Feeds:
Posts
Comments

Archive for the ‘Lissa Treiman’ Category

 SOUNDTRACK: NICK BUZZ-Lula Lounge, Toronto, ON (December 9, 2010).

I was looking through the solo concerts on the RheostaticsLive page and realized that there were only a few left for me to post about.

This is the first of two Nick Buzz shows on the site and the one I hadn’t posted about yet.

This audio has been taken from the Mini DV recording of the show that I put on YouTube (which is available in 13 parts).  These clips are all available on YouTube.

It’s interesting hearing Martin with Nick Buzz because they are clearly a more cabaret style–even on Martin’s solo songs.  As of this recording, they had released Circo and the Shoenberg EP.

“Spilling The Wonderful” sounds terrific.  It’s odd and cabaret-ish and as the title says, Wonderful.  On “That’s What You Get For Having Fun” it is cool watching him pluck at his guitar.  It’s a weird song but always sounds great.

He says, “Thanks a hell of a lot for coming” and then takes off his suit jacket.  “Just Because” is quiet and pretty.

Then he explains that the next few songs are from the Schoenberg EP.
I can’t tell how they do that opening collage of music and spoken words for “Gigerlette.”  But Martin seems to be enjoying it.  At the  end of the song he says “Strangely all these rather formal songs that Schoenberg wrote back then are all about sex, is that strange?  I don’t know.”  I cracked up that during “Der Ganugsame Liebhaber (Black Persian Kitty) he shakes his head after he sings “it shivers as I stroke its velvety nap.”  Then he even does some jaunty dances.  The final one is “Arie Aus Dem Spiegel Von Arcadien.”  It is so much fun with the boom boom boom bits.  He notes: it’s 100 years old.

“A Hymn To The Situation” is from “our first and essential only album Circo.  The other album was part of a subscription service I’ve done over the past 38 years–a collection of the creepiest Schoenberg songs.  But this is one of the most despicable songs I have ever written.  And I want to share it with you.

“Milkeek” is a new song.  It’s inspirations are from a dream world.  It doesn’t make any sense to me hopefully it will make some sense to you.  And it’s about keeping certain types of food separated from other types of food.  There’s scratchy violin.  He says that song was about “The relax”.
This song ain’t.  “Eliza” features banjo and Martin takes his guitar guitar back.  Although once the vocals start he takes the guitar off again.

“L’Astronaut” has an amusing story attached:    He says it’s inspired by a fantasy:  one of the things that occurred to me and a friend of mine was how we felt at folk festivals.   We would like to attend one in a spacesuit with tools to take samples of the boutiques and booths and bongo jams and take samples and do observations to take back to our world.  To use a boring drill to take sample drill into a djembe.  We’ll play the song and see if its comparable at all.   Don’t think so.  Not sure if there’s second unknown song or if that was part of “L’Astronaut,” but at the end, Martin jokes, “yes, we’re a little bit country.

“The House With The Laughing Windows”  is spare and pretty with a lovely piano melody.  I love when the guitar comes kicking in near the end of the song.  “Sane, So Sane” opens with him saying” Are you enjoying the show so far?  This is only our second show in a normal venue.  We’ve only done abnormal venues at this point things like television and classical tent arrangements.  This is a song about Toronto where I don’t live anymore.  There’s some really cool sound effects throughout.

“Love Streams” is from our album Circo.  The first time we played it from top to bottom we kept it for the record.

He says this next song features my bass playing.  It’s “Uncle Bumbo’s Christmas.”   It’s pretty long and for the end he’s basically playing two notes.  I wonder if he was bored.  The final song “If You Go Away” gets cut off at the end, but it is a delightful torch song.  Martin walks away for a bit in the beginning but comes back after 2 minutes to start singing.

I assume there were more songs at the show, but we will have to make due with what we have.  The quality is good and the band sounds great.  It’s nice to see Martin working with violinist High Marsh in the Rheostatics reunions.

[READ: April 20, 2017] Giant Days 3

Boy do I ever love this series.  It might just be my favorite graphic novel series yet.  And that’s saying a lot.

The only thing that confounded me a bit was that in the year since I read the last book, I’d forgotten a bit about what was going on.  But it only took a short amount of time to get caught up again.  I also noticed that I said I didn’t like Max Sarin’s drawing style in the previous book.  Well, I find that I really like it now and that I just didn’t like the change from one to the other in the middle of the previous book.  Because here it’s just right on–exaggerated and fun, but still delightful.

