Archive for the ‘Philippe Claudel’ Category

SOUNDTRACK: CORNELIUS-Tiny Desk Concert #718 (March 19, 2018).

I was familiar with an artist known as Cornelius, but I guess I didn’t really know anything about him, because this blurb came as a total surprise:

As Cornelius, Keigo Oyamada has stretched his vision across frenzied indie rock, lush ’60s-style pop, psychedelic funk and glitched electronics, all deconstructed and reassembled like a neon cubist-pop sculpture. After a little more than two decades, no one can really imitate his complex cool.

Sporting a pair of sunglasses (always), Oyamada recently brought his band from Japan to the Tiny Desk on a rare U.S. tour, including his longtime collaborator and Pizzicato Five session musician Hiroshisa Horie, drummer Yuko Araki (Mi-Gu, Cibo Mato’s live band) and synthesist Yumiko Matsumura (Buffalo Daughter). They’re all musicians who tease and poke at music’s fringe territory, but still know how to make a song buzz and pop with gleeful curiosity.

So I guess I know Cornelius from Pizzicato Five.  But I was not prepared for the trippy synthy music that this band created.

Cornelius performs three very different songs from last year’s Mellow Waves. There’s the robotic groove of “Helix/Spiral,” which repeats and mutates the same phrase and melodic fragments in a delicate and strange dance.

“Helix/Spiral” is all synth with his vocals auto-tuned into robotic sounds.  The lyrics are mostly him speaking those two words over and over (which I thought was saying Alex Spy-lo, but that is clearly me not understanding his accent.  The synths are great.  One is doing cool trippy backing sounds while the main riff is a disjointed melody that begins confusing and ends as an earworm.

“In a Dream” is a star-swept landscape that invites the subconscious to search for meaning, its keyboard flourishes and light acoustic strums so breezy you could almost call it a kind of retro-futuristic yacht rock.

I love the full synth sound (and swirling bass of “In a Dream”).  I believe he is singing in Japanese.  The chorus of the song is so incredibly catchy in an almost light folk sort of way.

But set closer “If You’re Here” is the real marvel to behold live, as the band performs at different tempos, gradually solving a polyrhythmic puzzle of a slow jam. The song also features one of my favorite guitar solos in recent memory — it’s unflashy, but twists, spits and resolves in the most unexpected ways.

“If You’re Here” is a longer song–nearly 7 minutes–with a kind of slow building feel.  Those electric guitar solos from Cornelius himself are very cool indeed.  There’s a lengthy instrumental coda at the end which is very trippy and cool.

I really enjoyed this set and every new listen brought in something new.

[READ: January 9, 2018] “The Send-Off”

This is an excerpt from a novel called Inhumaines which has just come out in English (translated by Camille Bromley).

The previous piece that I read from Claudel was pretty surreal.  This one is as well.

It begins

Last night, Roger Turpon, from dispatching, invited us to his suicide.  There were twenty of us.  Family and friends only.

Turpon has been talking about killing himself for a while now, but boy “A suicidal person is tiresome.”

Finally Dupond helped him out by calling him a coward, saying he won’t do it.  They stood in the parking lot in mid-autumn with leaves blowing all around them.  “It was lovely.”

Three days later they received the invitation: Mr and Mrs Turpon are delighted to invite you to Roger’s suicide this Saturday. (more…)

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SOUNDTRACK: MEGAFAUN-Live from the World Cafe, November 9, 2011 (2011).

I loved the Megafaun song “Get Right,” a trippy 8 minute workout.  So I was interested to hear them in this live setting.  There’s a lengthy interview with WXPN’s Michaela Majoun (full of all kinds of details about Bon Iver–whom they used to play with before they broke up and he became Bon Iver–and about, North Carolina and Wisconsin and lutefisk).  And the band plays three songs, too.

“Real Slow” opens with a banjo (and it is real slow).  It has a very Grateful Dead feel to it and beautiful harmonies.  After the freak out of “Get Right” I was quite surprised to hear such a traditional folky song from them.  “Second Friend” is a but more upbeat–bright guitars and more beautiful harmonies.  It’s a simple song.  “State/Meant” has a bit more electric guitar, but it continues in the folkie vein.

I admit I didn’t enjoy this set as much as I expected.  The songs were really nice, but they didn’t really push any envelopes sonically, especially compared to “Get Right.”  But at the same time, what they do, they do very well.

You can hear it here.

[READ: April 23, 2012] “The Investigation”

This is an excerpt from a novel called The Investigation which is coming out in English (translated by John Cullen) in July.

I don’t know what the story is all about because this excerpt is really bizarre and wonderful, but it’s certainly not any indication of what the storyline will be.  However, it is a huge indication (I imagine) of what the story will be like.

The word “Kafkaesque” is thrown around a lot (well, in my house it is anyhow), but this excerpt is really and truly Kafkaesque.  The Investigator wakes up in a tiny hotel room to the sound of a telephone ringing.  He is naked and has no idea how he got there. And the telephone appears to be attached to the ceiling.  He has a confusing conversation on the phone that opens more questions about his situation. (more…)

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