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SOUNDTRACK
: BATHS-Tiny Desk Concert 300 (September 4, 2013).

I was unfamiliar with Baths and I am impressed by their busy-ness in this set.  There are only two guys playing, both play with various computer gadgets and then switch to keyboards and guitars.  They layer more and more music on this fairly dancey and very electronic sound.

Baths, a.k.a. Will Wiesenfeld, plays mysterious and textured electronic music. When Wiesenfeld came to the Tiny Desk, I expected contemplative tones and a laid-back performance; he does, after all, call his project Baths. But what sets him apart from the vast majority of like-minded performers is that his music doesn’t get buried behind the buttons or lost in a hypnotic glaze.

Wiesenfeld is an extrovert live, and at the Tiny Desk, he sounds vibrant and compelling as he performs songs from this year’s Obsidian. His partner Morgan Greenwood, an accomplished music-maker in his own right, keeps the music dense but frees up Wiesenfeld to sing with few distractions; there’s a mind-meld between the two that’s undeniable. They’re not accustomed to playing in the light of day, but they enchant in this perfect introduction to their work.

Wisenfeld’s vocals are a lot of wordless sounds (ba ba ba, na na na) that get looped and mixed around.  He sings in a rather high register, especially when making the looped sounds.

“Miasma Sky” builds with layers upon layers of sounds and vocals.  The sounds are manipulated in great ways with those little knobs and sliders. And just as you think it’s going to end with a series of delicate synth and guitar notes, he begins looping them which create the building blocks for the rest of the song.   It’s primarily keyboards and glitchy drums until the end.

“Phaedra” begins with some heavy drums and them playing around with all their gadgets.  This is a fast, pumping, dancing song.  Greenwood sings backing vocals in an equally high register.

“Ocean Death” has deep thumping drums and an opening with lots of na na nas and la la las in a textually rich soundscape.  It all fades down o just drums before building back up again.

[READ: July 9, 2016] Ruins

Seven years ago I read a book called Diario de Oaxaca, a sketchbook by Peter Kuper that I really enjoyed.  When I grabbed this book of the shelf the other day I didn’t realize it was the same guy.  But I can see that that sketchbook informed this excellent graphic novel.

The Diario covered his two-year stay in Oaxaca where he drew a lot, studied insects (and saw the monarch butterflies) and experienced both chaos and contentment.

This fictionalized account of the story places two characters into a situation that sounds similar to what he experienced, but with enough difference to keep it purely fictional. (more…)

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