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Archive for the ‘Game of Thrones’ Category

[ATTENDED: April 7, 2019] Muse

Three years ago (I can’t believe it was that long), I saw Muse at this very arena.

It was an incredible spectacle.  And I knew that I would see them again if they came back.

And here they were.

The last tour was in support of their Drones album and it was a marvel of technological excess–drones floating all over the place and marvels of wirelessness.

They had said that this album and tour was meant to more humanizing.  But that did not mean less spectacle! (more…)

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SOUNDTRACK: RHEOSTATICS-Starlight Social Club, Waterloo, ON (April 24, 2016). 

After reuniting for the AGO shows back in 2015, Rheostatics decided to make a proper go of it again.  This included yet another show at Massey Hall (this time with Martin’s voice working).  In order to prep for that show, they first played this show

Warm Up show prior to April 29 2016 Massey Hall show. First club show since March 29 2007 at The Horseshoe Tavern. The Band consisted of Dave Bidini, Don Kerr, Martin Tielli, and Tim Vesely. With Hugh Marsh on Violin and Kevin Hearn on Keyboards/vocals. Trent Severn guested on Fan Letter To Michael Jackson and Making Progress. Norman Blake from Teenage Fanclub was in attendance at this show.

This is a great show with everyone sounding in good form.  Although I love Hugh Marsh and think he is amazing, his violin does tend to take front and center for a lot of this material.  Same with Kevin Hearn’s piano.  They are both essential, but they sometimes feel like more than the other guys (especially he soaring solo of “Stolen Car”).

As the show starts, Dave Bidini begins the banter: Great to be in Kitchener, Waterloo… you’ve changed.  The first show we ever did as Rheostatics was in the hotel across the way.  We slept in the carpark and couldn’t escape Alexanian Carpet (which they talked about back in 2007).  Here’s a bunch of songs.  Hope you like them.

“King of the Past” seems subdued but lovely, with Hugh Marsh’s soaring violin.  It’s followed by “California Dreamline” which opens with soaring guitars from Martin.

It’s followed by “Claire” which sounds great.

Dave says it will take a while for our patter to come back.  Then there’s some new country played on the monitors and Dave suggests that a new direction for them.

“P.I.N.”  sounds bright and positive although I think Kevin’s keys are too much in the chorus.  Martin even sneaks in a “Dirty Boulevard” line.

Dave notes that they were a band before drinking out of a water bottle was cliched–to give you an idea of the age of the band.  We predated grunge.  Actually we invented grunge and then decided it was a bad idea but we left it lying around and someone found it.

The first of Dave’s songs comes in with “Mumbletypeg” it is of course poppy and fun.

Then Kevin recites some of the story of Dot and Bug before starting “Monkeybird.”  Martin makes some wonderful crazy sounds and by the end Kevin starts a chant: I say banana you saw worms.

“It’s Easy To Be With You” is also very keyboardy, with a solo from Hugh or Martin, I’m not sure.

“Song Of The Garden” almost feels entirely like Kevin and Hugh.  It’s lovely.

Kevin starts a sample from Mister Rogers which can only mean “Fan Letter To Michael Jackson.”  Dave says they’ll play this for Prince and for Michael.  Trent Severn (Lindsay Schindler, Dayna Manning and Emm Gryner, in the flesh) sing the “it feels good to be alive” part.  The entire ending (with Martin joining in) is spectacular.

There’s a pretty one-minute guitar segue into “Making Progress” with a very cool long solo by Marsh.

They play a great version of “Self Serve Gas Station” at the end of which Martin says, “and then that guys escaped out of the bathroom window, he’s climbing down the side of the building.”

“Queer” has a lengthy piano solo from Kevin but there’s no “find me another home” outro.  “Dope Fiends and Boozehounds” has a big drum (and much percussion) solo by Don Kerr.  The song ends with some great howling while Martin’s guitar soars.  Martin even brings up the old jokes about someone misunderstanding Don Kerr’s name:  In heavy accent: “Why do you call yourself ‘dont care.'”

“Shaved Head” sounds great as they head into the first encore break.

When they come back out Dave says “I’m working on this solo bass project if you’ll bear with me…..no?  your loss.”

Kevin asks “how many of you are going to Massey Hall?  Don’t share the setlist online so it’s a surprise for everyone.”  It will be next Friday at Massey hall with Amelia Curran

After many requests, they play a slow and powerful “Palomar.”  It’s followed by a pretty version of “Stolen Car” with what I think is a drum machine.  When it’s done, Martin says, “Let’s all smoke cigarettes!”  Dave tells everyone, “Enjoy Game of Thrones.”

There’s a five-minute encore break.  After 4 minutes you can hear country music playing as if it over, but the boys come back out.  Dave: “Now I’m gonna miss Game of Thrones for sure!”

They return with Kevin’s “Yellow Days Under A Lemon Sun” and then a great version of “Saskatchewan” (even if Martin forgets some of the words).

They end with “Legal Age Life At Variety Store.”  The special guest on guitar: “Ladies and gentlemen, Martin Telli’s son… they’ve never met before.  It’s beautiful.”  I don;t know who it is but he plays a solid rockabilly guitar solo followed by a ripping piano solo from Kevin.  It’s all over after 5 minutes.

With a total show time of just over 2 hours, it’s a nice welcome back.

