SOUNDTRACK: RUSH-“La Villa Strangiato” (from Rush: Beyond the Lighted Stage) (2010).
In the bonus features of the DVD for Rush: Beyond the Lighted Stage, we see (in addition to some awesome live footage of Rush in 1974 with original drummer John Rutsey) a fantastic live clip of Rush playing “La Villa Strangiato,” one of the best instrumentals around.
The camera angle focuses mainly on Alex Lifeson. And man does he rock!
It’s common knowledge, even among Rush haters, that Geddy Lee and Neil Peart are (or at least were) always at the top of the list of “Best” bassist and drummer respectively. And yup, they are pretty amazing. But this has always left Alex in the shadows.
Admittedly, there are thousands of great, amazing, ear melting guitarists. And, typically, the bassist and drummer are kind of dull, so it makes sense that Alex’s playing is in the shadows of the other two. But I fear that he is often labelled as just not very good.
This video should totally prove that suggestion incorrect. He plays quickly and with amazing accuracy, in a multitude of styles.
And speaking of the movie, I always wondered if their families minded that Alex and Geddy changed their names for the band (it’s never addressed in the film). It seems like a weird thing to have done circa 1974 in Canada, although Kiss did the same thing at the time in New York (removing the Jewishness of their names). I just love the name Živojinović, and it’s a shame it’s not better known. (Huh, although Wikipedia tells me that Lifeson is a sort of literal translation of Živojinović. Who knew?)
[READ: July 29, 2010] “Grokking Rush”
Since Rush has been everywhere lately, I figured I’d mention this recent article in The Believer. There’s nothing terribly new in the article. In fact, it seems like something of an introduction to the uninitiated, giving a basic history of the band and their lyrical themes.
The only thing I didn’t know, which is teased out in the subtitle, was that so many academic papers have been written about the band. Dissertation titles include “Permanent Changes: Rush, Musicians’ Rock, and the Progressive Post-Counter-Culture” and “Grand Designs: A Musical, Social and Ethnographic Study of Rush.” They have also been written about in The Journal of American and Comparative Cultures and Popular Music and Society. And, they are the only band ever to be cited in the Journal of Ayn Rand Studies. (more…)
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