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Archive for the ‘Alec Baldwin’ Category

1978SOUNDTRACK: LAND LINES-Tiny Desk Concert #494 (December 11, 2015).

landLand Lines are a trio from Denver.  They have a drummer, a synth player and a cellist/lead singer.  Although their music is pretty spare and simple, I find them really compelling.

On “Wreckage,” Martina Grbac plays the cello with her fingers, strumming chords on the neck of the instruments in a way I’ve not seen anyone play before.   Grbac sings quietly and her voice–echoing and effects-laden–reminds me of someone from the 1990s, although I can’t exactly pinpoint it (maybe a Cocteau Twins vibe?  but not quite). James Han plays really interesting chords and textures on the keyboard.  Sometimes he adds melody lines, and other times, like at the end of this song, growing washes of sounds.  Ross Harada’s percussion is also fun for the complex and different sounds he adds to the songs.

“Anniversary” has a similar vibe withe that cello chord playing.  The opening keys play simple echoing notes which add a nice atmosphere to the acoustic chords and percussion.

For the final song, “Fall or Fall,” Grbac plays a rapidly bowed cello (which has such a different sound than the other songs).  The bass is provided by the synth (a good sounding bass).   I love the way her voice contrasts the keyboard chords.  The chord progressions throughout the song are interesting and I really like the unexpected sounds that close out the song.

I’d never heard of Land Lines, but I liked this show enough to listen to it a bunch of times.  I’ll have to check out their other songs as well.

[READ: July 9, 2016] The Complete Peanuts 1977-1978

I feel like this era is when I would have read Peanuts the most, although I have no recollection of any of these strips.

The covers of the books don’t necessarily depict who will be prominent in the collection, but Peppermint Patty on the front does equal a lot of Patty inside.  While Peppermint Patty continues to do very poorly in school, she does get some witty remarks like “What was the author’s purpose in writing this story?  Maybe he needed the money.”

We see a return of Truffles in January which also introduces Sally calling Linus her Sweet Babboo for the first time.  “I’m not your Sweet Babboo!”  Truffles is very excited to see Linus and vice versa but it kind of ends with unanswered questions because, in one of the first times this surreal gag was introduced, Snoopy flies in as a helicopter–a joke used many more times in the future–to sort of interrupt the whole saga.

Snoopy also pretends to be the Cheshire Cat a few times.

It has been a while since Linus has built anything outstanding (something he used to do a lot as a precocious child).  Well, in Feb 1977 he builds a snowman of Washington crossing the Delaware (to show up Lucy’s George Washington snowman with a little sword). (more…)

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[LISTENED TO: April 29, 2015] Bossypants

bossyAfter listening to Amy Poehler’s audio book, it made me want to listen to Tina Fey’s book.  Sarah had read the book and said it was very funny, but I imagined that the audio would be even funnier.  And boy was it ever funny.

And here’s where I apologize to Tina Fey.  I had always heard her spoken about in such lofty terms as the funniest writer, the golden child (insert various rave here), and I wound up holding her to an unfair standard.  I never found her funny enough for me.  She made me laugh, but, for instance, I thought Mean Girls could have been…more somehow.  After listening to this, I realized what the problem was for me.  I always felt like her stuff could have been more pointed or something, but I realize that given the media she works with she was unlikely to “get away” with anything more pointed–certainly not on Saturday Night Live or 30 Rock.  Rather, she did lots of subtly feminist (or sometime over the top feminist) jokes that I didn’t really appreciate for what she was doing.  But when she lets loose in this book it is really amazing to hear what she herself–not a team of writers–has to say.  Of course, having said that, and having listened to the book, I absolutely need to rewatch 30 Rock (although I never cared for the Tracey Morgan or Jane Krakowski characters) and maybe even some old Weekend updates.

But, I already know Tina’s response to me, because she says it in the book.  And, it talks about something Amy Poehler once said.
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SOUNDTRACK: ALEC BALDWIN reading “Lost and Found” (Selected Shorts September 10, 2011) (2011).

Alec Baldwin’s reading of Whitehead’s “Lost and Found” is really great.  His delivery is perfect and he strikes the ideal balance of humor and pathos, even if his inner-Boston peeks through this New York tale once in a while.  You can hear it for free at soundcloud.

[READ: February 12, 2012] “The Way We Live Now: 11-11-01; Lost and Found”

I didn’t know who Colson Whitehead was in 2001 (at the time of this piece, he had written two novels, neither of which have I read even now).  I read a lot of things about 9/11 after the attacks; however, I didn’t read everything (and really I didn’t want to try).

Strangely, the only way I found out about this is because my brother-in-law’s wife linked to the soundcloud page on Facebook the other day.   (I’m not sure what made her link to it now, either).

The amazing thing about this essay is that it was written less than a month after the attacks and yet it is it is humorous and wise (but not silly or light-hearted).  It strikes a perfect balance.  And in fact, doesn’t even mention the attacks by name.

The piece is more of an ode to New York City and how “No matter how long you have been here, you are a New Yorker the first time you say, ”That used to be Munsey’s’ or ‘That used to be the Tic Toc Lounge.'”  Your first memory of the City is how you will always think of the City.  Whether you were dragged there at Christmas time as child or to help a friend move. (more…)

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