Feeds:
Posts
Comments

Archive for the ‘Albert Camus’ Category

fivedials_no30SOUNDTRACK: Random songs at the roller rink (December 29, 2013)

skateWe went rollerskating on Sunday and they played all kinds of pop hits.  They played “Dancing Queen” and “YMCA,” sure, but they also played a lot of recent big hits.  And I said to myself either I have grown more tolerant of pop songs or pop songs are simply better than they were in the 80s and 90s.

Because I thoroughly enjoyed hearing “Gangnam Style” (perhaps a pop song where you don’t know the words is really the way to go) and “What Does the Fox Say?” (or perhaps when the words are so preposterous).  “Blurred Lines” is incredibly catchy (although it would be better without the offensive lyrics).  I also enjoyed “Call Me Maybe” which is treacly sure, but the melody is super catchy and “Rolling in the Deep” because Adele kicks ass.

Of course when I looked at the list of #1 hits for 2013, I literally didn’t know any of them (except “Blurred Lines” and “Royals,”) so maybe pop is not what I think it is.  Maybe I just like YouTube sensations.

Ring-ding-ding-ding-dingeringeding!  Happy New Year.

[READ: December 27, 2013] Five Dials #30

I was surprised to get this issue of Five Dials just as I was reading the other recent ones.  It allowed me to finish up Five Dials and the year at around the same time.  This issue introduces a new graphics editor: Antonio de Luca and he really changes the look of the magazine.  (He also used to work for The Walrus).  Rather than pictures being centered in the page, they spread from one page to another (which works well online but less so if you print it out).  The illustrations are also much bolder.

This is a short issue (which I appreciated).  And it does what I especially like about Five Dials–focusing tightly on one thing, in this case Albert Camus, who I like but who I have not read much.  It’s his centenary and many things have been said about him, so what else is there to say?  They find two things worth saying.

CRAIG TAYLOR-A Letter from the Editor: On Tony, On Dean, On Camus, On Algiers
Taylor talks about the illustrations of the issue–they were spray painted on walls by an Algerian-French collective known as the Zoo Project.  The new editor took photos and then Photoshopped away the extraneous stuff to leave us with just the graphics–giving them a permanence that they would normally not have.  Taylor also says goodbye to Dean Allen, the outgoing art director.  Then he gets to the heart of this issue: Albert Camus and Algiers (where Camus is from).  Curtis Gillespie decided to go to Algiers to find out how much the people there know and love Camus (and he found it to be a much more difficult trip than he imagined). (more…)

Read Full Post »

SOUNDTRACK: AUDIOSLAVE-Audioslave (2002).

Despite the pedigree of this band: Rage Against the Machine + Chris Cornell, I wasn’t all that interested in the band when they came out.  I was over Rage and was bored by Cornell’s solo stuff.  But then recently, someone donated a copy of this album to th elibrary, so I thought I’d see what all of the fuss was about (nine years ago).

There are times when this album is really superb.  The Rage guys get an amazingly full sound out of their instruments (the choruses of “Show Me How to Live” are so full).  And when it works, and Cornell’s amazing voice is in full force, this seems like a genius pairing.

But there’s a lot that feels kind of clunky here (and there’s some really bad choices of guitar solo work by Tom Morello–the weird noises that compriose he solo of “What You Are”–in Rage the noises were weird but exciting and inflammatory, these are just kind of dull.  Worse yet, is the, well, stupid solo in “Like a Stone”–boring and ponderous at the same time).  Although he redeems himself somewhat with the cool solo on the otherwise dull “Intuition”.

The biggest surpise comes in “Like a Stone” which is insanely catchy and mellow–something one assumed Rage didn’t know how to do).  Lyrically the song is pretty stupid (as are most of the songs), but the combination of melody and Cornell’s great vocal lines really raise this song high–shame about the solo).  Also, a song like “Shadow of the Sun” seems to highlight Cornell’s more mellow moments (and shows that the Rage guys can actually play that slow), and they all seem to be in synch.

And there are several songs that rock really hard, sounding at times like Rage and at time like Soundgarden, but working on all cylinders together.  “Cochise” and “Set It Off” are simply great riff rock songs.

But ten or so years later, and twenty years since Badmotorfinger (my favorite Soundgarden album), it’s nice to hear Cornell rocking again.  Although man, the record is too long!

[READ: June 1, 2011] Five Dials Number 8

For Issue Number 8, Five Dials went to Paris.  And so the whole issue is given over to French concerns and ideas.  For a magazine that didn’t need a change of pace, it’s a delightful change of pace.  The feel of the magazine is different, and there’s an air of vacation about it (which is not to suggest that it is slacking off in any way), and it feels really vibrant.

I don’t know a lot about France in general.  I mean, I’ve been there, and I keep up with things, but I am not a Francophile by any means. So a lot of this stuff was simply new to me, which is always fun.  What I especially liked about the issue was that they were not afraid to show some of France’s uglier sides as well–it’s not just a tourism booster.

It even starts out differently than the other issues. (more…)

Read Full Post »