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Archive for the ‘Brandi Carlile’ Category

SOUNDTRACK: TINY DESK PLAYLISTS (2019).

As on October 1, NPR has started the Tiny Desk Playlist page.

As of today there are 9 Playlists on the page.  I’m not going to comment on them, as I’ve already posted about all of these shows (except CHAI as of now).  I might disagree with some of these lists, but whatever the case they are a good introduction to Tiny Desks if you haven’t already seen one.

5 Tiny Desk Concerts That Will Literally Make You Cry
• Julien Baker (read more)
• Yusuf/Cat Stevens (read more)
• Bernie and The Believers (read more)
• Rev. Sekou and The Seal Breakers (read more)
• Barbara Hannigan (read more)

The 5 Most Uplifting Tiny Desk Concerts
• Lizzo (read more)
• Superorganism (read more)
• Fragile Rock (read more)
• Dan Deacon (read more)
• Mucca Pazza (read more)

The 5 Wildest Tiny Desk Concerts
• Gogol Bordello (read more)
• Red Baraat (read more)
• The Cristina Pato Trio (read more)
• George Li (read more)
• Dirty Three (read more)

The Best-Sounding Tiny Desk Concerts, Vol. 1 [selected by “the guy mixing the performances and bopping his head along just off (and sometimes on) screen” Josh Rogosin].
• Monsieur Periné (read more)
• Andrew Bird (read more)
• Nick Hakim (read more)
• Tedeschi Trucks Band (read more)
• PJ Morton (read more)

The Best Of The Very Beginning Of Tiny Desk Concerts
• Laura Gibson (read more)
• Vic Chesnutt (read more)
• Tom Jones (read more)
• Thao Nguyen (read more)
• Dr. Dog (read more)

The 5 Best ‘Before They Were Stars’ Tiny Desk Concerts
• Brandi Carlile (read more)
• Anderson .Paak & The Free Nationals (read more)
• Adele (read more)
• H.E.R. (read more)
• Mitski (read more)

Tiny Desk Trick Or Treat: Our 5 Favorite Concerts In Costume
• Neko Case’s Halloween Special (read more)
• Blue Man Group (read more)
• Mucca Pazza (read more)
• CHAI (read more)
• Preservation Hall Jazz Band (read more)

#ElTiny: The Best Latinx Tiny Desk Concerts, Vol. 1
• Natalia Lafourcade (read more)
• Jorge Drexler (read more)
• Juanes & Mon Laferte (read more)
• iLe (read more)
• Café Tacvba (read more)

Lianne La Havas’ 5 Favorite Tiny Desk Concerts
• Tank And The Bangas
• Anderson .Paak & The Free Nationals
• Noname
• Tamino
• Mac Miller

[READ: October 28, 2019] “God’s Caravan”

This story opens with boys crouching in the dirt shooting marbles.  I assumed it was set in the 1950s, so I was surprised to see that the boy knew of Michael Jackson’s moonwalk.  But it is set in Memphis, Tennessee–“Soulsville the black part.”

Earl was kicking butt and winning marbles left and right when the boys heard an ice cream truck trundle up.  But this was no ice cream truck.  Rather it was a van and it was playing “I’ve come from Alabama with a banjo on my knee.”  On the side of the van, painted in “blood of Jesus” red were the words “God’s Caravan.”  The speakers then broadcast “When I say, ‘Ride or die’…you say ‘Amen.'”

The voice said “Ride or Die” and Earl and the other boys all shouted back “Amen.”

The door opened and there was the pastor, dressed in black judge’s robes.  He said he had sweets for their hearts. (more…)

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[ATTENDED: July 27 & 28, 2019] Newport Folk Festival

Back in 1998, I won a radio contest (not through luck, I knew the name of a song and couldn’t believe no one else did!) and scored a ticket to the Newport Folk Festival.  It was in a lull back then and also, I believe there was only one stage (it’s hard to remember).  Now it is at full power, selling out before artists are even announced.

S. and I have talked about going and finally this year I saw when tickets were announced and I bought 4 tickets for us.  I knew that our son wouldn’t want to go, but I decided to make a long vacation out of it–a couple days in Rhode Island and then about a week in Maine.  He couldn’t say no to going to that.

I didn’t get Friday tickets because three days seemed excessive.  Plus, you never know who is going to appear until long after you buy the tickets. and that actually worked out pretty well.   Turned out, there wasn’t anyone I really wanted to see.

So we rolled in for Saturday.  I was told that if you wanted to get the poster you had to get their very early.  We arrived at 12:30 and they were long sold out.  Oh well. (more…)

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SOUNDTRACK: LUCIUS-Live at the Newport Folk Festival (July 27, 2018).

