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Archive for the ‘Braden Lamb’ Category

SOUNDTRACK: RHEOSTATICS-Fall Nationals, Night 8 of 10, The Horseshoe Tavern, Toronto (December 15, 2005).

This was the 8th night of their 10 night Fall Nationals run at the Horseshoe.  Guest Vocalist Night.  Ford Pier on keyboards.

This guest vocalist night is a bit smaller than previous ones.  There aren’t twenty-six singers.  There’s only fourteen in total and a bunch of them sing two songs.  The show also runs just over 2 hours with the band singing some of their own songs at the end.   It’s like a tight, efficient guest night rather than a sprawling one.

Ford calls it “karaoke night.”  Dave nixes that, “Lets not call it that.  You have to be far more hammered to do that.”  Ford: “This is more like Star Search.  Mike sets forth the terms: “henceforth, we will be effectively mute except in support roles.”

As usual, they open with an instrumental “Four Little Songs.”  It’s always really interesting to hear this multi-part song with just the music.

“Produce the first victim!”

Here’s Selina Martin singing “Soul Glue” which segues into a very pretty “California Dreamline” (also by Selina).

Next up are Nick and Graham from Belleville.  Dave asks, “How’s Belleville?”  “No snow there.”  “It’s the Winter Nationals Pro-Am” as they sing “Fat” and do a terrific job.

Jennifer Foster comes out to sing “The Woods Are Full Of Cuckoos.”  Tim says, “Jen’s trying to play ‘stump the band.'”  Ford jokes, “Maybe you’ll wind up playing keyboard next year.”  Dave: “Coz we’re firing Ford’s ass.”  It is such a shame the mic gets staticky and cuts out because she does a good job with this hard song.  She notes, “its cutting in and out.”  Tim:”So were our brains.”

Then there’s a double shot of Don Kerr.  He says he’s going to do a double shot from his favorite album.  A terrific “Introducing Happiness” is followed by a change of selection.  He says he changed it just today.  They do “Fan Letter To Michael Philip.”  Don says it’s a real fan letter.  Dave: Don Kerr will personalize  a song to you for a small fee.”

Some of the lyrics:

I have all your records/
I have even helped you make a few
Among my favorite producers would be
Tchad Blake and you

I  would like a fan club letter/
but one of your Juno awards would suit me better

When i joined the Rheostastics / I was met by a lot of Dave Clark fanatics
I know they did the same thing to you / but just like me you made it through

During the end there are backing vocal chants of “Wojewoda.”  He must have been pretty overwhelmed.

Patrick Finch comes on to sing “Junction Foil Ball.”  Dave asks him, “And how’s that go exactly?”  Patrick: “It’s nice.”  And they do a great version.

I am amused to hear that someone is shouting requests.

Sarah Harmer comes out two songs.  A sweet “Loving Arms” (I love that Tim adds the spoken “Jeez, I don’t know” line, which is part of the song but it sounds amusing and sweet.  Mike: “That somehow just sounded right.”  It’s followed by a wonderful “Claire.”

Paul McLeod comes out and Ford says, “This guys isn’t as good-looking at the last one.”  Dave, “I don’t know, have you ever seen him in bicycle shorts?”  He does an excellent version of “Jesus Was Once A Teenager Too.”

Sean Cullen comes out for two songs.  “Power Ballad For Ozzy Osbourne” has a terrific voice for this rather silly song.  At the end, he scream/sings “he’s going off the rails.”   Then Cullen does a lengthy improvised Christmas Song.  It’s very funny and a twisted retelling of the Jesus story.  Some amusing lines:

Joseph was good with his hands and good with the ladies.
There was going to be a huge new tax. What an asshole Caesar was.
100s of men with their young pregnant wives clogging the roads.
They put him in a manger, which was weird, because cows were trying to eat.
The horse said to the turkey, you look ridiculous, look at you.  Sit down and shut up (the horse was a real asshole).
The turkey said I’m going to fight for Jesus.
The temple guard laughed because it was a turkey.  The guards fought and killed him, filled him with seasoned bread and threw him on the fire.
The angel came down and said you bastards.
The guards said, lets eat it and take a bit of him home with us.
We dream of that first Christmas where a turkey gave his life.  And the horse was an asshole.
It’s the Christmas turkey on Christmas day.  Thank you turkey for fighting for Jesus.
Dave: “I didn’t know whether to laugh or cry.”
Mike: “What album was that off of?”

