Feeds:
Posts
Comments

Archive for the ‘Horror’ Category

SOUNDTRACK: KATE BUSH-“Under Ice/Waking the Witch” (1982).

A lot of the music I listen to is weird and probably creepy to other people, but I don’t necessarily think of songs as appropriate for Halloween or not.  So for this year’s Ghost Box stories, I consulted an “expert”: The Esquire list of Halloween songs you’ll play all year long.  The list has 45 songs–most of which I do not like.  So I picked 11 of them to post about.

Esquire didn’t pick this song, but the inclusion of Kate Bush yesterday reminded me of this pairing of songs which I find incredibly creepy–especially late at night wit headphones.

This comes from side two of the Hounds of Love album.  Side Two is a suite or a story called The Ninth Wave.  Kate makes full use of sound effects and vocal panning so that you can hear the voices all around your head as they whisper, call or threaten.

The side begins with the gentle “And Dream of Sheep” which shows a young woman falling asleep (later we find it’s not as innocent as it seems).  This segues into “Under Ice” which begins with slow string notes that sound like someone skating.

Kate’s voice is deep, slow and echoey as she sings about skating on the ice.  You can hear a voices calling, but she doesn’t heed them:

I’m speeding past trees
Leaving little lines in the ice
Cutting out, little lines in the ice
Splitting, splitting sound
Silver heels spitting, spitting snow

and then in a more tremulous voice (with great watery sound effects) followed by a chorus of voices:

There’s something moving under
Under the ice moving
Under ice through water
Trying to
It’s me
Get out of the cold water
It’s me
Something
It’s me
Someone, help them

The two minute song segues into “Waking the Witch” which opens with a whispered “Wake up!” and an early morning wake up call while voices from all over the headphones try to get you to wake up–some more gently than others.

After a minute or so of this the song becomes an intensely scary four minutes.  A voice of someone, pleading, but garbled and cut up–perhaps under water? It is a nightmarish attempt at communication when a deep scary male voice states (with Kate singing the parenthetical)

You won’t burn (red, red roses)
You won’t bleed (pinks and posies)
Confess to me, girl (red, red roses, go down)

With a pretty melody, a voice whispers Spiritus Sanctus in nomine.  It cuts to another chopped up and manipulated voice praying “Bless me, father, bless me father, for I have sinned.”

The deep voice returns in accusation:

I question your innocence
She’s a witch
(Help this blackbird, there’s a stone around my leg)
Ha, damn you, woman
(Help this blackbird, there’s a stone around my leg)
What say you, good people
(Guilty, guilty, guilty)
Well, are you responsible for your actions?
(This blackbird)
Not guilty (help this blackbird)
Wake up the witch

As the four minutes fades off, we hear a helicopter flying through the air and a man shouting

Get out of the waves!
Get out of the water!

The story continues from there and gets a bit more positive, but man, the cinematic detail of this is staggering. Apparently she was finally able to stage this suite when in 2014, she performed her first concerts since 1979.  I would have loved to have seen that.

[READ: October 23, 2019] “The Distributor”

Just in time for Halloween, from the people who brought me The Short Story Advent Calendar and The Ghost Box. and Ghost Box II. comes Ghost Box III.

This is once again a nifty little box (with a magnetic opening and a ribbon) which contains 11 stories for Halloween.  It is lovingly described thusly:

Oh god, it’s right behind me, isn’t it? There’s no use trying to run from Ghost Box III, the terrifying conclusion to our series of limited-edition horror box sets edited and introduced by Patton Oswalt.

There is no explicit “order” to these books; however, I’m going to read in the order they were stacked.

This has been quite possibly my favorite story in any of the Ghost Boxes.

Richard Matheson wrote I am Legend and many episodes of The Twilight Zone and this story was the epitome of dark suburban paranoia come to life.  It is also scarily timeless and, aside from some of the words used in the story, could easily have been written today. (more…)

Read Full Post »

SOUNDTRACK: KATE BUSH-“Get Out of My House” (1982).