Chapter Nine opens on what I thought was a confusing scene–Ed and a woman (Amanda) are spying on the student government. The woman is an editor at the paper, she is older and pretty intense.  But they find out some shocking secrets (which allows them to make great use of the joke “absent Parent”).  After their espionage, Ed falls for this editirix.  And she is quite taken with him so she invites him home.  But she is older and more experienced and well, soon someone has some stories to tell. (more…)

Advertisements

Read Full Post »

giants-days-2 SOUNDTRACK: THE OH HELLOS-Tiny Desk Concert #493 (December 8, 2015).

ohhelloThe Oh Hellos are technically a duo of Tyler and Maggie Heath.  But live (and here) they play chamber pop with nine members in the band.  They have an accordion, a violin, a banjo, guitars and great harmonies.

“Hello My Old Heart” starts with a quiet acoustic feel–slow and mellow.  But it picks up after a verse and grows in intensity.  The song has a few different parts that keep returning to the “ba dum ba, ba dum bah” melody.  I love the way the song builds to a rousing (and abrupt) end.  There’s so much going on in the song its hard to believe its only 4 minutes long.

The band members are all rather sick–they all have colds and there’s much talk of how bad they feel and how much they are coughing and sneezing (with a revolting/hilarious image of confetti).

“Like the Dawn” also opens with some lovely acoustic guitar.  This time Maggie is on lead vocals and Tyler’s harmonies sound really good with her.  Maggie’s lead soars (even while sick) and I love the way the song builds to a big folk rock explosion by the end.

Before the final song they joke about everyone being sick and how they are ready to be done with the tour.  They start talking about laundry and underwear and get very silly.  It’s pretty impressive the way Tyler can go from chastising them for being gross and then singing the first delicate falsetto note of “Exeunt” so perfectly.  Its fun watching the band (especially the guitarist and violinist) really get into the big chords in the middle of the song (jumping up and down as they rock out.  The song has an amazing ending as it builds and everybody sings “I have set my mind and my will” before all voices drop out and he gently sings, “I am leaving.”

It’s a pretty great ending although he notes that “The end of that one is a little more impressive with the full set up but you get the idea.”

The Oh Hellos are a great addition to the chamber pop world, and I look forward to hearing more from them.

[READ: June 16, 2016] Giant Days 2

What’s interesting but a little disappointing about his series is that continuity doesn’t seem to be a high priority between the stories.  The characters never change their behavior, which is good, but it feels like these stories are episodic rather than continual, and yet there is certainly meant to be a building upon previous stories.

Except for Chapter 5 which picks up right after the previous book with the men and women shopping for formal attire for the Hall Ball.   Esther convinces the women to buy secondhand dresses and then says that her brother can fix them–an excellent joke at the end of the page.

Meanwhile Ed and McGraw are trying on suits.  Ed says he hopes that Esther will be into him someday and McGraw looks to the heavens and saying “The maintenance, Ed.”

The dance proves to be successful for some (well, Esther) until one of the men says that there’s a bet a the dance to see who can hook up with her.  Well, that ends Esther’s fun.

And then some unexpected (or maybe not) pairings occur.  Each person is a bit ashamed (at least in front of the others).  And in classic “friend” scenario, Esther tells Ed that anyone who would not go out with him is an idiot.

And then everyone heads home for Christmas holidays.

Chapter six shows an emergency visit to Northampton and Susan’s home. We all know that Susan is prone to aggressive outbursts.  Well that was true in her past as well.  The girls show up to rescue Susan, but she doesn’t appear at the train stations.  How will they find her?  (There’s a very funny joke about all smokers knowing each other).  I also love the continuity of the amusing joke that McGraw really loves keys.

The crux of this chapter is that some time ago, Susan greatly upset the daughter of the richest family in Northampton.  And now that she is back, revenge is to be served.  This chapter is very funny but mostly centered on its own plot rather than advancing the college story.  As it ends, Esther realizes that exams are common up and she hasn’t been to a lecture since November.

Chapter Seven opens and things are…different. There is a new illustrator (Max Sarin) for the next two books and I have to say I really don’t like the new style.   Even though Cogar still does the colors, everything in this book feels much brighter–in part it’s because Max’s lines are thinner, but also because almost everything he draws is softer and rounder.  It take a lot of the edge off of the book and make s the whole thing a lot “cuter.” Which is disappointing.

The story is pretty solid though.  Esther is freaking out about exams-she thought her exam about the New Testament would be really easy.  To prepare for this exam she decides to go out dressed in whiteface to see Necrotising Swamp–a band that is satanic in a fun way.  On the way out of the show, while protesters are trying to make her feel guilty for being there, she decides to go to “the source” and in a joke that I love, she decides to ask a priest for help in her theology class.

