Feeds:
Posts
Comments

Archive for the ‘Michael LaPointe’ Category

SOUNDTRACKRHEOSTATICS-The Horseshoe Tavern, Toronto (May 25, 2017).

Second of four shows at The Horseshoe Tavern dubbed Spring Nationals. First Time played live for the new songs Rear View (Tim), Here Come The Wolves (Dave B), AC/DC On My Radio (Dave B/Dave C).
Lineup is:
Dave Bidini / Dave Clark / Hugh Marsh / Ford Pier / Martin Tielli / Tim Vesely

The show starts with a kind of quiet, hushed version of “Stolen Car” with cheers for Hugh’s violin solo at the end of the song. And then Martin introduces “Ford Kristofferson on the keyboards” (Man I wish I could see what Ford looks like).

Someone shouts “Rheos rule” and Clark comments, “if we did, there’d be world peace.”

They play a wonderful combination of “King Of The Past” (Clark: King of the Pasta) and “Northern Wish.”

The crowd whoops and Dave says that that is the appropriate sound for the new song.  Clark: “It’s called “Confused Wolf.”  The song is really called “Here Come The Wolves” and it’s a powerful song with great toms and violins.

This one [“P.I.N.”] is called “Snakes on a Plane.”

Clark says “Big thanks to Dani Nash and her rocking band.  She also drums for the Samantha Martin Band.  She is a wicked drummer and a knockout visual artist, too.

[We’re skipping a song on the setlist, shhh–they were going to play “Bridge Comes Tumbling Down”].  They “bridge” to “Music Is The Message” and as Tim says, “we played a bunch of new songs last night and playing them again tonight and they’re completely different.  It’s awesome.”

Dave B: We’ll try to play this next song (Dave’s “Mountains And The Sea”) well for once.

Clark says “That is the first chord of Dust in the Wind, right?  It was a hit for them, why not us?”

There was a lengthy solo from Hugh including a funny bit where he holds off on playing notes busting all the anticipation.

Martin comments: “I’ll call you David from now on.”
DB: “Are you mad at me?”
MT: “No it’s jut you insist on that….  Don’t Davids bug you?  Or Mikes who insist on being called Michael.”
DB: “I’d like to send that out to Michael Philip Wojewoda who is here tonight.”
MT: “I’ve always hated that about Michael Phillip.”
Tim: The only thing worse that David is “Daveed”
Clark: “And yet David Durango is one of the nicest guys going.” (I can’t figure out who they are talking about).
MT: He’s the only guy who almost drummed for Nick Buzz.  A Band with a “no drummer” policy.”
DS: “No drummer policy? Where do I sign up?”

Tim will surprise us with an instrument change…
Someone in the audience: “Polka the shit out of us, Tim!”
DB: “There’s heavy male patter presence, which must be offset at some time.”

Tim is on “the gentleman’s instrument” for “What’s Going On Around Here?”  It sounds great to hear again, although Tim says, “that accordion was exhaling musty basement smell in my face. It’s been down there a long time.”

Up next is a duet with Hugh and Tim (on acoustic) doing “Bad Time To Be Poor” it’s very cool to hear it this way.

Dave announced the last new song of the night.  “I know you want to hear new songs but you get worried, I hope they play the one I like.  But you’re such an elastic forgiving crowd, you’ll let us do anything.”
Tim: ” Wednesday’s crowd were a bunch of assholes.”
(Someone in audience: “I’m never coming back.”)
Tim: “This is the best crowd ever.”
Martin: “Maybe the penultimate.  There was one other that was better.  They were so good.  I loved them.  I dream about them.”

Tim tells a story about opening for The Hip and getting ambivalent and odd crowds.  We expected that.  There was no abuse.

But Dave B says they played in Quebec in purple and orange jackets and people laughed… they got it!  We should be bigger in Quebec.

Martin says in New Brunswick somebody threw something at us.  Martin says he picked it up and whipped it right back at them.
But Dave says at another show, something hit Martin and he got pissed, but it was a T-shirt that said “We love you Rheostatics.”

Tim: “The moral of the story… Fucking Rheostatics fans.”

They play a wonderful “The Albatross” which is really gelling live and then a solid “Legal Age Life At Variety Store” (with an introduction to Tim Mech).  Dave shouted that he end, the Eagleson ripped off Bobby Orr line and Tim shouted “can’t you ever get over that?” During “Self Serve Gas Station” Martin sings “What went wrong with Ford?”

After some banter they’re on to “Shaved Head” which sounds great even though Martin misses a lyric.  It doesn’t throw him, although he does apologize later.

The pretty ending gets cut off but only by a little I’d guess. And they go for an encore.

After the break Dave Clark comes out to sing an a capella version of “Johnny’s Got A Problem” by D.I.   The crowd is really into it and sings along.

As soon as Martin starts playing the crazy guitar intro to “When Winter Comes” someone in the crowd goes crazy “Oh my God!  Oh my God!”  It sounds great to hear again as well.

They end the night with a song “co-written by Paul Quarrington.  Go to a library and take out one of his books.”  A lovely version of “Claire.”

It seems like maybe there might be more, but that’s where the recording ends.  The new songs have been getting better and better, and the band is having a lot of fun up there.  Dave Clark is even being a bit more silly, but nothing like he was back in the old days.

[READ: May 18, 2018] “Candidate”

This is a story of a man who works for a presidential candidate.

It is told in first person in the present and in flashbacks.

The flashbacks talk about how he and his best friend Spencer were marginal kids in school.  Spencer in particular was a somewhat shunned individual–he could have been in the Trench Coat Mafia.  But while the narrator and Spencer shared the same views and ideas, the narrator passed more easily with the other kids. (more…)

Read Full Post »