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Archive for the ‘Better Oblivion Community Center’ Category

SOUNDTRACK: BETTER OBLIVION COMMUNITY CENTER-Tiny Desk Concert #844 (April 24, 2019).

This Tiny Desk Concert marks another one of those rare occasions where I’ve seen a band live BEFORE their Tiny Desk.

I saw BOCC on April 2.   I assume that this Tiny Desk was recorded around that time (bands usually play DC right before or after Philly), but it takes a week or so to get online.

I really enjoyed the BOCC concert, which rocked more than I thought it would.

But I enjoyed this Tiny Desk even more than that because Conor Oberst and Phoebe Bridgers are having so much fun with this show.  Truth be told they had a lot of fun at our show too, but they experiment more here.  They also have lots of experience at the Tiny Desk.

When this fabulous new duo arrived for their Tiny Desk, it felt like old friends coming home. Both Conor Oberst and Phoebe Bridgers are Tiny Desk alum. Conor’s first Tiny Desk Concert came in 2014. Phoebe has come by twice in the past few years, first as a solo artist in 2017 and then as part of another creative and collaborative endeavor with Lucy Dacus and Julien Baker as boygenius in 2018. So, unlike the bundle of nerves that often come with an appearance at the NPR offices, this one was fun and, at times, silly, like when Conor Oberst sang into a fake rubber microphone on the other end of a chopstick that was sitting on my desk. But there was nothing trivial about the songs or the collaboration.

The first song starts off fairly seriously.  They play their (only?) hit, “Dylan Thomas” with Conor on electric guitar and Phoebe and backing guitarist Christian Lee Hutson on acoustic.  It sounds great–possibly even better than the record.

when their voices intertwine, there’s a radiance that often feels joyful even while singing words like the ones on their opening number, “Dylan Thomas.”

“I’m getting used to these dizzy spells
I’m taking a shower at the Bates Motel
I’m getting greedy with this private hell
I’ll go it alone, but that’s just as well”

For the second song, “Exception to the Rule,” Conor and Phoebe put down their guitars and simply sing (Conor into that fake microphone).  Christian plays guitar and Emily Retsas plays an omnichord.  As Emily sets up the “toy” Phoebe says, we’re going to set it to avoid choreography.”  Their voices really do sound great together, even with this ultra-minimal backing music.  The chorus is catchy, too!

For the final song, “My City” Bob Boilen himself comes out swinging a plastic whistling tube.

So I was whipping a corrugated, ribbed plastic hose over my head, creating a high pitched siren sound, trying to blend in with Christian’s electronics on “My City.” It was my Tiny Desk performance debut, and I was thrilled to be part of this magical act.

Conor and Phoebe pick up acoustic guitars and Christian plays a pocket piano (I gather).  This song feels the most like a folk song and again, they mostly sing together.  But Phoebe gets a solo verse near the end and that little change make a big difference in the overall flow of the song.

For the most part this is a quiet song, but the buildup for the end is pretty great.

[READ: April 20, 2019] “Brothers and Sisters Around the World”

This story is set in Madagascar.  Michel is a French-Italian white man who is married to the narrator–an African American woman.  They live in Cannes where it is always sunny.  But on vacation they travel the world to get hotter and wilder.  Islands are what Michel prefers.  “Any place where the people are the color of different grades of coffee.”

She says he loves her for all the wrong reasons.  He thinks she has some of that island wildness inside of her, but she grew up in Massachusetts and has a “steely Protestant core.”  Her parents never thought it would last.  But they have been together for eight years and they have a child.

As the story opens, he is telling her about how he drove “those two little whores” on the Zodiac.  “You should have seen their titties bounce!”

She admits:

It’s no surprise to me when Michel tries to share the ribald thoughts that run though the labyrinth of his Roman Catholic mind.  He doubtless thought that I would get a kick out of hearing about his boat ride with a pair of African sluts.

(more…)

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[ATTENDED: April 2, 2019] Better Oblivion Community Center

I’m not often on the pulse of what is trending in music.  Sometimes I’m ahead, often I’m not all that interested.  But every once in a while it converges.  And thus on April 2 I was part of one of the hippest crowds in town.

I got there pretty early as I knew it was sold out (it sold out very quickly).  And I was standing pretty close to Pheobe Bridgers.  Earlier this year, I did not get to see the boygenius shows (they didn’t come close enough to us).  But I have seen each of the women solo twice (this is my second Bridgers show and yes, it counts).

There was a photo-op when you walked in.  A life-size cutout for you to take an ID photo for the BOCC.  I declined to do that, but I did get the fun squeezable stress-house.

The band came out and they started playing songs from the album.  I didn’t know the album all that well (I was amazed at how many people knew all the words), but I’d enjoyed what I’d heard.   I expected a kind of folk-rock show.  I was in no way prepared for how much the show rocked and how much fun the show would be.  There were even beach balls thrown around! (more…)

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[ATTENDED: April 2, 2019] Lala Lala

I had never heard of Lala Lala before this show.

Lala Lala is the creation of Lillie West.  She is based in Chicago but is originally from London–so her accent was a little confusing at first.

In fact, everything about her set was confusing.  She and her band were quite playful as Slugs (when they jammed with Christian Lee Huston during his set), but during this set they were kind of slow and deadpan.  Indeed, West sings quietly, almost a mumble.

In this review from The Key (I disagree with the almost the entire assessment of the night), it says:

Lala Lala was another amazing find from the performance, bringing songs that would be pop-punk if they weren’t so insular, beachy if they weren’t so secluded. Using Best Coast-esque riffs on top of West’s harsh whisper of a singing voice, Lala Lala’s set was a highlight of the night.

I couldn’t disagree more.  I found their set pretty disappointing. (more…)

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[ATTENDED: April 2, 2019] Christian Lee Hutson

I had not heard of Christian Lee Hutson before this show. I had no idea that he was in the Better Oblivion Community Center band (multi-instrumentalist) or that he has written songs for BOCC and boygenius (and that Phoebe Bridgers was producing his album).  So he has a lot of connections in this Community.

He looks rather Southern California.  With his sweeping hair and good looks he could be an extra on the new Veronica Mars series).  But he sings in a lovely accent-less voice. His voice and his guitar lines are clean and classic.  His melodies sound ageless, aside from his more contemporary lyrics (like on Northsiders):

We were so pretentious then
Didn’t trust the government
Said that we were communists
And thought that we invented it

Morrissey apologists
Amateur psychologists
Serial monogamists
We went to different colleges

(more…)

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