Robin Lowe comes out to sing “Sweet Rich Beautiful and Mine.”  Robin has been selling stuff for us this week.  Public congratulations, Robin got married to Steve Clarkson, our sound man, this week.  Robin sings a duet with Martin.  Dave: “Well, isn’t that sort of cheating, Robin?”  Robin hits some amazing high notes.  They sound great together.  This version gives me chills.

“Take Me In Your Hand” is sung by Howard Druckman and Beverly Kreller.  Howard is one of our oldest and dearest friends.  Dave: “I’ve been demoted to bass.”  They’re giving the rest of the band a break.”  The song ends with penny whistle and bongos.

Yawd Sylvester comes out to sing Tim’s song “Row.”  Tim Vesely, Yawd’s rhythm guitarist.  Yawd went on tour with Violet Archers and Tim promised it would  be Rheos-free.  But after the encore, Yawd would go out for a smoke and Tim would do “Row” as an encore.  It’s a bit too slow and the world is incredibly rude throughout the quietness.

Ida Nilsen comes out to sing Marginalized.  It’s a little too un-intense.   Tim Sings the Vic Chesnutt song “Little Caesar” at the end.”

Paul Linklater from Justice, Manitoba, the Scribbled Out Man, comes out to sing “Horses.”  He’s great for the song. At some point Paul starts chanting “Put away wet” for some reason.  Dave says guys, throw it into G for a second.  Dave starts playing a simple riff which Ford turns into “Hang on Sloopy.”  Which he sings: “I don’t know the words to hang on sloopy / that’s okay it’s not a Rheostatics song / so we shouldn’t do it / It’s all wrong.
“Back to B minor.  Now its a Tragically Hip song.”   Paul is really intense at the end.

Someone shouts, “Soul Glue.”  Dave replied, “we did it the first song!”

Justin Rutledge utterly rips through “Feed Yourself.”  It is just rocking and intense.

Ron Koop comes up and Dave says, “Mennonites are the most ticklish people.  Ron, you’re so ticklish.  I don’t mean to generalize, but generally…”

Oddly, someone keeps shouting “Hey, it’s Christmas, play The River, please.  C’mon Gordy, save us.  The River!”  Mike mutters: “shut up.”

Ron sings a lovely “Making Progress.”  And at the end she says, “How about the best band in Canada.”  Dave: “Are the Constantines here?”

They come back for an encore and say “we’ll do a couple where we sing just to mix things up and get ready for tomorrow.”

Dave also asks, “Shauna, can we get some new flowers.  Are replacement flowers in the budget?  They’re starting to bum me out.”  Martin: “Strangely just yours are dying, Dave.”

“PIN it up, Marty.”   In the middle Dave sings “I want some flowers.”  Tim notes: Thanks to Great Aunt Ida for opening tonight.  They were awesome.”

In the audience, that ass is still screaming for The River.  So Ford sings.

When I speak the words I repeat
Are lost within this roaring

I know the one by No Means No, it takes about 9 minutes to play, but it can be done.

They end the nearly two and a half hour show with “Stolen Car.”  Tim starts by playing “Jingle Bells” on the bass really quietly.  But then the song rocks out to the end.

A final note from Darrin, who posts all of these shows:

10 Years later I randomly met Robin Lowe on Sept 4th, sold Jennifer Foster my spare ticket for the Saturday night AGO show on Sept 5 2015, and Selina sang with the band on Sept 6 at the Monarch Tavern after AGO Party.

[READ: July 27, 2017] “Making Scents”

My nine-year-old daughter Tabby liked this book.  And I know that because as I was complaining about the massive problems I had with it, she said she liked it.  So, I guess its good for nine-year-olds.

But I like a lot of books that are good for nine-year-olds.  And I did not like this one.

The premise is a weird one to start: Mickey’s parents raise bloodhounds.  As such, they teach him to be a great sniffer as well.  Cute, right?

The story begins with Mickey writing his life story: “First I was born.”  Next half of the sentence… “then I was put in a tree.”

What?  So he is an abandoned baby and someone thought it would be smart to put him in a tree in the woods?

The next scene puzzled me even more. (more…)

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fableSOUNDTRACK: CALLmeKAT-Tiny Desk Concert #152 (August 29, 2011).

callmekatKatrine Ottosen is CALLmeKAT and she is from Copenhagen.  I’m unclear what her sound normally is–if it’s fuller than it is here–but for this show, it’s her on a couple of synths and a drummer.

