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Archive for the ‘Jalani Morgan’ Category

SOUNDTRACK: LUCKY DAYE-Tiny Desk Concert #852 (May 28, 2019).

I watched the Raphael Saadiq Tiny Desk Concert where he brought out Lucky Daye before watching this one.

I might have appreciated Lucky Daye’s guest spot more had I seen this first.  I wound up liking him quite a bit in this Concert.

In the blurb Sidney Madden writes:

NPR Music’s Bobby Carter and I have been checking for Lucky Daye since last year when we dubbed him one of the “Kings of R&B.” Then, after seeing Lucky perform live in Washington D.C., we knew his charisma and control would translate well to the Tiny Desk.

This set is fun for all of the horns that are included (which we’ll chalk up to his hailing from New Orleans).  I feel like the horns give the songs more excitement than if they hadn’t been there.

Hailing from New Orleans and inheriting a love of sticky, bass-bumping funk early on, Lucky wanted to bring the full flavor of his debut album, Painted to NPR. So he brought along a 10-person band, including a quartet of horns.

“Roll Some Mo” opens with a quiet guitar from Kenji Chan and twinkling keys from Quintin “Q” Gulledge.  There’s a soft cymbal escalation from Kendall Lewis when a cool bass line comes in from Daye’s go-to producer Dernst “D’Mile” Emile II.

The horns are quiet as the song starts.  The camera seems to really like trumpeter Crystal “RØVÉL” Torres as it zooms in on her a bunch.  Brandyn Phillips on trumpet and flugel gets some screen time too.  There’s not a ton of differentiation between the horns–no solos or anything.  But once in awhile you can pick out Chris Johnson on trombone and Corbin Jones on baritone sax.

Nikki Flores does the first backing vocal part but then Chelsea “Peaches” West adds a lot to the call and response.

“Misunderstood” is a quiet song with keys and Crystal “RØVÉL” Torres playing a muted trumpet.  This is my least favorite song because of the way he sings it–all of that moaning and ohhing is not my thing.  I don’t care for an R&B ballad, obviously.  But he won me over after the song.

“I’ve never performed that song in front of anyone with a band,” he said, trying to laugh off mid-set jitters and bask in the moment. “This is amazing, y’all. I’m really grateful.”

The final song, “Late Night” is a lot of fun.  It starts with some great wah wah guitar with horns and vocal hits.  I like the way his sings this song much better—deeper vocals and some fun backing vocals.

The end of this song with the horns swinging and singers singing is really fun.

[READ: July 1, 2019] “First Time”

The Summer 2019 issue of The West End Phoenix was a special all comics issue with illustrations by Simone Heath.  Each story either has one central illustration or is broken up with many pictures (or even done like a comic strip).

Each story is headed by the year that the story takes place–a story from that particular summer.

1998

This story is mostly visual.  Because there’s not a lot of text.

Grade 11.  A daily bus ride.  A beautiful girl.

He wore a school uniform (grey pants, green cardigan).

She had long straight hair, amazing eyes and was always alone.  She was out of his league. (more…)

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