A lot of the music I listen to is weird and probably creepy to other people, but I don’t necessarily think of songs as appropriate for Halloween or not.  So for this year’s Ghost Box stories, I consulted an “expert”: The Esquire list of Halloween songs you’ll play all year long.  The list has 45 songs–most of which I do not like.  So I picked 11 of them to post about.

Most people who know Kate Bush know her songs that have broken the Top Ten.  But if you dig deeper into her catalog, Kate has some really intense and really creepy songs.

I was pretty delighted to see this on Esquire’s list because it’s a pretty deep cut, it seems like a surprising choice and because it gives me chills.

It starts with thumping drums, a plucked string melody (dulcimer?) and a guy making a kind of hee-hawing sound in the distance.

And then the lyrics.  Good old gothic horror:

When you left, the door was
(slamming)
You paused in the doorway
(slamming)
As though a thought stole you away
(slamming)
I watched the world pull you away
(Lock it)
So I run into the hall
(Lock it)
Into the corridor
(Lock it)
There’s a door in the house
(slamming)
I hear the lift descending
(slamming)
I hear it hit the landing
(slamming)
See the hackles on the cat
(standing)
With my key I
(lock it)
With my key I
(lock it up)

The next part has Kate speaking in a funny voice (and in French) in your left ear before the “chorus” (such as it is) features Kate singing the main lyrics quietly and slowly while the recurring refrain is her shrieking and gasping at he top of her lungs (but recorded so it sounds far away) “Get Out of My House!”

The middle of the song gets more frantic.

This house is full of m-m-my mess
(Slamming)
This house is full of m-m-mistakes
(Slamming)
This house is full of m-m-madness
(Slamming)
This house is full of, full of, full of fight
(Slam it)

Midway through the song, while repeating “Get Out of my House!” the dulcimer returns playing a bouncy melody while a man’s voice whispers creepily in your right ear:

“Woman let me in!
Let me bring in the memories!
Woman let me in!
Let me bring in the Devil Dreams!”

Kate replies:

I will not let you in!
Don’t you bring back the reveries
I turn into a bird
Carry further than the word is heard

The man counters:

“Woman let me in!
I turn into the wind.
I blow you a cold kiss,
Stronger than the song’s hit.”

Kate concludes:

I will not let you in
I face towards the wind
I change into the Mule
“I change into the Mule.”

She turns into the Mule and starts braying and hee-hawing, which then transforms into the man who did it at the beginning of the song.

That’s not quite the end, but I’m not even sure what’s going on as the song ends–voices keep muttering something over and over.

It’s five and a half minutes of confusion and creepiness.  Perfect Kate Bush.

[READ: October 23, 2019] “It Feels Better Biting Down”

Just in time for Halloween, from the people who brought me The Short Story Advent Calendar and The Ghost Box. and Ghost Box II. comes Ghost Box III.

This is once again a nifty little box (with a magnetic opening and a ribbon) which contains 11 stories for Halloween.  It is lovingly described thusly:

Oh god, it’s right behind me, isn’t it? There’s no use trying to run from Ghost Box III, the terrifying conclusion to our series of limited-edition horror box sets edited and introduced by Patton Oswalt.

There is no explicit “order” to these books; however, I’m going to read in the order they were stacked.

I don’t know Livia Llewellyn, but if her other stories are anything like this, she must have a wonderfully bizarre body of writing.

This story starts off fairly conventionally.  Twin sisters wake up to the sound of a lawnmower. (more…)

Read Full Post »

SOUNDTRACK: RAMONES-“Pet Sematary” (1977).

A lot of the music I listen to is weird and probably creepy to other people, but I don’t necessarily think of songs as appropriate for Halloween or not.  So for this year’s Ghost Box stories, I consulted an “expert”: The Esquire list of Halloween songs you’ll play all year long.  The list has 45 songs–most of which I do not like.  So I picked 11 of them to post about.

Ramones are the least punk punk band ever.  Sure they are essential to the history of American punk, but they were basically playing fast rock n roll songs. They were awesome sure, but compared to the viciousness of British punk, Ramones were just guys in leather jackets singing harmonies.

By the time they released “Pet Sematary” in 1989 they were more of a pop metal band.  This song is stupidly catchy.

