had been reading Grantland and a few other sources, I have actually read a number of these pieces already, but most of them were far off enough that I enjoyed reading them again.

This book is primarily a look at popular culture.  But narrowly defined by sports and music (and some movies).  I have never read any of Klosterman’s fiction, but I love his entertainment essays. (more…)

Read Full Post »

SOUNDTRACK: RED BARAAT-“100+ BPM” (Live in front of the Brooklyn Public Library) (June 2, 2014).

Continuing with the fun that is Red Baraat, I stumbled upon this recording from the NPR studios.

As part of the Make Music New York Festival, NPR commissioned new music from Red Baraat and Sunny Jain created “100+ BPM.”  And as the blurb informs us:

“We put out a call and they came — by the hundreds. When we invited wind, brass and percussion players to join us yesterday in Brooklyn to perform a world premiere by Red Baraat‘s Sunny Jain for the annual Make Music New York festival, we were hoping that lots of different kinds of musicians would join us. And boy, did they ever.

On this absolutely gorgeous Saturday afternoon, about 350 musicians assembled on the steps of the Brooklyn Public Library to play Jain’s 100+ BPM. Young, older, professional drumlines, community marching bands, seasoned jazz players, Indian wedding band musicians, Brazilian samba drummers and scads of amateur players came out to play. It was just incredible.

I don’t know how they managed to record the music so perfectly, but it sounds fantastic.  You can really hear the different instruments (well, except maybe the poor violins and that piccolo) as they zoom in on one section or another.

The whole group plays along perfectly.  And there’s even some great sax solos (how did they decide who got to solo?) an excellent trombone solo and lots and lots of drums and percussion.

I love that after the wild soloing everybody joins back in for that great melody once again.

At 6:15, the song stops (and you get to see how psyched Sunny is).  Then after a short pause he starts clapping and selects which group of instruments will keep the beat going.  First it’s drums, then percussion, then the tubas and then the brass comes into play a new staccato riff that is fun and catchy and easy to speed up. Which it does.

He drops out the drums and selective instruments until it’s just the tuba and percussion.  Then the drums come back in and he starts picking up the tempo of that riff again.  Faster and faster do they get to 100BPM? According to this excellent free BPM counter, they make it to 106/107 BPM during the main part.

Then after a breather it’s time to keep going, faster and faster until they reach 126 BPM by the end and Sunny gives an exultant leap to end the song.

What an excellent way to spend a Saturday afternoon.

[READ: February 26, 2018] “Pardon the Intrusion”

Lydia Davis stories are usually really short–a paragraph or two or three.

This one is very different.

It is a series of posts–requests and thanks for various items.  And that’s it.

It’s hard to tell if a story can be constructed from these requests–at times it seems like you can follow a narrative.  But mostly it just seems to be people requesting goods and services. (more…)

Read Full Post »

SOUNDTRACK: AHI-Tiny Desk Concert #693 (January 16, 2018).

AHI is apparently, inexplicably pronounced “eye.”  He is an Ontario-based singer.  There’s nothing strikingly original about his sound, but his songs are pretty and thoughtful and his voice has a pleasing rough edge.

Bob says,

AHI’s gruff but sweet voice and openly honest words were my gateway to this young Ontario-based singer. AHI says he sings Sam Cooke’s “A Change Is Gonna Come,” at the end of every set with a sense of hope. It was powerfully moving, without a note that felt clichéd or overly nostalgic. At that moment, I knew he needed to play a Tiny Desk Concert.

With a tasteful band comprised of Frank Carter Rische on electric guitar, Robbie Crowell on bass guitar and Shawn Killaly (a man of a million faces) on drums, AHI put his heart into three songs in just about 11 minutes, all from his debut album We Made It Through The Wreckage, which came out a year ago this week.

“Alive Again” builds slowly, but by the time the chorus comes around and he adds some whoops, the song really moves. I’m quite intrigued at the constant soloing from guitarist Frank Carter Rische.  It’s virtually nonstop and really seems to propel the song along.  It’s a catchy and fun song the way each round seems to make the song bigger and bigger.

About “Closer (From a Distance)” he says, we all have relationships.  Some are good; some are bad and some are just awful.  You may care about someone with your whole heart only to realize that you care about that person more than they care about themselves.  No matter how strong you are your strengths may not be as strong as their weaknesses.  Sometimes the only way to save the relationship is to walk away–“maybe we’ll be closer from a distance.”   This is a really heartbreaking song.  The lyrics are clearly very personal and quite powerful.  And the soloing throughout the song is really quiet and beautiful.