In an act of desperation, Esther finds one more person who might be able to help her…which turns into something more.  At the same time Daisy discovers that Susan and McGraw have been “sexing.”

As Chapter 8 opens all of the couples are together.  Susan and McGraw, Esther and her new guy and Ed and Daisy (although not as a couple).  And this meeting is for Esther to introduce her new man to her friends. And conversely for him to introduce her to his friends (which could go better) and his parents (which could definitely go better–until she decides to really be herself).

When pressed she admits that she has a weakness for milquetoast handsome.  And while their backs were turned, Daisy became addicted to Friday Night Lights.  And while Ed has been trying to figure out how he could take his mind off of Esther and her new guy, he wound up joining the newspaper–what will that produce?

Read Full Post »

giant-daysSOUNDTRACK: NATHANIEL RATELIFF & THE NIGHT SWEATS-Tiny Desk Concert #488 (November 17, 2015).

nateNathaniel Rateliff & The Night Sweats get a ton of airplay on WXPN–perhaps a bit too much airplay.  And yet I can’t deny the supreme catchiness of his music which owes a lot to Van Morrison’s brand of soul music.

Rateliff was (and perhaps still is) a folk singer.  But in 2015, he released this album with the band The Night Sweats and has had huge success with this more rocking soulfulness.

“I Need Never Get Old” sounds so much like a Van Morrison song that it’s hard to deny how catchy it is (especially the chorus).  “Look It Here” has a similar vibe with the kind of loudly mumbled vocals that sit nicely with backing vocals and horns.  The middle of the song picks up in intensity and changes the overall tone in a good way that segues nicely back into the main melody.

“I’ve Been Failing You” features more piano up front.  It’s a little more bluesy than soulful so I like it a bit less.  Although the backing vocals in the quiet section (Don’t you weep and don’t you worry) are very cool.

Typically a band does three songs, but Bob walks up and shakes his hand and asks if he wants to do another.  Nathaniel asks, do another or do that one over?  But Bob says, no another song if they want to.

The band agrees they can’t really do “Shake,” so instead they play “Mellow Out.”  Rateliff says, “Same key different song.”  And everyone laughs until he realized, “wait it’s actually a different key.  What do I know?”

“Mellow Out” which opens with some very Van Morrison “do do do dos.”   It sounds very much like the other songs–catchy and swinging with horns in all the right places.  When the song ends Bob says it sounded great and someone comments that they had an extra late night last night before the audio turns off.

I am genuinely surprised that they didn’t play “S.O.B.,” their first single (a song used in a Lipton commercial–although not any part that sings “son of a bitch, I might add).  But since I don’t really like that song, I’m glad they played the other ones.

[READ: June 15, 2016] Giant Days Vol. 1

Giant Days was excerpted in the back of a Lumberjanes book and I loved the excerpt–very funny with a great drawing style. Then as I am wont to do, I forgot all about it.  But in the library the other day, the librarian recommended the book and I was delighted to be reminded about it.

This series is set in a British college.  Susan, Esther, and Daisy are roommates.  Susan is the sensible one–a little angry at men and unwilling to take crap from anyone.  Esther is a goth hottie.  She dresses outlandishly and has a (literal?) forcefield of bad luck around her.  And Daisy was home schooled–she is very sweet and rather naive.

I loved right from the start when the three girls head out to campus.  Susan bets Esther that she can’t go three days without some kind of drama happening around her.  But as soon as they get outside, Susan see McGraw.  And she is furious.  McGraw has floppy hair and a big ol’ mustache.  And they launch into each other with cold pleasantries.

When the girls  force Susan to tell the story, there’s a very funny moment when the other two start chanting Flash-Back Flash-Back but we get a brief, intentionally unsatisfying one. (more…)

Read Full Post »

lumberhjanes2 SOUNDTRACK: DIANE COFFEE-Tiny Desk Concert #483 (November 2, 2015).

dianeI first heard of Diane Coffee from NPR.  The band’s song “Spring Breathes” is bizarre and wonderful–simultaneously difficult and catchy.  I was especially excited to see them play at XPNFest, but sadly we arrived just as they finished up and I missed my opportunity to see singer Shaun Fleming all glammed up (in a sailor suit).

This Tiny Desk Concert is a bit more mellow (and acoustic), but it is hardly Tiny as there is a string trio, a drummer and a guitarist.  As well as a bassist and keyboardist in addition to Shaun Fleming with acoustic guitar and vocals (and blue eye shadow).  Fleming was the drummer in Foxygen and does a lot of voice over work.

