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SOUNDTRACK: BADBADNOTGOOD-Tiny Desk Concert #593 (January 23, 2017).

I’m amused at how kinda dorky all of these guys look–except for the drummer who looks “cool.”  Why is that amusing?  Because of this blurb:

BADBADNOTGOOD made a name for itself by reworking songs from the likes of Nas and Ol’ Dirty Bastard, eventually catching the attention of Odd Future leader Tyler, the Creator. The masses took notice in 2015 when the group produced an entire LP for Ghostface Killah, Sour Soul. BADBADNOTGOOD has been called a hip-hop ensemble, but its foundation is clearly jazz, which provides a gateway to countless genres. On IV, the group allows that gateway to widen, adding soul and funk to the repertoire.

And they are all only in their 20s!

They play three songs from IV.  This first “And That, Too.” is a very jazzy song.  I love the complex piano melody that’s getting thrown around–syncopation and almost chaos, but always staying true to the great rhythm laid down by the bass and gentle drums.  I also happen to love the flute solo that rides over the top of everything–it provides a great 19070s jazz vibe.  The flute switch es to alt sax, and instrument that I think is kinda cheesy–I’d have rather it stayed with flute.  But his solo is pretty great–meandering and intense.

Introducing “In Your Eyes” the drummer says that he was fortunate enough to go to high school with a sax player who he didn’t know would have a voice that would blow him away … “later in my life” (ha).  Charlotte Day Wilson’s voice is deep and sultry although I don’t particularly like it–it feels too forced or something?  But she does sound much older than she looks.  Which is shame because I think the music of the song is pretty great.  The flutist has switched to guitar for this song (that’s a talented dude).

Before introducing the final song the drummer says “My 2017 is feeling pretty good so let’s keep it going.”  The fact that this was recorded sometime around the inauguration trump feels incredibly tone deaf.  But whatever.  “Cashmere” (“which only slightly veered from the studio version”) is a ten-minute song that opens with a very cool high bass note section and lots of piano.  The guitarist switches to yet another sax (four instruments in three songs).   The middle of the song is just the bass notes and a  lengthy piano solo.  i also like how the song seems to be over but that bass line picks up one more time.

I was surprisingly delighted with this Tony Desk Concert.

[READ: July 4, 2016] Lunch Lady and the Bake Sale Bandit

As Book 5 opens, Lunch Lady foils some safe robbers (in a very funny way).  I really enjoy how every book starts out with an intro comic showing off Lunch Lady’s mad skills.

Then it switches over to a school bus.  The Breakfast Bunch is trying to get on board–they don’t usually ride the bus–but the driver, Brenda, is pretty awful. To them and to everyone.  She drives like a maniac and yells at everyone.  She’s nice to the principal bit once he tells her his news, she can’t even pretend to be nice to him.

The news is that there is going to be a bake sale.  And if it goes well, the students will get a field trip and… Brenda will be the bus driver!

Gah! “How she despises children.” (more…)

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