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Archive for the ‘Bob Dorough’ Category

SOUNDTRACK: JINGLE BELL SWING (1999).

I grew up listening to swing music so I love all the greats–Duke, Benny, Glenn.  Anyone else.  This collection fits right in that comfort zone, although they liberally sprinkle the disc with some more beat than swing pieces, which is pretty amusing, too.

Duke Ellington And His Orchestra-“Jingle Bells”
A fun instrumental swing version of the classic song.

Herbie Hancock, Chick Corea-“Deck The Halls”
Obviously, Herbie and Chick were not around during the swing era.  But this song does in fact swing.  It’s a fast zippy number with some decidedly 1970s era horn blasts and percussion.  The song is nearly 5 minutes, which is long for  Christmas song, but it’s good jazzy fun.

Tony Bennett-“Winter Wonderland”
Tony Bennett is not one of my favorites, but this is a decent version.  Even if it’s not really swing.

Duke Ellington-“Sugar Rum Cherry (Dance of the Sugar-Plum Fairy)”
The Duke Ellington Nutcracker Suite is awesome.  This is one section in which he make a cool, jazzy version out of the Sugar Plum Fairy’s Dance.  I love this so much.

The Glenn Miller Orchestra, Tex Beneke-“Snowfall”
A pretty, slow instrumentalist that invokes snowfall for sure.

Benny Goodman And His Orchestra-“Winter Weather”
Peggy Lee sings the female vocals and Art Lund sings the male vocals and every one dances to Benny’s clarinet.

Louis Prima-“What Will Santa Say (When He Finds Everyone Swinging?)”
Louis Prima is always a hoot, and this song is no exception.  Everyone is swinging when Santa comes to his house.

Pony Poindexter-“Rudolph The Red-Nosed Reindeer”
I’ve never heard of Pony Poindexter before.  This version is quite dissonant.  The orchestra hits are loud and sharp and the two horns playing together don’t always meld.  But the middle section is jazzy fun.

Russell Malone-“O Christmas Tree”
This is a pretty standard jazzy version–sounds a lot like the one in A Charlie Brown Christmas.  Delightful.

Lambert, Hendricks & Ross-“Deck Us All With Boston Charlie”
The first part is a hilarious rewording of Deck the Halls, and the second part is just an insane couple of minutes of scatting.

Deck us all with Boston Charlie,
Walla walla, Wash., an’ Kalamazoo!
Nora’s freezin’ on the trolley,
Swaller dollar cauliflower alley’garoo!
Don’t we know archaic barrel,
Lullaby lilla boy, Louisville Lou?
Trolley Molly don’t love Harold,
Boola boola Pensacoola hullabaloo!

Bark us all bow-wows of folly,
Polly welly cracker n’ too-da-loo!
Donkey Bonny brays a carol,
Antelope Cantaloup, ‘lope with you!

Hunky Dory’s pop is lolly gaggin’ on the wagon,
Willy, folly go through!
Chollie’s collie barks at Barrow,
Harum scarum five alarum bung-a-loo!

Duck us all in bowls of barley,
Ninky dinky dink an’ polly voo!
Chilly Filly’s name is Chollie,
Chollie Filly’s jolly chilly view halloo!

Bark us all bow-wows of folly,
Double-bubble, toyland trouble! Woof, Woof, Woof!
Tizzy seas on melon collie!
Dibble-dabble, scribble-scrabble! Goof, Goof, Goof!

Miles Davis “Blue Xmas (To Whom It May Concern)”
This might be the most anti-commercial Christmas song in the history of music.  In addition to Miles’ gorgeous horns, you get a scathing attack on commercialism by Bob Dorough, who you will know from Schoolhouse Rock.  His beat-style delivery of these words is brutal.

Merry Christmas
I hope you have a white one, but for me it’s blue

Blue Christmas, that’s the way you see it when you’re feeling blue
Blue Xmas, when you’re blue at Christmastime
You see right through,
All the waste, all the sham, all the haste
And plain old bad taste

Sidewalk Santy Clauses are much, much, much too thin
They’re wearing fancy rented costumes, false beards, and big fat phony grins
And nearly everybody’s standing round holding out their empty hand or tin cup
Gimme gimme gimme gimme, gimme gimme gimme
Fill my stocking up
All the way up
It’s a time when the greedy give a dime to the needy

Blue Christmas, all the paper, tinsel and the fal-de-ral
Blue Xmas, people trading gifts that matter not at all
What I call
Fal-de-ral
Bitter gall . . . Fal-de-ral.