I like the interesting synth sound she gets in the beginning of “Tigerhead,” but, despite the two synths, the whole song feels a little thin to me. Nevertheless, she hits some admirable high notes.

She wrote the second song, “Going Home” at Newark airport—she says always miserable there, it’s “so depressing” (no argument there).  She samples herself on a tiny keyboard (Bob asks her what she’s doing singing into the tiny Casio–this has to have been before everyone was looping everything).  The song is very pretty but feels very slight again–even more so because there is no percussion.

The third song, “Glass Walls” also has a sample of her voice–the sample is just an “ooooooh” note.  She says she wrote this one in the Copenhagen airport (which must be nicer than Newark)  This song is a bit more robust.

I liked her voice but the whole show I wanted a bit more oomph, which is not a typical reaction from a Tiny Desk where I know things are usually stripped down somewhat.

[READ: February 15, 2016] Fable Comics

Following up on First Second’s 2011 collection of Nursery Rhyme Comics, comes this new collection of Fable Comics, also edited by Chris Duffy.

Duffy says that for this collection they wanted to use mostly Aesop’s fables (because they are the most widely knows).  But the book also includes a sampling from other traditions.  He says that cartoonist were allowed to embellish the stories but we asked that the lesson remained.

And so there are 28 fables and the artists are pretty much a who’s who of contemporary comics.  I’ve broken down the Fables by their creators:

Aesop

The Fox and the Grapes-James Kochalka modernizes this a bit with a jet pack, which is hilarious.

The Town Mouse and the Country Mouse-Tom Gauld is back, and it’s great to see his work as he keeps the story fairly traditional

Hermes and the Man Who Was Bitten by an Ant ; Hermes and the Woodsman ; The Frogs Who Desired a King ; Hermes and the Sculptor. George O’Connor is responsible for the First Second Olympians series, so it’s no surprise that he tackles these stories about Hermes.  He remains faithful to the original and keeps up his very cool drawing style.

The Belly and the Body Members–Charise Harper has a wonderfully stylized look for this story about how the body parts need to work together or it can’t do anything.

Lion +Mouse–R. Sikoryak’s Mad Magazine style works very well for this familiar story about a mouse helping a lion (he has modified it somewhat of course).

Fox and Crow-Jennifer L. Meyer’s style is gorgeous.  This fable has a fantastic look to it with pale colors and circles of details.  I could look at it for hours.

The Old Man and Death–Eleanor Davis’s art is boxey and stark.  It works very well with this dark and Communist-looking story.

The Boy Who Cried Wolf–Jaime Hernandez.  I love when Hernandez does kids’ stoires because his characters are so perfectly cartoon and his colors are bright and fun.  His telling of this story is very good.

The Crow and the Pitcher–Simone Lia  I didn’t know this fable.  And I don’t really know how the beginning sets up the end. It shows crow as being very smart for others but the end has the crow being extremely smart for himself.   It’s a weird fable although it rings rather true.

The Dog and His Reflection–Graham Chafee does an awesome job of showing greed in others and leaving the dog’s story to be un-narrated.  He witnesses greed and acts accordingly.

The Dolphins, The Whales and the Sprat–Maris Wicks.  I was completely unfamiliar with this fable.  I’m also curious about how much Wicks has added.  I love that she adds some very funny factual details like that dolphins are actually a type of whale and that there are detailed asides about all of the animals throughout this story.  The moral is that they’d rather die than take advice from a sprat.  Still true today.

The Milkmaid and Her Pail–Israel Sanchez  This fable was also unfamiliar.  Sanchez’ drawings are stark and work well to tell this story of greed.

The Great Weasel War–Ulises Farinas.  This comes from a longer fable called The Mice and the Weasels.  I love Farinas’ art in this story.  The colors are spectacular and the creatures are great   And I love the moral is that they build these giant machines that cannot fight against nature.

The Sun and the Wind–R.O. Blechman. This fable was in Ava and Pip, so its funny to read it there and then see it here. Blechman’s simple drawings complement the story well.

The Hare and the Tortoise–Graham Annable’s art is great for this.  The tortoise is so crabby looking.  I’m unfamiliar with the deus ex machina that happens though.  It’s funny how many of these fables we may know without knowing them in total.

The Grasshopper and the Ants–John Kerschbaum’s art is so busy and full of detail, it’s really wonderful.  I’m unfamiliar with the ants asking the grasshopper to play for them at the end of the story tough.

