Feeds:
Posts
Comments

Archive for the ‘Patrick Chamoiseau’ Category

SOUNDTRACK: GZA & The Soul Rebels-Tiny Desk Concert #738 (May 2, 2018). 

GZA is the latest rapper to come to the Tiny Desk with a live band.  He had a six piece brass band Manuel Perkins (Sousaphone), Julian Gosin (Trumpet), Marcus Hubbard (Trumpet), Erion Williams (Saxophone), Corey Peyton (Trombone), Paul Robertson (Trombone) and two percussionists Lumar LeBlanc and Derrick Moss.

It turns out that on a recent tour The Soul Rebels were actually the headlining band and GZA was a special guest:

This set was recorded when The Soul Rebels were in Washington, D.C. for a performance at the 9:30 Club that featured GZA and Talib Kweli. It was one of just a handful of live concerts GZA has done with the group.

I was surprised to hear than GZA (or frankly anyone from Wu-Tang Clan was “notoriously introverted.”  Also that “Most rap fans would name RZA as the head of the Wu-Tang Clan. But Wu purists know that GZA, or The Genius, is the crew’s unspoken elder statesman.”

Once they stepped behind the desk they got right down to business, opening with the sparkling “Living In The World Today,” from GZA’s 1995 solo album Liquid Swords. These 23-year old lyrics and metaphors felt timeless.

After the song he smiles, “That was cool.”

GZA continued his onslaught of poetic precision with another beauty from Liquid Swords, “Duel of the Iron Mic.” “I ain’t particular,” he spat, starting to break into a sweat behind the desk. “I bang like vehicular/Homicides on July 4th in Bed-Stuy.” At one point, GZA even channeled his cousin, the late great Ol’ Dirty Bastard, who provided the hook on the original version of the track.

By the third and final song at the Tiny Desk, driven by unbridled passion and his command of the room, GZA was soaked in sweat as they broke into the title track of Liquid Swords. The Soul Rebels perfectly recreated the track’s seamless horn hits while adding on a bit of their own flare. The cherry on top arrived when GZA used his final minutes to tell the story of how the hook originally came together. In RZA’s basement, smoking and drinking with fellow Wu lyricist Masta Killa, RZA was sold on a routine he, GZA and ODB used to perform as teens.

I don’t know GZA’s solo stuff.  I don’t really know his flow.  He sounds a bit old and a little rusty, but his delivery is strong (even when he “forgets his own verse” in “Liquid Swords”).   I love the way The Soul Rebels play the eight notes over and over in an almost menacing holding position.

And the tale he tells about the final song is pretty great.

 

[READ: April 10, 2018] “The Mastiff”

This is one of those stories (translated from the French by Linda Coverdale) that to me just seems endless despite its brevity.

The Master has never seen this thing before.

He releases the howling mastiff.

He follows the dog.

For the rest of the story. (more…)

Read Full Post »