“Spring Breathes” is not as dramatic as on the record (which has some cool electronic drops and changes of tempo). But it sounds great with the strings (I love the pizzicato parts).  This version also has a very glam-era David Bowie feel.  Fleming’s voice is great–powerful and full, completely unaffected and spot on (the part where he sings the descending riff near the end of the song is fabulous).  And the harmonies are all perfect, very 1970s.  The song retains its several parts (I love when the song shifts to a quick funky bass section) and the band handles it perfectly.

“Not That Easy” is a mellow song with Fleming singing primarily in a gentle falsetto.  It’s a fairly simple song but the joint guitar solos are really beautiful.

For something a little more upbeat, they play “Mayflower.”  Fleming doesn’t play guitar on this one, but he dances around (rather like Mick Jagger).  He is wonderfully flamboyant both in motion and in singing (he’s got a cool raspy 1970s singing style for this song). And again the harmonies are great.

He is quite out of breath after this song, which is funny. They are going to play one from their first album, a song called “Green.”   His voice sounds particularly familiar on this one–I’m thinking like when Jon Bon Jovi really belts out his lyrics–and it’s just perfect for the song.

Fleming has a charming persona.  I really enjoyed this acoustic version and I’m glad to hear that he can convert the studio magic into a live setting.

[READ: March 22, 2016] Lumberjanes 2

I love the premise behind Lumberjanes.  The Lumberjanes are a kind of Girl Scout/Wilderness Adventure group.  They have been around for a long time and the Janes must follow the manual to achieve their various badges.  I love the way the book is set up around an “actual” field manual from 1984 (tenth edition) which has been:

Prepared for the Miss Quinzella Thiskwin Penniquiqul Thistle Crumpet’s Camp for [written in] HARDCORE LADY-TYPES.

I was really excited to read this second volume since I loved the first one so much.  But I was a little disappointed by this one.

I feel like we could have used a short reminder of who all the girls were–there were a couple who I couldn’t tell apart [I know if you’re reading the issues as they come out that’s not a problem, but how much work can it be for collected volumes?].

What I didn’t like was the way the story went in a totally unexpected direction.

It started promising enough with the girls’ counselor being shocked and afraid after the recent supernatural events. She wants them to just stay around the cabins and make friendship bracelets to get the Friendship to the Craft badge. (more…)

Read Full Post »

how you dieSOUNDTRACK: DIARRHEA PLANET-“Lite Dream” Live on KEXP (2014).

dpHow to pass up a band with a name like this?  Well, it’s pretty easy, actually.  Who would even want to say their name?

The name conjures images, no, let’s not go there.  The name conjures music that is just abrasive and rude–ten second punks songs.  But in reality, their music is pretty traditional old school heavy metal.  They have 4 lead guitarists after all! (There’s 6 guys in the band altogether, surprisingly, there’s no women).   One of the lead guitarists even plays with his teeth (for a few seconds).

This song is about heavy metal, although I’m not sure what about it.  There’s some big riffs, solos galore.  There’s even a classic 80s style dual lead guitar solo.  There’s big loud drums.  There’s feedback.  It’s everything you think of as heavy metal, with a seeming wink and nod thrown in.

This is basically a goofy feel good band, playing fast heavy metal.  Shame about the band name, though, really.

Watch it all here.

[READ: spring and summer 2014] This is How You Die

It is quite disconcerting to open a Christmas present from your wife and have the first thing you see be the words “This is How You Die.”  To then look at her confusedly and try to interpret the look of excited delight on her face as she wonders why you’re not excited.  Then she explains that it is a sequel to the interesting collection Machine of Death that you both had read several years ago (but which I evidently never posted about).  Sighs of relief and then Christmas can proceed with more merriment.

So over the course of the new year I read these stories and I enjoyed most of them quite a lot.

The premise of the book is that there is a Machine of Death.  This machine states how you will die, but it does not give you a time, place or real definition of what it means by hope you will die.  Statements seem obvious but may in fact be different in some twisted way.  As it says on the back of the book, OLD AGE could mean either dying of natural causes or being shot by an elderly bedridden man in a botched home invasion.  The book revels in the irony that you can know how it’s going to happen , but you’ll still be surprised when it does.

The way the machine works is that you insert your finger, it takes a blood sample and gives you a card with the way you die printed on it.  No matter how many times you do it you will get the same result.  These are the guidelines, and each author made a story with just that set up.

Pretty cool right?  The first collection was really great.  And so is this collection, done by writers and cartoonists that I had never heard of before.  There are 34 stories and 12 comic strips (it’s a hefty collection).  Because each story is basically about how a person dies, I had to think about how best to review the book–without giving away any twists.  So I think the title and a very brief plot will have to suffice.

There’s even a funny promo video for the book (at the end of the post). (more…)

Read Full Post »