The Thief and the Watchdog–Braden Lamb & Shelli Paroline. I really enjoyed the way these two created this fable.  The art is great–angular and simple but really powerful.  Having the dog explain why giving him meat won’t work is a great idea.

Demandes and His Fable–Roger Langridge.   I love Langridge’s clear lines and distinctive colors. He tries to get people’s attention and only succeeds by telling them a fable about Demandes.  I’m intrigued that his fable gets interrupted by himself.

The rest of the fables’ origins are mentions in parentheses after the title:

Leopard Drums Up Dinner (Angolan Fable)–Sophie Goldstein makes a fun visual of this story about animals trying to capture others with music.  I wonder how closely this aligns to the original, as its pretty crazy.

The Hare and the Pig (Indian Fable)–Vera Brosgol.  I didn’t know this fable at all.  Rabbit and Pig are arguing about who is best.  Leave it to fox to make the declaration.

The Demon, The Thief and the Hermit (Bidpai)–Keny Widjaja illustrates this amusing tale of a thief trying to join with a demon to rob a hermit

The Elephant in Favor (by Ivan Krilov)–Corinne Mucha.  I love that Corine modernizes the fable (the lion says Dude).  This is all about how everyone talks about the elephant.  He works slow but gets a raise. What makes him so great?  All the other animals speculate.  But it turns out that his ears are the real reason–for reasons other than the obvious.  This may be my favorite fable of all.

The Mouse Council (medieval European fable)–Liniers. This is the story of putting a bell on a cat and how no one wants to risk their life for the good of all.  Liniers’ art is spectacular.  I love the subtle shading of his drawings and then the rough drawings by the mice.

Man and Wart (Ambrose Bierce)–Mark Newgarden.  I love Ambrose Bierce but had no idea he wrote fables.  This one about people’s need for privacy and not belonging to a club is pretty strange.

The Hen and the Mountain Turtle (Chinese Fable)–Gregory Benton. I was unfamiliar with this story about a wise turtle saving a farm.

These collections of short pieces are quite wonderful. I wonder what genre First Second will tackle next.  #10yearsof01

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how you dieSOUNDTRACK: DIARRHEA PLANET-“Lite Dream” Live on KEXP (2014).

dpHow to pass up a band with a name like this?  Well, it’s pretty easy, actually.  Who would even want to say their name?

The name conjures images, no, let’s not go there.  The name conjures music that is just abrasive and rude–ten second punks songs.  But in reality, their music is pretty traditional old school heavy metal.  They have 4 lead guitarists after all! (There’s 6 guys in the band altogether, surprisingly, there’s no women).   One of the lead guitarists even plays with his teeth (for a few seconds).

This song is about heavy metal, although I’m not sure what about it.  There’s some big riffs, solos galore.  There’s even a classic 80s style dual lead guitar solo.  There’s big loud drums.  There’s feedback.  It’s everything you think of as heavy metal, with a seeming wink and nod thrown in.

This is basically a goofy feel good band, playing fast heavy metal.  Shame about the band name, though, really.

Watch it all here.

[READ: spring and summer 2014] This is How You Die

It is quite disconcerting to open a Christmas present from your wife and have the first thing you see be the words “This is How You Die.”  To then look at her confusedly and try to interpret the look of excited delight on her face as she wonders why you’re not excited.  Then she explains that it is a sequel to the interesting collection Machine of Death that you both had read several years ago (but which I evidently never posted about).  Sighs of relief and then Christmas can proceed with more merriment.

So over the course of the new year I read these stories and I enjoyed most of them quite a lot.

The premise of the book is that there is a Machine of Death.  This machine states how you will die, but it does not give you a time, place or real definition of what it means by hope you will die.  Statements seem obvious but may in fact be different in some twisted way.  As it says on the back of the book, OLD AGE could mean either dying of natural causes or being shot by an elderly bedridden man in a botched home invasion.  The book revels in the irony that you can know how it’s going to happen , but you’ll still be surprised when it does.

The way the machine works is that you insert your finger, it takes a blood sample and gives you a card with the way you die printed on it.  No matter how many times you do it you will get the same result.  These are the guidelines, and each author made a story with just that set up.

Pretty cool right?  The first collection was really great.  And so is this collection, done by writers and cartoonists that I had never heard of before.  There are 34 stories and 12 comic strips (it’s a hefty collection).  Because each story is basically about how a person dies, I had to think about how best to review the book–without giving away any twists.  So I think the title and a very brief plot will have to suffice.

There’s even a funny promo video for the book (at the end of the post). (more…)

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