“Ol’ Sweet Day” is bouncy and catchy with a propulsive acoustic guitar and lovely licks on the lead acoustic guitar.  The drums are fun on this song as Killaly plays the wall and uses his elbow to change the sound of the drum at the end of the song.

The burning question that is never addressed is way he is wearing a helmet –motorcycle? horse riding?  It stays on the whole time.  At one point he even seems to “tip” his hat.  How peculiar.

[READ: December 8, 2017] Glorious and or Free

The Beaverton is a satirical news source based in Canada.  It began as a website in 2010 and then added a TV Show in 2016 (now in its second season).  To celebrate 2017, the creators made this book.

They have divided the history of Canada into 13 sections.  As with many satirical history books, you can learn a lot about a country or a time from the kinds of jokes made.  Obviously the joke of each article is fake, but they are all based in something.  Historical figures are accurate and their stereotypes and broadsides certainly give a picture of the person.

Some of the humor is dependent upon knowing at least a little about the topic, but some of the other articles are just broadly funny whether you know anything about it or not.

When we made this book our goal was to transport readers back to grade school to remember what they were taught n Canadian history class.  And so what if your teacher was hungover most of the time?

~30,000 Years of History in About Four Page (3,200,000,000 BCE – 1496)

“What the hell is that?”  –God after forgetting he made beavers. (more…)

Read Full Post »

SOUNDTRACK: A DIFFERENT KIND OF CHRISTMAS (1994).

This is one of the first alternative Christmas albums I bought.  I don’t listen to it that much because I tend to think it’s not that good (the cover is pretty uninspired).  But there’s actually quite a lot of good stuff on this.

SYD STRAW-“The Christmas Twist”
I’m happy to report that the “twist” is not some dark storyline, but an actual dance of The Twist.  Syd has written a Twist and it’s fun and dancey with plenty of Christmas lines to sing along to.  It’s a great opening track.

SHONEN KNIFE-“Space Christmas”
Shonen Knife does what they do best–short fast punky pop songs.  This one about a space Christmas, of course.

NRBQ-“A Christmas Wish”
I know this from the She & Him version.  I didn’t realize I had the original.  It’s sweet and cute with a really catchy and lovely melody in the “people all over the world” line.

BRUCE COCKBURN-“Mary Had A Baby”
This is one of those call and response songs that is very repetitive and goes on for too long.  If it was shorter it would be fun.

The dB’s-“Home For The Holidays”
This is kind of a stomping country song. It’s got a cool stomp stomp in the middle.  At under 3 minutes it’s just right.

SHELLYAN ORPHAN-“Ice” [NSFC]
I love the vocals and the song is quite pretty.  But this song is a downer (I don’t like Christmas anymore) and at over 5 minutes is not really good Christmas party music.

FISHBONE-“It’s A Wonderful Life”
Man I love this song.  It’s a super fun and dancey ska song that cites It’s a Wonderful Life and is just full of fun and pep.

POI DOG PONDERING-“Mele Kalikimaka”
It’s funny to hear this Hawaiian song done in this New Orleans brass style.  It’s a fun song regardless of who is doing it.

T-BONE BURNETT-“God Rest Ye Merry, Gentlemen”
This opens as a pretty instrumental version of this song on acoustic guitar and violin.  Lovely.  The vocals are fine, but I’d have preferred it with no words–the instrumentation was really striking,

TIMBUK 3-“All I Want For Christmas” [NSFC]
I really disliked Timbuk 3 back in the 1980s.  But I find their strange deliver to be reminiscent of X and I’m quite attracted to their style.  I like this song a lot. Although I can’t endorse a Christmas song about WWIII.  And I suppose lyrically, it’s a bit naive.  But the music is fantastic.

DAVE EDMUNDS-“Run, Rudolph Run”
I don;t know that anyone can get me to enjoy this song. Certainly not this vert standard version of it.

SHAWN COLVIN-“Have Yourself A Merry Little Christmas”
Shawn has a lovely voice and this song is delightful.  It’s a simple piano version with some gentle accompaniment.  Interestingly, this does not appear on her own Christmas album (see the 24th), probably because it might be too upbeat–she does get a bit carried away, vocally, by the end.

So there’s nothing stellar on this disc (except Fishbone), but it’s a solid collection of alternative versions of songs and a few solid originals.

[READ: October 19, 2017] Pashmina

I wanted to love this book so much.  It has so many awesome elements.  The black and white to color juxtapositions are wonderful.  The colors are gorgeous and Chanani’s drawing style is simple but charming and effective.