It’s got a complex (for them) opening guitar riff and quickly moves into power chords.

The chorus (with all kinds of backing vocals) is one of the poppiest things around.  If it weren’t for the lyrics

I don’t want to be buried in a pet cemetery
I don’t want to live my life again

it could easily be a radio friendly pop hit (and I think it was anyhow).

This song actually works very well for Halloween, even if it isn’t particularly scary, because of the lyrics.

Under the arc of a weather stain boards
Ancient goblins, and warlords
Come out the ground, not making a sound
The smell of death is all around

The moon is full, the air is still
All of the sudden I feel a chill.

I never realized that the song was literally about the book/movie.  I knew it was for the movie but the lyrics reference Victor the main character, which I never knew).

I suppose if you were a fan of the first four Ramones album and then never heard another song until this one, you might find it frightening how far they’d traveled from their origins.

[READ: October 22, 2019] “A Defense of Werewolves”

Just in time for Halloween, from the people who brought me The Short Story Advent Calendar and The Ghost Box. and Ghost Box II. comes Ghost Box III.

This is once again a nifty little box (with a magnetic opening and a ribbon) which contains 11 stories for Halloween.  It is lovingly described thusly:

Oh god, it’s right behind me, isn’t it? There’s no use trying to run from Ghost Box III, the terrifying conclusion to our series of limited-edition horror box sets edited and introduced by Patton Oswalt.

There is no explicit “order” to these books; however, I’m going to read in the order they were stacked.

This story was first published in 1948 and wow, did I dislike this.   The first time I read it.

It’s pretty short so I read it twice.  This story is written like a treatise.  It is high language and rousing, I guess.  But honestly it really has nothing to do with werewolves and is actually more about the fantasy genre and keeping it safe from “the querulous, muttering voices of the plain.” (more…)

Read Full Post »

SOUNDTRACK: TALKING HEADS-“Psycho Killer” (1977).

A lot of the music I listen to is weird and probably creepy to other people, but I don’t necessarily think of songs as appropriate for Halloween or not.  So for this year’s Ghost Box stories, I consulted an “expert”: The Esquire list of Halloween songs you’ll play all year long.  The list has 45 songs–most of which I do not like.  So I picked 11 of them to post about.

Of all the songs on this list, this is possibly the one that most people are familiar with.  I mean, it’s been played on the radio for over thirty years.

Musically the song is not scary at all.  The bass is pretty straightforward and instantly recognizable.  It’s really catchy too.  The guitars are cool jagged/new wave licks.

Really it comes down to the lyrics and vocal delivery.

David Byrne has a unique delivery style to be sure, although somehow I find his delivery doesn’t really sell the “psycho killer” nature of this song all that well.  Perhaps it’s deceptively psycho.

Indeed, everything in this song is implied rather than explicit.

Lyrically the song could be pretty creepy.  Except that really the lyrics are just good manners

You start a conversation you can’t even finish it
You’re talking a lot, but you’re not saying anything
When I have nothing to say, my lips are sealed
Say something once, why say it again?

We are vain and we are blind
I hate people when they’re not polite

Perhaps that’s what creates a psycho killer after all.

There’s an acoustic version (available as a B-side and now on the 2005 bonus tracks) which features slightly different lyrics and a cello that is rather menacing at times.  It’s slightly more creepy.

Ay-yi-yi-yi-yi

[READ: October 21, 2019] “It Only Comes Out At Night”

Just in time for Halloween, from the people who brought me The Short Story Advent Calendar and The Ghost Box. and Ghost Box II. comes Ghost Box III.

This is once again a nifty little box (with a magnetic opening and a ribbon) which contains 11 stories for Halloween.  It is lovingly described thusly:

Oh god, it’s right behind me, isn’t it? There’s no use trying to run from Ghost Box III, the terrifying conclusion to our series of limited-edition horror box sets edited and introduced by Patton Oswalt.

There is no explicit “order” to these books; however, I’m going to read in the order they were stacked.

Dennis Etchison also had a story in the first Ghost Box.