Lots of hungry, homeless children in your own backyards
While you’re very, very busy addressing
Twenty zillion Christmas cards
Now, Yuletide is the season to receive and oh, to give and ahh, to share
But all you December do-gooders rush around and rant and rave and loudly blare
Merry Christmas
I hope yours is a bright one, but for me it’s blue…

Louis Prima-“Shake Hands With Santa Claus”
More fun from Prima.  He even alludes to bananas (Yes We Have No Bananas) in the zippy lyrics.

Art Carney-“‘Twas The Night Before Christmas”
Art Carney in his mid 30’s reads a beat-style delivery of the titular song set to a simple hi-hat rhythm.  It is so much fun.

Carmen McRae-“The Christmas Song (Chestnuts Roasting On An Open Fire)”
This is a slow, rather long version of this song set mostly to a bass and twinkling vibes.

[READ: December 12, 2018] “A Clean Break”

Once again, I have ordered The Short Story Advent Calendar.  This is my third time reading the Calendar (thanks S.).  I never knew about the first one until it was long out of print (sigh).  Here’s what they say this year

Fourth time’s the charm.

After a restful spring, rowdy summer, and pretty reasonable fall, we are officially back at it again with another deluxe box set of 24 individually bound short stories to get you into the yuletide spirit.

The fourth annual Short Story Advent Calendar might be our most ambitious yet, with a range of stories hailing from eight different countries and three different originating languages (don’t worry, we got the English versions). This year’s edition features a special diecut lid and textured case. We also set a new personal best for material that has never before appeared in print.

Want a copy?  Order one here.

Like last year I’m pairing each story with a holiday disc from our personal collection.

Is this “The most Jewish story ever written for an advent calendar?”

Possibly.

It also has footnotes! (more…)

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may20014SOUNDTRACK: “Elementary, My Dear” (1973).

elemYou have to have a particularly cruel heart if you don’t love School House Rock.

All of the songs, well, most of the songs, are super catchy and by golly if you don’t learn a lot.

And they attack problems in an interesting way.  The premise of using Noah’s Ark to show how to multiply by 2 is genius.

You’ll get that “elementary, my dear” section stuck in your head.  But I’m also impressed at the way the song goes into unexpected chords for “you get an even number.” And I love the way Bob Dorough really gets into it (whooping it up at the end).

Few people would think that the 2 times table is hard, but man is it fun to sing along to.

This song is not as popular as some of the other ones, but it’s still great

[READ: April 14, 2014] “A Study in Sherlock”

A while back I wrote a post about Sherlock Holmes on TV (Sherlock and Elementary) and in the movies (Sherlock Holmes).  I had read a few stories and so I did a brief comparison of the shows.  Since then while I have continued to believe that Sherlock is the better show, I have really grown to appreciate Elementary a lot more.  They almost seem incomparable because they are so very different in structure and intent.  Elementary has actually been a little more satisfying lately because it has so many more episodes that it allows the characters to develop and fail in interesting ways–something that the three episodes of Sherlock simply won’t do.

Laura Miller has done a similar thing with this article.  Although in fairness she did a lot more research than I did and talks a lot more about the original books and stage and early film adaptations, and she talks a lot less about the TV shows.  And no she doesn’t cite my post.

This was an enjoyable piece because it goes beyond the commonly known elements of Conan Doyle–how he did not like Holmes and tried to kill him off twice, that he wanted to write more important fiction–and into what Holmes was like after Doyle was finished with him.  Holmes has entered the public domain in both England and America, and so he is basically free for everyone to use, much like a classic myth or a fairy tale.  The big difference is that we know his origins.

What I especially enjoyed was that so many things that we think of as quintessential Holmes are actually not from Doyle.  His deerstalker hat was added by a book illustrator but is never mentioned in the text.  The calabash pipe came a decade later when a stage actor used it so that the audience could still see his face.  Conan Doyle was still alive while these changes were being made.  Indeed, when a play of Sherlock Holmes was written, the playwrite called and asked if he could give the man a love interest and Conan Doyle replied, “Marry him, murder him or do what you like with him.” (more…)

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