[READ: January 11, 2018]  A Legacy of Canadian Art from Kelowna Collections

I find the subject of Canadian Art to be rather fascinating (possibly because it’s more digestible than the expansive European or American histories).  This stems from my appreciation of The Group of Seven.  They loom (probably unfairly) large in the Canadian Art world.  So it’s interesting to see how the fit in with the rest of the history of Canadian Art.

This book is the publication from an art exhibit that from July 1 to October 15 2017 at the Kelowna Art Gallery.  What I found especially interesting about this show was that the pieces came from eight probate collections in Kelowna (as well as the gallery’s permanent collection).  But basically eight art collectors in Kelowna allowed the public to see their private collections.   That’s fascinating to me and I have no idea how common that is.

The book opens with thanks and kind words from the director and the curator with a longer essay from Roger Boulet.  He talks about the history of art and artists in Canada as well as collectors and their beneficence to artists and the public at large.

The book is divided up into eras. (more…)

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[ATTENDED: June 12, 2016] Arj Barker

arjArj Barker opened for Flight of the Conchords.  I didn’t know him, although I knew he had been on some episodes of the FotC TV Show.

Much like with my trip to the Mann for Wilco, it took a lot longer to get there than I anticipated–I think we’ll have it all figured out for our next show there later this week.  We wound up arriving a few minutes before 8 and had enough time to get a snack before the show started.  Barker didn’t start exactly at 8 either (how come Richard Thompson was so punctual?)

As we were chowing down, we noticed that later this summer the Mann Center is putting on a symphonic Pokemon event and we knew we had to get tickets for the kids for that.  So I ran out to the box office and spared myself the $13/ticket Ticketmaster surcharge at the expense of missing the beginning of Arj’s set.

We walked in just as he was going on about his girlfriend’s insistence on their new gluten-free diet (I’d guess we missed about ten or fifteen minutes). (more…)

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grant12SOUNDTRACK: BELA FLECK, EDGAR MEYER, ZAKIR HUSSAIN-Tiny Desk Concert #70 (July 26, 2010).

belaBela Fleck is a rather legendary musician, and yet I realized I don’t really know that much about him.  And somehow I never knew he was a banjo player (that’s a pretty serious omission on my part).  I had never heard of the other two musicians, although they are apparently world-class masters of the bass fiddle and the tabla.

I also didn’t expect this Tiny Desk Concert to be so interestingly world-musicy.

This set is only two songs but each is about 7 minutes long and they are both very cool (and from the album The Melody of Rhythm).

Fleck’s playing is amazing, with a tone that is often unlike a standard banjo sound.  And I absolutely love the tabla–I am fascinated by this instrument.  The first song, “Bubbles” is an amazing demonstration of Fleck’s banjo.  About midway through he is playing in a decidedly middle eastern style (which works great with the tabla).  And when the bass starts getting bowed around 1:50, it adds an amazing richness to this already cool song.   There’s a cool bass solo (I love that the tabla pauses a few times during the solo).  The ending is just wonderful.

Before the second song, “Bahar” (which means “springtime”) they talk about being nervous, which is pretty funny.  This song opens with the bass fiddle’s bowed notes (including a very very high note).  This one seems to be a more solo-centered, with some elaborate work from Fleck after the introduction. And the tabla solo, while brief, is really cool to watch.  I prefer the first song, but the more traditional nature of the second song is a nice counterpart to the first.

[READ: August 24, 2015] Grantland #12

I enjoyed this issue as well.  This was mostly the spring and summer of 2014, which sounds so long ago, and yet so many things seem so current.

CHUCK KLOSTERMAN-“The Life and Times of Kiss”
I love this article about Kiss.  And I wrote about it back here.

WESLEY MORRIS-“Poison Candy”
This is about the disastrous state of female comedies.  It focuses on the movie The Other Woman which is ostensibly a female centered comedy but is entirely other.

BILL SIMMONS-“Sterling’s Fold”
A drumming down of Donald Sterling.  It’s hard for me to believe that this happened over a year ago.

ZACH LOWE-“Building the Brow”
An article about Anthony Davis of the Pelicans, who is proving to be better than anyone imagined. (more…)

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  grantland8SOUNDTRACK: RALPH STANLEY-Tiny Desk Concert #31 (October 13, 2009).

ralpRalph Stanley is apparently a living bluegrass legend, although I’ve never heard of him.  He plays a clawhammer banjo (and apparently has for 63 years).

The concert lasted only 6 minutes, but in that time he sang three a capella songs: “Gloryland,” “Turn Back, Turn Back” and “Amazing Grace.”

It’s hard to assess a legend based on this performance.  I’ve no idea how good his voice was back in the day.  He sounds fine here, albeit understandably quite old.  I’d have liked to hear his banjo.

[READ: January 3, 2014] Grantland #8

It is becoming apparent to me that Grantland loves basketball.  Like, a lot more than any other sport.  This issue had a ton of basketball in it.  And, I have to admit I was a little tired of it by the end–there was a lot less pop culture stuff, too.  So, it felt especially basketball heavy.  I realize of course that the time frame covered was the playoffs, but still.

BILL SIMMONS-“Searching for a Superman”
A lengthy article about Dwight Howard, discussing the pros and cons of signing him again.

MARK TITUS-“How Did He Get So Good?”
A look at Paul George and Danny Green doing better than expected in the NCAA playoffs.

CHARLES P. PIERCE-“A Dark Day in Boston
Pierce wonders about Boston after the Boston Marathon bombing–he says the city will come back stronger. (more…)

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