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Archive for the ‘Matthew de Abaitua’ Category

fivedials_no28SOUNDTRACK: PHINEAS AND FERB-The Twelve Days of Christmas (2010).

phineasWhile The Bird and the Bee has become my new favorite serious version of The Twelve Days of Christmas, this Phineas and Ferb version is my new favorite silly version of the song.  Sure it’s especially funny for fans of the show but, as anyone who has seen the show knows, Dr. Doofenshmirtz is comedy gold and so his wishes for Christmas and his updates and concessions (and the fact that he is a traditionalist) absolutely make this worthy of repeat listens.

[READ: December 19, 2013] Five Dials Number 28

Five Dials #28 is vaguely thematic–about heroes.  Some items are literal (the writers-as-heroines drawing), some are speculative (my favorite conceit–the stories of quickly killed side characters in movies), and some are unrelated at all–the guy who helped out Will Self.  This issue was launched from Sydney, Australia.

CRAIG TAYLOR-A Letter from the Editor: On Heroes and Convicts
Taylor talks about everything mentioned above and then talks about Robert Hughes’ The Fatal Shore and his primer on modern art: The Shock of the New (which has an accompanying documentary series). (more…)

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SOUNDTRACK: GIRL TALK-All Day (2010).

Girl Talk is the product of Gregg Gillis.  Gillis doesn’t play any instruments.  All he does is mash-up different songs into a killer DJ mix.  There is absolutely nothing legal about what he does (in terms of copyright), and for that reason alone, I love it.  But beyond that,  he does a great job of mashing two (and more) songs together.

Mostly this is a fun way to play “spot the song” [Hey: “In Your Arms,” Hey “War Pigs”].  And when you give up you can check out the samples list (which has 37 entries under the name D alone). [Hey, Spacehog’s “In the Meantime”]

I knew a lot of the songs that he sampled, but he also put in a lot of rap which I didn’t know.  The rap works well over the original music (what sampling would be like for real if it was legal).  [Hey, Portishead!]

Mostly you get a minute or maybe a little more of each song, [Radiohead’s “Creep”] sometimes the clips are sped up or slowed down to merge perfectly with the other.  And it’s a whole lot of fun.  [The Toadies!] As someone described it, it’s like listening to a whole bunch of radio stations at once [“Cecelia”].  And, if you don’t like the song that’s on [two seconds of the Grateful Dead?], just wait a couple seconds. [INXS].

Gillis doesn’t (really) sell his music.  Indeed, you can download all of All Day for free fromIllegal Art.  [Hey, the middle of Edgar Winter’s “Frankenstein”].

I’m not sure if it’s art, per se, but it’s clearly a lot of work, and it takes a lot of skill to make it so seamless [White Zombie!].  It probably works very well at a party too.

[READ: June 20, 2011] Five Dials Number 13

Five Dials 13 is more or less the music issue.  It is specifically dedicated to festivals and their overindulgence of everything.  And so it is long (63 pages), it is full of rather diverse points of view, it even has clouds!  Thankfully it’s not full of overflowing portapotties.  It also has lots of artwork from Raymond Pettibon, which is pretty fantastic in and of itself.

CRAIG TAYLOR-Letter from the Editor: On Festivals and George Thoroughgood
The letter opens with some comments on Festivals–two paragraphs of complainants about festivals with a final admission that the interlocuter is going to Glastonbury.  The end of the letter is devoted to a story from George Thoroughgood.  Usually I agree with the Five Dials‘ tastes without question, but I have a serious complaint about their love of Thoroughgood, about whom it would be charitable to say that he has written one song seventy-five times.  And I have absolute incredulity at this quote from George:

The promoters had gone to another festival where we played on Thursday before Roskilde, and they were so knocked out by the power of the performance they called me the next day and asked if we would mind if they changed our show time to close the festival.

Are you seriously telling me that they would change the headlining act a weekend before the festival?  How pissed would you be if your headliner was bumped for 90 minutes of ‘Bad to the Bone’?  Good grief. (more…)

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