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Archive for the ‘Christopher Sorrentino’ Category

SOUNDTRACK: THE MIDNIGHT HOUR-Tiny Desk Concert #766 (July 18, 2018).

After a countdown of 1-2-3-4-5-6-7-8, Adrian Younge, with an undone satin bow tie, plays a cool melody on the keys.

Then the strings (Stephanie Yu (violin), Bryan Hernandez-Luch) ring out, followed by the bass notes from Ali Shaheed Muhammad in a blue pinstriped suit and deep violet Fender guitar.

Drummer David Henderson (in a rose satin shirt) adds some beats before the sax (Jordan Pettay) and trumpet (DeAndre Shaifer) add o the “sultry jazz fusion.”  That’s how “Black Beacon,” an instrumental with a great 70s vibe starts out.  I love it.

So who is The Midnight Hour?

After years of produced releases and jam sessions, A Tribe Called Quest’s Ali Shaheed Muhammad and composer Adrian Younge formed The Midnight Hour in 2018 and released a 20-track album of hip-hop, R&B and jazz.

Younge says that “In creating The Midnight Hour we selected singers we love.”  This leads to Loren Oden and Saudia Mills singing “There is No Greater Love.”  Again with an 8 point countdown, this song has a cool funky bass but the vocals have an authentic lite-FM 1970s vibe that I don’t care for, although the accuracy is right on. It’s also really short.

Next up was 16-year-old Angela Muñoz.  Younge says she reached out to them on Instagram and said “hey guys, I make music” and there was something about this girl that was real.   She wrote  a song and we wanted it to be a part of the album.  She plays “Bitches Do Voodoo” her vocals are great but terribly affected–she’s been listening to way too much pop music with a delivery like that.  The song is short and there are a lot of repeats of the lyrics “Don’t let her get your heart, shes doing voodoo in the dark.”  The problem for me is that ‘dark’ is pronounced: “dah-eye-ah-eye-ark”

The group ended with the hopeful and key-heavy “Mission.”  It opens with a cool bass line and rumbling drums.  And a quick shoutout to guitarist Jack Waterson.

I prefer the instrumentals on this album, they write some tasty music.  A final thought o the way out:

“You know what the best time to listen to this is?”

[READ: January 28, 2018] “Crepuscule with Mickey”

This is an excerpt from a longer story.  The narrator of this story is a “wise guy,” with accent and mannerisms to go along with it.  It feels crazy and over the top.  I found it a little annoying at first but I started to enjoy him by the end.

The popular press says he is an heir to the gambling empire of Bugsy (which nobody called him anything but Ben), Siegel, which I do not care to dispute because it would involve splitting hair.

They all say Mickey Cohen lives extravagantly. Well, he sees no point in personal discomfort.

Kids, as they say, is a pain in the tuchis by trade, and while those belonging to others is something I ordinarily do no care to become involved with and generally speaking I am….

greatly opposed to guys who stick their nose into the business of other families, as I grow older I find it a pleasure to extend my authoritativeness on account of longevity into realms I might have
avoided in my youth.

Two people have come to see him, they are desperate.  He is using his best manners–picking the couple up at the airport in a Fleetwood–a limousine being unsociable. (more…)

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