I rather enjoyed the timelessness of this story.  I didn’t read when it was written before reading it and aside from one or two small details at the end of the story it could have been written at any time in the last sixty years.

The story starts with an explanation of how to get from San Bernadino to points east.  You must cross the Mojave Desert.  But there is no relief–it is relentlessly hot: (more…)

Read Full Post »

SOUNDTRACK: Y&T-“Mean Streak” (1983).

In the early 1980s Y&T had a couple of albums that made it onto my radar.   This one, Mean Streak, had this song which I liked enough. It’s got some cool riffs and Dave Meniketti’s raspy but distinctive voice.

I remember liking this song, even though I really had no idea what was going on in the lyrics.  The chorus where everyone sings “mean streak” behind his lyrics was certainly the catchy selling point.   But this is hard rock more than metal and is not really my thing.

I may have bought this album, but I know I have the follow up In Rock We Trust, which was more poppy (and they were more pretty).  I had forgotten all about “Lipstick and Leather” yet another cheesy pop metal song about, well, lipstick and leather.

People who were fans of Y&T (like Posehn) were die-hards, but even listening now I see why I never really got into them, even if I liked them for a bit.  Maybe it was a California thing.

[READ: January 2019] Forever Nerdy

S. got this for me for Christmas after we saw Posehn on a late night show and he talked about his nerdy obsessions, including Rush.  It seemed like an obvious fit.  And it totally was.

Posehn is a few years older than me, but if he had lived in my town we would have totally been friends (except I would have never talked to him because he was older).  Anyhow, we had more or less the same obsessions and the same nerdy outlook.  Although I was never really picked on like he was so perhaps I was a little cooler than he was.  Although I never smoked or drank when I was in high school so maybe he was cooler than me.

Things to know about before reading this–Posehn is a vulgar dude–there’s not much kid friendly is in this book.  Also this book isn’t really an autobiography exactly. I mean it is in that he wrote it and its about him, but if you were dying to find out fascinating stories about his crazy life, this book isn’t really it. I t’s more about the things he was obsessed with–in true nerdy fandom.

Although, Brian, what nerd doesn’t have an index in his own book? (more…)

Read Full Post »

SOUNDTRACK: MUDHONEY-“Halloween” (1988).

Mudhoney recorded a cover of Sonic Youth’s “Halloween” just two years after the original was released.

Mudhoney, a deliberately noisy and abrasive band recorded a deliberately noisy and abrasive version of this song.  And yet at the same time, it doesn’t hold a candle to Sonic Youth;s version for deliberate noise and chaos.

On the other hand, in many respects the Mudhoney version is better.  It feels more like a “real song” with the guitar, bass and drums all playing along fairly conventionally.  It follows the same musical patterns as the original, with that same cool riff, but it just feels…more.

Mark Arm sing/speaks the lyrics more aggressively and less sensuously than Kim Gordon did.  In some way it helps to understand the original song a little more, as if they translated it from Sonic Youth-land into a somewhat more mainstream version.  Although it is hardly mainstream what with the noise and fuzz, the cursing and the fact that it lasts 6 minutes.

It feels like Mark emphasizes these lyrics more than the others although it may just be that the songs builds more naturally to them:

And you’re fucking me
Yeah, you’re fucking with me
You’re fucking with me
As you slither up, slither up to me
Your lips are slipping, twisting up my insides
Sing along and just a swinging man
Singing your song
Now I don’t know what you want
But you’re looking at me
And you’re falling on the ground
And you’re twisting around
Fucking with my, my mind
And I don’t know what’s going on

Happy Halloween

[READ: October 24, 2018] “From A to Z, in the Chocolate Alphabet”

Just in time for Halloween, from the people who brought me The Short Story Advent Calendar and The Ghost Box. comes Ghost Box II.

This is once again a nifty little box (with a magnetic opening and a ribbon) which contains 11 stories for Halloween.  It is lovingly described thusly:

The Ghost Box returns, like a mummy or a batman, to once again make your pupils dilate and the hair on your arms stand straight up—it’s another collection of individually bound scary stories, edited and introduced by comedian and spooky specialist Patton Oswalt.