And I think wanting to like this book as much as I did is why I wound up not enjoying it as much as I wanted.

And that’s because it feel like there’s a lot left out of the book–I wanted it to be twice as long.

This story is about Priyanka, a young Indian-American girl.  She is raised by her mother (and knows literally nothing about her father–her mother won’t say a word about him). (more…)

Read Full Post »

SOUNDTRACKJUST SAY NOËL: A Gift for You from Geffen Records (1996).

This is a weird mix of songs.  I purchased this all those years ago because I loved the Sire Records Just Say series, and this seemed like a fine addition.  But this album really pushes what might have been anticipated in a Christmas collection.

Look at the names!  Beck! Sonic Youth! (when they were riding high), Elastica! But man, this is just a crazy mix of stuff.

BECK-“The Little Drum Machine Boy” (NSFC)
This is like 7 minutes of drum machine nonsense from Beck.  There’s mention of the Hanukkah robot funk.  Gonna drop some Hanukkah science.  And then 7 minutes of Beck’s nonsense lyrics.

AIMEE MANN with MICHAEL PENN-“Christmastime” (NSFC)
This is a little mopey because Aimee is always a little mopey.  The Michael Penn parts are a bit more upbeat.  They sound great together, but “all alone at Christmastime” isn’t really much for holiday cheer.

SONIC YOUTH-“Santa Doesn’t Cop Out On Dope” (NSFC)
I had no idea that this was a cover.  Martin Mull recorded this back in 1973.  That explains the spoken word part that doesn’t sound like something Sonic Youth would construct.  But after the spoken intro, they turn the end into 2 minutes of utter noise.  Thurston sings the actual song almost a capella with strange noises in the background and twinkling bells.  The last 40 seconds are just squelching noise.  And they end with Thurston saying “Merry Christmas, David Geffen.”

THE POSIES-“Christmas” (NSFC)
This song is downbeat and sad (“you made me for the last time.  That’s okay Christmas means little to me”).  The chorus is kind of pretty though.

THE ROOTS-“Millie Pulled A Pistol On Santa” (NSFC)
I had no idea that this was a cover.  And never would have guessed it was originally by The Roots.  It is shockingly about incest. The Roots version is even darker (and the recording features an echoed voice making it even harder to hear the words).

SOUTHERN CULTURE ON THE SKIDS-“Merry Christmas Baby” (NSFC)
This version is bluesy and slightly funky in a very white way.

REMY ZERO-“Christmas” (NSFC)
This is muted and mopey and I have literally no idea what its about.

ELASTICA-“Gloria” (NSFC)
This is without a doubt the best song on this record.  Although as far as I can tell aside from chanting (and playing) the melody from the Christmas song “Gloria In Excelsis Deo” there is no connection to Christmas whatsoever.

WILD COLONIALS-“Christmas Is Quiet” (NSFC)
This is six-minute mellow folk dirge.  Her voice is pretty, but good lord, six minutes?  Even a build up and backing vocals doing la las can’t rescue this.

XTC-“Thanks For Christmas”
Obviously, I love this song as I have mentioned elsewhere.

THE MUSICAL CAST OF TOYS FEATURING WENDY & LISA -“The Closing Of The Year”
The Toys song is such a weird inclusion–clearly it’s only here because they own the rights.  But it’s a really pretty song and it should be played more at the closing of the year, for being a lovely optimistic song.  Even though I like this version, I’d like to hear a cover from someone else with a strong voice (and not necessarily Seal, or whoever that is, joining in).  I’ll bet it could be done really well.

TED HAWKINS-“Amazing Grace”
Hawkins has a low gravelly voice.  This is a lovely cover of just him and his guitar.

So overall, this is a disappointing collection of songs.  Most of them can’t be played in a festive way.  But there are a few rocking standouts.

[READ: December 12, 2017] “Announcements”

Once again, I have ordered The Short Story Advent Calendar.  This year, there are brief interviews with each author posted on the date of their story.

Hello. Welcome. It’s finally here: Short Story Advent Calendar time.

If you’re reading along at home, now’s the time to start cracking those seals, one by one, and discover some truly brilliant writing inside. Then check back here each morning for an exclusive interview with the author of that day’s story.

(Want to join in? It’s not too late. Order your copy here.)

This year I’m pairing each story with a holiday disc from our personal collection.

This was a fun, light-hearted look at Wedding announcements.  And of course, as with any fun, light-hearted look at something, there were undercurrents of seriousness that made the story even better. (more…)

Read Full Post »

Older Posts »