Feeds:
Posts
Comments

Archive for the ‘New Year’s’ Category

SOUNDTRACK: WEEZER-Christmas with Weezer (2008).

I heard a Weezer Christmas song this weekend when WRFF in Philadelphia was playing a Christmas takeover weekend–rock bands playing Christmas songs.

When I looked up the song, I found out that Weezer released this EP in 2008.  It had originally been released for a video game called Christmas with Weezer (?!).  Evidently the game was Tap Tap which featured 18 band-specific versions!

This EP has six songs in under 13 minutes.  Each one of the tracks is pretty straight-ahead Weezer guitar rock.  They are bouncy and short, with nothing weird or crazy in them.

“We Wish You A Merry Christmas” starts out with a quiet guitar and then just rocks out when the lyrics come in.  The song is quick and to the point–no messing around.  There’s figgy pudding, there’s a short guitar solo, there’s a key change and its all done in a minute and a half.

“O Come All You Faithful” moves along at a nice clip.  This song is often done rather slowly and this is a fun change of pace.  The back half has a part where the guitars fade out and its a quiet verse before they all come back in to rock the finish.

“O Holy Night” is two times longer than anything else on the EP.  It’s a 4 minute, quiet version with a simple, picked electric guitar melody.  That is until the Weezer guitars kick in after about 40 seconds.  The song is still respectful and very catchy

“The First Noel” starts with an unexpected four note heavy guitar riff before the song resumes it faithful lyrics.

“Hark! The Herald Angels Sing” has a rocking intro before a bass slide kicks the song into high gear.  This song romps through in 90 seconds.

“Silent Night” is a slower song with no drums, just tambourine.

This is a pretty ideal alternative collection of Christmas songs–nothing too crazy, but a nice change from the familiar.   Although it did not actually contain the song I was looking for.

[READ: December 21, 2019] “The Carnation Milk Palace”

This year, S. ordered me The Short Story Advent Calendar.  This is my fourth time reading the Calendar.  I didn’t know about the first one until it was long out of print (sigh), but each year since has been very enjoyable.  Here’s what they say this year

The Short Story Advent Calendar is back! And to celebrate its fifth anniversary, we’ve decided to make the festivities even more festive, with five different coloured editions to help you ring in the holiday season.

No matter which colour you choose, the insides are the same: it’s another collection of expertly curated, individually bound short stories from some of the best writers in North America and beyond.

(This is a collection of literary, non-religious short stories for adults. For more information, visit our Frequently Asked Questions page.)

As always, each story is a surprise, so you won’t know what you’re getting until you crack the seal every morning starting December 1. Once you’ve read that day’s story, check back here to read an exclusive interview with the author.

Want a copy?  Order one here.

I’m pairing music this year with some Christmas songs that I have come across this year.

This story is set in 1964 and concerns fourteen-year-old Charlotte.  She and her family were invited to the Halden’s house for a New Year’s Eve party.

The Haldens were the richest people her parents knew.  They lived in a mansion that her father liked to call The Carnation Milk Palace.  Charlotte’s family couldn’t even afford new things. It was quite a disparity.  Her mother painted things to try to make them current (which meant avocado green). (more…)

Read Full Post »

SOUNDTRACK: RAPEMAN-“Steak and Black Onions” (1988).

Rapeman was a project by Steve Albini named after a Japanese graphic novel character.  They put out one LP and one EP and were protested everywhere they went.

I wasn’t intending to use this song for this story.  As I was finishing this post I read that Carlson was accused of the sexual assault of a minor.  I didn’t want to associate the musician I initially had on this post (who I loved) with this asshat.

So, I am tying him to Rapeman.

Whether the band name is inherently good or bad is not the point.  I wanted something appropriate for the author.  If only the song had been called “T-Bone Steak and Potatoes.”

But then there’s the music, which is really good.  This song, as with most things Albini plays on, is full of sharp, piercing guitar stabs and ricocheting feedback.

The lyrics are pure meat-eating aggro:

Why don’t you snuff it, then?
You plant-eating pussy

Well I know that you wanna tell me what I’m…
What I’m eating, ah yeah
Shut your mouth, shut your mouth
Shut your mouth
I know what I want and I don’t like onions

And yet it’s surprisingly catchy–catchier than his work with say Big Black, anyway.

It is hard to listen to a band called Rapeman, which is a shame since the sounds that Albini generates are so extraordinary.

[READ: April 16, 2019] “At the Jim Bridger” 

I was reluctant to read this story because the title is so puzzling.  And then, as I read it, I was reluctant to finish it because I assumed i knew where it was going and didn’t want to read a story about homophobia.  But I read it all and it surprised me.

The man is named Donner (which seems too easy) he and a woman (not his wife, as the story keeps pointing out) have just pulled into the parking lot of the Jim Bridger Lodge.  He’d been talking about a steak and a cocktail at the Jim Bridger for days.  He talked a lot–more than anyone she’d ever met.  And his stories seemed so poetic.

He had taken the woman on his annual week long hike in the woods.  There was much talk and much sex and he had left beers in the river for when they returned and they were the best she’d ever had. (more…)

Read Full Post »