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Archive for the ‘Allison Crutchfield’ Category

[ATTENDED: April 16, 2018] Waxahatchee

I really enjoyed the newest Waxahatchee album and I was keen on seeing them/her.  Waxahatchee is more or less the work of Katie Crutchfield.

It amused me that I had purchased a ticket for this show and then a few weeks later I got a ticket for Superchunk and their opening band was Swearin’.  One of the lead singers in Swearin’ is Allison Crutchfield, Katie’s sister.  So I’d be seeing both Crutchfield sisters in less than a month.

I also learned recently that Allison usually performs with Katie in Waxahatchee when they tour.  And she did.  So I have seen and heard Allison Crutchfield quite a lot in the last month or so.

They played for an hour and ten minutes.  How do I know this?  Because the guy in front of me filmed the entire show on his phone and I could see the timer at the top.  And not just standing still and filing, he was swooping and angling, zooming in and trying to get every scene.  It was a little creepy to be behind him, I must admit.

Both Katie and Allison called Philadelphia home for a while, so this was a homecoming for them.  Katie said that she wrote most of the new album while in Philly.   (more…)

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[ATTENDED: April 4, 2018] Superchunk

I’ve been a fan of Superchunk for what seems like ever.  Their music is reliably punky and poppy.  Fun, sometimes funny, with clever lyrics and always a big hook.

I’ll admit that their music sounds pretty samey, but there is something to be said about that.  After they put out their 2001 album Here’s to Shutting Up, they didn’t exactly go on hiatus, they just kept a low profile for a half a dozen years or so, releasing limited edition records and such.  When they returned in 2007 I realized just how much I’d missed them.

When I saw that they were playing Philly I knew it was time to go see them.

It was really cool that the band was the (nearly) original members: Mac McCaughan of course, Jim Wilbur on guitar (he joined after their first album) and Jon Wurster on drums (he joined after the third album)–they’re both bonafides!  The only one missing was bassist Laura Ballance.  She plays on the albums but because of her hyperacusis, she no longer tours.  So, on bass we had Jason Narducy who has played with anybody who is anybody. (more…)

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[ATTENDED: April 4, 2018] Swearin’

I was so excited to see Superchunk, I didn’t really care who opened for them.  But I was rather excited to see that Allison Crutchfield’s band Swearin’ was reuniting for this tour.

I didn’t know the band, but in the past year or so I have heard (and liked) more and more from Allison Crutchfield and her sister Katie Crutchfield (Waxahatchee).  It’s not fair to lump them together, but they were in a band together at one point and Allison has toured with Katie’s band, so I think it’s fair to discuss them in the same paragraph.

But this show was all about Allisson (and Swearin’ co-founder Kyle Gilbride, who might be overshadowed somewhat in the Crutchfield love).  On drums was original drummer Jeff Bolt and on bass was their friend Amanda Bartley (of the band All Dogs). (more…)

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   SOUNDTRACK: WAXAHATCHEE-Tiny Desk Concert #321 (November 23, 2013).

Waxahatchee is pretty much Katie Crutchfield.  The band recently played a show near me and I wondered if it was a band or just her.

This might be as intimate as hearing Katie Crutchfield sing in her basement. That’s where she and her sister would play guitar, write and sing songs 10 years ago, when she was 14. Katie and Allison Crutchfield had a band back in Birmingham together, The Ackleys; these days, Katie performs as Waxahatchee, while Allison’s band is called Swearin’.

The songs Waxahatchee brought to the NPR Music offices aren’t just stripped down for this Tiny Desk Concert, this is Katie Crutchfield as Waxahatchee, spare and exposed; this is what she does. Sometimes there’s a drummer (her sister’s boyfriend Kyle Gilbride) and at other times another guitarist, her boyfriend Keith Spencer (both play in Swearin’), but even on Waxahatchee’s second album, Cerulean Salt, there are plenty of bare-boned songs. This is intimate music for an intimate setting, as we got to stand in careful silence, listening intently and capturing this frail and powerful performance.

And all of that is true.   These are pretty, quiet folk songs.  They are so quiet it almost seems like she doesn’t have her amp on—you can hear her pick striking against the strings.

To me the power of these songs is in the lyrics, and yet the music isn’t boring or simple either.  Her chords are always, if not interesting, then certainly spot on.  But I keep coming back to the lyrics.  Like the end of “I Think I Love You”

I want you so bad it’s devouring me / and I think I love you but you’ll never find out.

Her speaking voice is quiet too, and after the first song she admits, “This is one of the coolest things I have ever gotten to do.”

“Bathtub” has this wonderfully intense line:

And I tell you not to love me
But I still kiss you when I want to
And I lament, you’re innocent
But somehow the object of my discontent
And it’s fucked up, I let you in
Even though I’ve seen what can happen

The entire Tiny Desk Concert is only 9 minutes–which is simply too short.  I know that the Tiny Desk Concerts usually have bands play 3 songs, but when they are mostly short ones like “Tangled Envisioning” (not even 3 minutes), they could tack on an extra one or two.

[READ: August 30, 2016] Science: Ruining Everything Since 1543

Zach Weinersmith writes the daily webcomic Saturday Morning Breakfast Cereal.  I supported the Kickstarter project for this book because it looked frankly hilarious.  The one thing I have to say off the bat is that I don’t love his drawing style.  There’s something about it that I simply can’t get into.  Even after two full books of these drawings, it just never gels for me.  But that’s fine. because I’m here for the jokes.  And they are awesome.

The book is comprised of the best religion-themes comic from the 13 years that SMBC has been around.  There’s also a whole slew of comics that are exclusive to this book.

We are greeted with this: “For these drawings, the part of God is played by a giant yellow disc.” (more…)

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