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Archive for the ‘Elena Ferrante’ Category

SOUNDTRACK: PHOEBE BRIDGERS-Tiny Desk Concert #677 (November 27, 2017).

Phoebe Bridgers has an incredibly delicate voice.  And yet despite its delicacy it is also really powerful (as evidenced by the note she holds at the end of “Motion Sickness”).

I know the original of “Motion Sickness” which has a big raw guitar and a powerful chorus.  Her entire sound is stripped down here, with just pianist Ethan Gruska and violinist Rob Moose accompanying her on her quiet guitar.

Together, they celebrated the occasion with languid renditions of three of the album’s best songs: the sad and seductive “Demi Moore,” a drastically muted “Motion Sickness” and a piano-driven take on Bridgers’ first-ever single, “Killer.”

“Demi Moore” has some interesting synthy sounds accompanying Phoebe’s gentle guitar.  I really like the way the violin is playing somewhat unsettling notes rather than gentle accompaniment.  I cannot figure out what this has to do with Demi Moore, though.

As noted, “Motion Sickness” is very different.  It’s a little less catchy somehow (I really like the contrast of the guitars and her voice on the original).  But the song sounds really pretty this way (and I am charmed at the way she seems to be smiling throughout the song).

She describes “Killer” as being about murder.  It includes an unsettling conversations about Jeffrey Dahmer and Bridgers singing without her guitar.  It’s a stark piano song that really lets you hear how pretty her voice is.

I’m very curious to know what she typically sounds like live.

[READ: May 13, 2017] My Brilliant Friend

In what I thought was the final issue of The Believer (it went on hiatus for a couple of years), Nick Hornby says he really enjoyed My Brilliant Friend.  So I decided to check it out (since it’s part of a series and was compared tangentially to My Struggle, I decided to keep a running tally of pages just in case I decided to read all four of these books).

I haven’t read a ton of Italian writers, I gather.  And while that doesn’t really impact the quality of the story (or the translation by Ann Goldstein) the book does talk about locations that I’m pretty unfamiliar with.

Evidently there is intrigue about the identity of Elena Ferrante (the name is a pseudonym).  I didn’t know that until after I read the book and looked up to see how many more books there were.  Ferrante (I’ll go with she, because why not) has written four books in this series and three other books with out her identity being discovered.  I suppose the reason her identity is interesting is because this book seems to be autobiographical.  Of course what do you call an autobiography by a pseudonym? (more…)

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