I was considering going to see Lucius at Union Transfer on July 25.  Something came up and I wound up not getting tickets.

While hearing a stream of them isn’t quite as good as seeing them live (especially since their look is so arresting), it was great to hear what I missed.

For this tour, Lucius was unplugged–acoustic versions of their songs and some covers.

It sounds like there may have been more going on at Newport (as there always is)

Accompanied by members of yMusic, students from the Berklee College of Music on strings and J. Blynn, along with Lucius regulars Jess Wolfe, Holly Laessig, Dan Molad, and Peter Lalish. The group also incorporated choreography into the set, with the dancers known as The Seaweed Sisters.

Songs included favorites new and old, like “Woman” and Turn It Around.” Tears were shed as they movingly tributed the recently departed producer and musician Richard Swift. Lucius performed Swift’s song “The Most of What I Know” (from his 2006 album Dressed Up for the Letdown) and, in typical Newport fashion, were joined by Brandi Carlile and the Twins, Nicole AtkinsSharon Van Etten and Bedouine.

Go Home” is my favorite song of theirs.  They opened with it.  I could have gone home happy.  “Right Down the Line” is a song I didn’t know by Gerry Rafferty.  It sounds pretty 70s–slick and poppy.  “Something About You”  featured the Seaweed Sisters doing choreography.

“Feels Like a Curse” is a slower number with strings.  It’s quite pretty.

“Turn It Around” is another favorite of mine, with big claps and a wonderfully catchy chorus (yes, I would have stayed for this!)  I love the power behind the chorus: “She’s looking through the wrong end of the telescope ha!”

Brandi Carlisle joins them for “Dusty Trails” and when they sing the “we’ll be alright” at the end, it is really transportive.

Next up

“They movingly tributed the recently departed producer and musician Richard Swift. Lucius performed Swift’s song “The Most of What I Know” (which I don;t know) and, in typical Newport fashion, were joined by Brandi Carlile and the Twins, Nicole Atkins, Sharon Van Etten and Bedouine.

“How Loud Your Heart Gets” is a little too overwhelmed by strings to really appreciate their vocals (which is crazy since they sing loud!).  “Woman” also sounds great and is a stunning set closer. The “encore” (sort of) is “A Dream Is A Wish” a lovely a capella version.

Below is the set list from Newport and what i would have seen had I gone to Union Transfer.

SET LIST:

  • “Go Home”
  • “Right Down The Line” (Gerry Rafferty)
  • “Something About You”
  • “Feels Like A Curse”
  • “Turn It Around”
  • “Madness”
  • “Dusty Trails”
  • “Most Of What I Know” (Richard Swift) [did not play at UT]
  • “Two of Us On The Run”
  • “How Loud Your Heart Gets”
  • “Woman”
  • “A Dream Is A Wish” (Daniel Bedingfield-Disney Song)

UNION TRANSFER SETLIST (duplicated songs in bold)

  1. Go Home
  2. Tempest
  3. Right Down the Line (Gerry Rafferty)
  4. Something About You
  5. Neighbors
  6. Feels Like a Curse
  7. Until We Get There
  8. Sweet and Tender Romance (The McKinleys)
  9. Turn It Around
  10. Madness
  11. True Love Will Find You in the End (Daniel Johnston)
  12. Two of Us on the Run
  13. How Loud Your Heart Gets
  14. Woman
  15. Dusty Trails
  16. Strangers (The Kinks)
  17. A Dream Is A Wish (Daniel Bedingfield-Disney Song)

[READ: August 6, 2018] “Displaced”

I enjoyed this story but it seemed to take forever.  I attribute this to Ford’s writing style although there’s nothing I could point to about it that makes me feel this way.

This is a story about a recently turned 16 year old boy, Henry, whose father died unexpectedly.  Henry’s main sadness about the is that if his father had lived longer, his mother would have divorced him and Henry could have gone o military school.

He is now alone, with his mother, in the South.  His fellow students have placed him in a strange limbo because of his father;s death .  He doesn’t like it.

In their neighborhood is a house for “transients.”  Out front is a sign that says DIAL 33377 (that’s all) and everyone referred to it as the DIAL house.  Secretaries and waitresses lived there.   Young married couples.  Even two men living together.  Henry realizes now that he and his mother were transients too, they just didn’t call themselves that. (more…)

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[ATTENDED: March 30, 2018] Darlingside

Sarah and I saw Darlingside just three months ago at SOPAC.  I was surprised that they were coming back to the area just a couple months later (even if by the area I mean two cities which are 90 miles apart).  Even my son, who doesn’t always seem to pay attention to what we do said “Didn’t you just see them?”