There is no explicit “order” to these books; however, Patton Oswalt will be reviewing a book a day on his Facebook page.

Much respect to Oswalt, but I will not be following his order.  So there. (more…)

Read Full Post »

SOUNDTRACK: CHILLING THRILLING SOUNDS OF THE HAUNTED HOUSE (1964).

The cover during Phish’s 2014 concert was of this album.

Apparently many people grew up with this record.  I personally didn’t know it, but if you read the comments (don’t read the comments!) on any YouTube clip of the album you will see how popular it is.

Wikipedia describes it as  intended for “older children, teenagers, and adults” released by Disneyland Records (now known as Walt Disney Records). The album was mainly composed of sound effects that had been collected by the sound effects department of Walt Disney Studios. The album was released in several different forms. The album was first released in 1964 in a white sleeve, with a second release in 1973 with an orange sleeve. In both versions, the first side contained 10 stories narrated by Laura Olsher, complete with sound effects. The second side contained 10 sound effects meant for others to create their own stories.

Despite the title, most of the cuts had nothing to do with haunted houses or witches or ghostly spirits. Featured were such situations as an ocean liner hitting rocks, an idiotic lumberjack, a man crossing an unsafe bridge, someone lighting a stick of dynamite and a spaceship landing on Mars. Also, there are tracks with several examples of cats, dogs and birds (similar to “The Birds”) becoming enraged for some reason, as well as a skit about Chinese water torture. In addition, some of the screams were taken directly from the scene where Miss Havisham catches fire in the 1946 David Lean film Great Expectations.

The full track listing is

  • “The Haunted House” 3:00
  • “The Very Long Fuse” 1:28
  • “The Dogs” 1:13
  • “Timber” 1:45
  • “Your Pet Cat” 0:49
  • “Shipwreck” 1:39
  • “The Unsafe Bridge” 1:21
  • “Chinese Water Torture” 2:02
  • “The Birds” 0:46
  • “The Martian Monsters” 1:41
  • “Screams and Groans” 0:57
  • “Thunder, Lightning and Rain” 2:01
  • “Cat Fight” 0:37
  • “Dogs” 0:48
  • “A Collection Of Creaks” 1:54
  • “Fuses and Explosions” 1:11
  • “A Collection Of Crashes” 0:45
  • “Birds” 0:33
  • “Drips and Splashes” 1:18
  • “Things In Space” 0:53

Nothing is especially scary–although maybe for a kid, as many adults claim to have been really frightened by it.  Everything is quite over the top, especially the screams and cat howls and dog snarling.  Even the stories are a little silly, although having them in the second person is pretty genius.

But things like “one night as you lie in your lonely room in your stone hut on the moors…”  (What?).  And the Martian one.  Just keeping with continuity: if “you,” meaning me, went on the trip, then I couldn’t hear the crunching as it ate me.  Or the silly voice saying “I wonder what that was.”

And the less said about the horribly racist Chinese Water Torture the better.  I mean, the opening is bad enough: “The ancient Chinese were a very clever race” but the end of the song is really awful.  But if we can look past that, the rest of the record has fun with sound effects and is generally pretty enjoyable.

During the John Congleton interview, he also talks about this album and says (at 40:28) “the speakers are 180 degrees out of phase to make it sound extremely stereophonic.”  He says now as an engineer it is totally painful to listen to.  Bob says it sounds like it comes from the back of your head.

[READ: October 15, 2017] Half-Minute Horrors.

The premise of this book (edited by Susan Rich) is simple: how scared can you get in 30 seconds?  To me, the answer is actually not very.  I guess for me fear builds over time.  It’s hard to get genuinely frightened over something that just suddenly happens (unless it is just trying to frighten you quickly, of course).

Having said that, I enjoyed this book a lot (look at the list of authors!).  I liked the arbitrary goal of writing a scary story in a paragraph or two (or more).  And some of them were really quite creepy.

I was originally going to point out which ones I felt were the most creepy, but there are so many stories, I kind of lost track.  So instead, here’s a rundown and a brief summary. (more…)

Read Full Post »

Older Posts »