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Archive for the ‘Kelly Link’ Category

kelly-linkSOUNDTRACK: THE DUDE OF LIFE & PHISH-Crimes of the Mind (1994).

Crimes of the Mind is the debut album from The Dude of Life, Steve Pollak, a childhood friend of Trey Anastasio and a lyrical contributor to many of Phish’s early songs. Phish is the backing band for the entire album.

The album was recorded in 1991 but wasn’t released until 1994. The Dude of Life performed several of these songs in a live setting with Phish on a number of occasions.

Of all of the “Phish” albums, this is the one I listen to the least.

The main riff of “Chalkdust Torture” was used in the song “Self” on this album.

Dude

“Dahlia” is a kind of sloppy rock song—it certainly has a Phish feel to it, but as soon as the vocals come in, you know it’s going to be different.  Lyrically, however, it sounds a lot like crazy early Phish—a song about a girl who is a little nuts and a really catchy melody.  The song has a weird climax with the sucking Cherry Charms Blow Pops line.

“Family Picture” opens with a watery bass, it has a kind of silly Phish-iness to it—you wouldn’t be surprised if Phish played it but again, although Dude’s voice makes it much sillier.  Once again there’s a fun chorus and a rather silly guitar solo.  “Self” is a wonderfully selfish song (“I don’t care about anyone but myself”).  I also like that he rhymes “bluer” with “sewer.”  Once the song starts rocking, it features the main riff as “Chalkdust Torture” and then it really takes off.

“Crimes of the Mind” is a simple song with a catchy chorus.  “She’s Bitchin’ Again” has a very cool guitar riff and motif, and while the lyrics are funny, the addition of the woman bitchin’ at him is a bit much (especially since her voice is quite unpleasant and isn’t quite singing).  “TV Show” is the first thing that’s close to a ballad.  It starts slowly but after the sound of keyboards building and ramping up, the song kicks into high gear with the chorus of “life is a TV show that should have been canceled long ago.”  “Trials and Tribulations” is a funny/weird romantic song about the Swiss Miss, Captain Crunch and Mr Clean, with a cute melody for the guitar riff.

“Lucy in the Subway” is of course a kind of follow up/piss take on “Lucy in the Sky with Diamonds.”  It sounds nothing like The Beatles’ song, being a simple, rather than psychedelic song, but that befits the tone about a girl down on her luck–she is “with daffodils” if you were wondering about the D).   “Ordinary Day” is the kind of simple song—singing about nothing happening—that makes you wonder how people write them.  “Revolution’s Over” is as close to punk as this line up will get—fast drums, fast tinny guitar and a quick riff.  The middle has some funky weird jam stuff

“King of Nothing” is a slow, almost ponderous song (except that Dude’s voice is more goofy than deep).

Since Pollak contributed much to Phish’s early silliness it’s not surprising that these songs are rather silly too.  But the band plays really well and holds it all together.

[READ: November 14, 2016] Stone Animals

Back in 2014, I ordered all 16 books from Madras Press. believing that I’d been told about a cool gem of a publisher.  And I had been. Unfortunately, after publishing the 16 books they seem to have gone out of business or so. They still have a web presence where you can buy remaining copies of books.  But what a great business idea this is/was

Madras Press publishes limited-edition short stories and novella-length booklets and distributes the proceeds to a growing list of non-profit organizations chosen by our authors.  The format of our books provides readers with the opportunity to experience stories on their own, with no advertisements or miscellaneous stuff surrounding them.

The format is a 5″ x 5″ square books that easily fit into a pocket.

Proceeds from Link’s book go to The Fistula Foundation.

Many of the books from Madras Press have been unusual–some of them downright surreal.  And this book, which finished up series 3, is no exception.

I started to read this when I was on a camping trip–I was tired and exhausted from a long day, and I genuinely thought I was having lack of concentration issues because this story didn’t really seem logical.  When I read it again in the light of day, it still didn’t exactly seem logical, but I was able to follow it a little better.

The story follows a family–husband and wife and two kids.  They are moving from New York City to the suburbs.  The house that they are purchasing has two giant stone rabbits on the front porch.  The children’s don’t want to leave the city exactly but the adults are pleased with the house. (more…)

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thrilignSOUNDTRACK: ADIA VICTORIA-Tiny Desk Concert #544 (June 30, 2016).

adiaAdia Victoria has a rough, raw voice that goes well with her simple, exposed guitar sound.  The blurb says her music “carries the singular perspective of a Southern black woman with a Seventh Day Adventist upbringing, who never felt like she’d fit in.”

She sings three song, mostly in a great, raspy voice.  For “Stuck in the South” she actually seems to be gritting her teeth as she sings: “I don’t know nothing ’bout Southern belles / but I can tell you something ’bout Southern hell.”  When the first verse ends, and her band kicks in, it adds such interesting textures.  a distorted bass and a lead guitar playing quietly distorted sounds.  This song is really captivating.

“And Then You Die” with its swirling sounds and keyboards has a very distinctly Nick Cave feel–gothic in the Southern sense of the word.  Indeed, the first verse is spoken in a delivery that would make Nick proud. This is no to say she cribbed from Cave but it would work very well as a companion song  I really like the way it builds, but the ending is so abrupt–I could have used some more verses.

After the second song the band heads away and Bob says “They’re all leaving you.”  She looks at them and growls, “Get off the stage!” to much laughter.

She sings the final song “Heathen” with just her on acoustic guitar.  It is a simple two chord song.  It’s less interesting than the others, but again, it’s the lyrics that stand out: “I guess that makes me a heathen, something lower than dirt / I hear them calling me heathen, ooh like they think it hurts.”

I’m curious to hear just what Adia would do with these songs when she’s not in this Tiny format.  I imagine she can be really powerful.

[READ: November 23, 2016] McSweeney’s Mammoth Treasury of Thrilling Tales

For some reason or another I have put off reading this McSweeney’s volume for many years.  This is technically McSweeney’s #10, although it was also released in this printing from a  major publisher. Sadly for me, my McSweeney’s subscription had expired sometime around here so I’ve never actually seen the “official” Volume 10 which I understand has the exact same content but a slightly different cover.

One of the reasons I’ve put off reading this was the small print and pulpy paper–I don’t like pulpy paper.  And it was pretty long, too.

But I think the big reason is that I don’t really like genre fiction.  But I think that’s the point of this issue.  To give people who read non-genre fiction some exposure to genre stuff.

Interestingly I think I’ve learned that I do enjoy some genre fiction after all.  And yet, a lot of the stories here really weren’t very genre-y.  Or very thrilling.  They seemed to have trappings of genre ideas–mystery, horror–but all the while remaining internal stories rather than action-packed.

Which is not to say I didn’t enjoy anything here. I enjoyed a bunch of the stories quite a bit, especially if I didn’t think of them as genre stories.  Although there were a couple of less than exiting stories here, too. (more…)

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