The reason I was so intrigued to see them again so soon was three-fold.

  1. Their new album wasn’t out yet when we saw them in December.  Now it was and I assumed they’d play more from it.
  2. SOPAC was a quiet, sit down, well-behaved place and I was curious to see if they performed differently in a bar/club.
  3. They are amazing, so why not?

Really the big question for me was the second one.  What would they be like in a noisy club.  Well, they still sounded amazing and just like Darlingside.  They didn’t really change their game that I noticed.  And in fact, the crowd changed for them.  While there was some chatter, the crowd was there to hear them, and we knew what we’d be getting, so we were quiet when we should be (with some exceptions).

The biggest difference was between songs, when people went pretty wild, and the guys responded appropriately–not getting wild themselves, but ramping up their own outgoingness.

The guys have a stage patter in place.  After a couple of songs, one of them will step up to the mic (they only ever use one mic which is magical because it picks up every breath and utterance) and addresses everyone with a story.

After playing two new songs (including using their Septavox, on “Eschaton” which adds a small element of electronics to their otherwise acoustic set).  In SOPAC they talked about this gadget, here they did not.  It was their first time to address us.

Cellist/guitarist Harris came up and was just so full of smiles and goodwill that it really set the mood for the night.  (He raised him arms and shouted Yes!).  He told us that last night they tried “Philadelphia Vanilla Ice Cream” for the first time. Which he was not even aware of this being a thing before then [nor was I].  He tried to describe it and the crowd responded appropriately (with someone shouting “Phanilla.”

And then they he told us that “Go Back” is based on Back to the Future II, which I did know.

They played some flawless songs from Birds Say (they do actually have quite a number of releases even if they focus on the two newest ones).  The harmonies on “White Horses” (and , honestly every song) are just breathtaking.

David, who plays bass and an underrated kick drum spoke about opening act Twain.  All of the bands whom Twain opens for seem to really like his music or at least him.  So he raved about Twain for a bit and then joked about how much fun it is to substitute the word “twain” for other words in sentences.  I can’t help but wonder if we are missing something.  There was also some talk about toilet paper, with David being shocked that not everyone folds it into a perfect square.

The crowd enjoyed the new songs and showed great appreciation for the old songs.  I was amazed at how great all of the songs sounded, but especially the really soaring ones like “My Gal, My Guy.”  And when the smaller more fun songs like “Harrison Ford” began, there was thunderous applause.

It was also cool when Harris sat at cello for “The Ancestor” but you could still hear his vocal contributions even some three feet from the mic.

Guitarist/banjoist Don told us that he had signed up to donate blood marrow and that we could too (I could not, as the requirements are surprisingly strict).  That wasn’t the usual fun banter, but it was perfectly in line with them as decent human beings.  And I say that unironically.  The four of them seem like the nicest guys in the world.  (And when we met them it all seemed genuine).

The band doesn’t “do a lot on stage.”  They switch positions a bunch depending on who needs to be doing what.  I always enjoy seeing Auyon on the mandolin like on “Whipoorwill.” But mostly they huddle around that amazing microphone and sing like four-part-harmonious angels.  I’m amazed that the bass doesn’t clatter against things–they must all be very well used to playing in small spaces.

Auyon is a crowd favorite.  So when he got up to speak there was thunderous applause and he acknowledged it by saying it was appreciated but over the top.  He often introduces the band and he did so tonight by discussing what was on their rider.

They’ve had a rider for a long time, bu only recently are venues starting to look at them.  He says its difficult to make one because what you want when you are sitting on your couch at home making up a rider is not necessarily what you want the night of a show.

He says they try not to be wasteful.  Don overheard the guys at Union Transfer discussing the requests, saying that tit’s all healthy stuff and very very specific.  The phrases” lack of imagination and daring” were thrown around as was the word “restrained” but not in a positive way.

 

He told us that Harris does push ups to stay in shape.  But he is worried that he apparently massive chest will ruin his writs making him unable to play, so he doesn’t really do them, after all.

When he introduced Don, and the crowd roared, Don pumped his arms trying to get the crowd louder which made everyone on stage laugh.  Auyon deadpanned that the first time at a Darlingside show that anyone has done that motion–we don’t even pick things up.  Don confesses, “It felt really bad too.  I’m never going to do it again.”

Auyon told us that Don orders half beers.  He’ll ask to split a beer, which is something no bartender respects.

When he introduced himself, the crowd went over the top with applause which led him to say that he believed that we were just messing with him now.  He said, “I usually have the other half of the beer because I only want half, too.”

There is really nothing like hearing them singing the gorgeous “Good For You.”

I was thrilled when they played their new song “The Best of the Best of Times” which Harris introduced by saying they were writing it in England during Brexit and they thought things would be better at home.  And then look what happened.  We are a long way from the best of the best of times, indeed.

I wasn’t sure what to expect for an encore.  I mean they’d played pretty much everything I wanted to hear.  The set list wasn’t too differet from at SOPAC.  It may have even been exactly the same songs, just in a different order.  I don’t know what will happen when they do another new album and start having to remove songs from the set list, I need my 7 songs from Birds Say!

The first encore was “Orion” a new song (someone shouted for their cover of 1979 which I REALLY wanted to hear, too, but they didn’t play it.

They ended with their sorta rocker (and suitable show ender) “Blow the House Down” which has a raging (for them) guitar solo and some wild violin.

They hung out after the show to meet people, but it was time for us to leave, so we didn’t say hi.  We’d chatted with them just a few months ago.

Amazingly, they will be back in the Philly area two more times before the end of the summer.  May 18 at the Kimmel Center opening for  Brandi Carlisle and then July 29 at XPN Festival.

Setlist
Singularity [EX]
Eschaton [EX]
Go Back [Birds]
White Horses [Birds]
My Gal, My Guy [Birds]
Hold Your Head Up High [EX]
Extralife [EX]
The Ancestor [Birds]
Harrison Ford [Birds]
Whippoorwill [ep]
Futures [EX]
Good For You [Birds]
Best of the Best Times [EX]
The God of Loss [Birds]

Encore:
Orion [EX]
Blow the House Down [Pilot]

What didn’t they play?
From Birds Say: Clay & Cast Iron; Birds Say; Water Rose; Do You Ever Live; She’s All Around; Volcano Sky
From Extra Life: Old Friend; Lindisfarne; The Rabbit and the Pointed Gun; Indian Orchard Road; Rita Hayworth

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2016-12-05-21-06-09SOUNDTRACK: BRANDI CARLILE-Tiny Desk Concert #229 (July 9, 2012).

I’d published these posts without Soundtracks while I was reading the calendars.  But I decided to add Tiny Desk Concerts to them when I realized that I’d love to post about all of the remaining 100 or shows and this was a good way to knock out 25 of them.

brandiBrandi Carlile has been making a lot of noise on WXPN this last year.  She has a few song that I really like.  But I didn’t realize that her background was in country music—it’s slightly apparent on her more recent music.  But in this Tiny Desk, her whole country style really comes out.  Well, I guess she’s more alternative country—it’s strange that she has a country twang in her voice since she is from Washington.

“Raise Hell” is a romping stomping ass kicking song.  The riffing and power of the song is undeniable.  And it’s lyrically fun.  She actually sounds a bit like one of the Indigo Girls (I can never remember which one is which) on this song, with a notable but not pronounced accent.

Her backing band is great—two guitars a cello and a violin.  And they sing some great “ooohs” always right on pitch and sometimes quite high.

She asks if they should do a guitar version of “That Wasn’t Me.”  This is straightforward folk song with some more great “oooh” backing vocals.  But when the strings kick in about half way through, it really elevates the song.  Bob jokes about how often they’ve played the song in that way and she says, “That arrangement is about 5 minutes old.”

For the final song she wants to feature the strings.  “Promise to Keep” is a pretty , slow song with great strings and backing vocals.   Her voice is strong and powerful throughout all the songs and she hist some really high falsettos in this one.

I am glad she is moving more towards folk, although some of that stomping country would be fun to see live.

[READ: December 11, 2016] “Crazy Life”

Near the end of November, I found out about The Short Story Advent Calendar.  Which is what exactly?  Well…

The Short Story Advent Calendar returns, not a moment too soon, to spice up your holidays with another collection of 24 stories that readers open one by one on the mornings leading up to Christmas.  This year’s stories once again come from some of your favourite writers across the continent—plus a couple of new crushes you haven’t met yet. Most of the stories have never appeared in a book before. Some have never been published, period.

I already had plans for what to post about in December, but since this arrived I’ve decided to post about every story on each day.

Most of the stories so far have been somewhat hopeful, but this one really removes all hope from the characters’ lives.

The story is told in first person by Dulcie.  Dulcie is dating Chuey, a gang member who has been picked up by the cops in the past.  She gives him grief but then realizes that this time it is far more serious.

She went downtown and there were all the town’s reporters there.  There was talk of capturing an important gang member.  I love that Dulcie walks through one reporter’s take because she doesn’t care about the media.

Dulcie knows she has to lie about who she is–they’d never let a girlfriend in to see a perpetrator.  So she pretends to be Chuiey’s wife.

After some hurdles, she gets to see him and he reveals that they think he was the shooter, but he swears he was just the driver.

(more…)

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