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Archive for the ‘Esperanza Spalding’ Category

SOUNDTRACK: NPR: The All Songs Considered Holiday Cruise 2018 (December 19, 2018).

Every year Bob Boilen and Robin Hilton “try to do something special for the holiday and it never works out.”  This year’s Christmas special sees them taking a cruise to Bermuda.  What could go wrong?

Every year I have loved the Christmas special–the fun music, the silly story, the guests. But this year’s was my least favorite so far.  And this is mostly because of the music and the guests.  The story was absurd and funny which I liked, but they really didn’t have any artists I was excited about.

Robin is of course unimpressed and concerned (given that they are sailing on Calamity Cruises) and Bob is as ever a gleeful optimist.  And there’s a strange recurring joke about rooms and cabins.

The show opens with a nice (unattributed) version of “Christmas on Christmas Island.”

There were some fun guests for sure, though.  They arrive at their cabin and find Mickey Dolenz (whose Paypal joke is quite funny, but he laughs a bit much at himself).  Most of the artists have a Christmas album out.  The Monkees-“What Would Santa Do” is a fun little ditty and it was written by Rivers Cuomo, so you can hear the Weezer in it.

Things kind of go south as soon as they look at the newspaper and see that William Shatner is lost at sea.

They meet Aloe Blacc on deck who says he created an album of new Christmas songs which were fun and dancey.  The song “Tell Your Mama” is okay.  Nothing special.  It is a little dancey, but maybe it’s not the best track on the disc.  I don’t know.

Robin goes on a journey and meets Steve Martin and the Steep Canyon Rangers.  “The Strangest Christmas Yet” is a fun song, but it came out in September so it’s not new or anything (which is what I tend to think this show is about).  But it’s enjoyable to hear Steve tell the crazy story.

Then Bob & Robin zipline along the ship where they run into Lucius.  They play the Lucius version of “Christmastime is Here,” which is pretty as most of their songs are but not very festive.  The story by Holly afterwards about hearing actual jingle bells is a highlight of the show.

Rodney Crowell also tells a funny story about playing basketball on the road.  Although his album is pretty dark, he says his album is about being Scrooge and looking for redemption.  They play “Let’s Skip Christmas This Year,” a bluesy romp that’s more fun than the title lets on.

The guys find themselves caught in the Bermuda Triangle and Shatner makes his appearance, “singing” “Blue Christmas” with Brad Paisley.  Shatner can’t overpower Paisley’s twang.

Up next is John Legend.  What I like about this is they try to talk to him about being lost and Legend is talking about his Christmas album–a funny spliced interview.  They play John Legend singing “Have Yourself a Merry Little Christmas” with Esperanza Spalding. It’s pretty good but they do too much vocal acrobatics at the end.

As the show ends, the final joke is revealed thanks to a grant (great joke).  Although the show ends with another Shatner song, an over the top “Feliz Navidad.”

So no one terribly exciting for this journey, but there are a few good Christmas songs to add to your favorites.

[READ: December 21, 2018] “The One Who Is”

Once again, I have ordered The Short Story Advent Calendar.  This is my third time reading the Calendar (thanks S.).  I never knew about the first one until it was long out of print (sigh).  Here’s what they say this year

Fourth time’s the charm.

After a restful spring, rowdy summer, and pretty reasonable fall, we are officially back at it again with another deluxe box set of 24 individually bound short stories to get you into the yuletide spirit.

The fourth annual Short Story Advent Calendar might be our most ambitious yet, with a range of stories hailing from eight different countries and three different originating languages (don’t worry, we got the English versions). This year’s edition features a special diecut lid and textured case. We also set a new personal best for material that has never before appeared in print.

Want a copy?  Order one here.

Like last year I’m pairing each story with a holiday disc from our personal collection, although today’s soundtrack is an NPR special.

This story shows the conflict between native culture and white culture.  It’s unclear when it is set, but at least the white doctor does sterilize his instruments.

Nona is about to give birth and she is having a very hard time. Her water broke, but she has been pushing for days with no luck–the baby is breached. (more…)

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karlove SOUNDTRACK: ESPERANZA SPALDING-Tiny Desk Concert #110 (February 12, 2011).

esperanzaI didn’t know who Esperanza Spalding was before this show.  But she defied my expectations by being a fairly tiny woman who sings while playing an upright bass (not a very common combination for anyone).

For the first song, “Little Fly,” she plays a kind of jazzy bass, but has a string accompaniment–violins, guitars etc.  But it’s clear that the bass is the star.   And while her playing is very good (she has some great vibrato), it’s her voice that is mesmerizing–she’s hunched over playing the bass and still manages to sound strong and powerful.  “Little Fly”‘s lyrics come from a poem by William Blake.

“Midnight Sun” is a solo performance–just her voice and bass.  I loved the beginning where she sang notes along with what she played.  Then when the lyrics come in she sings in a very jazz voice (with eyes closed the whole time).  Turns out this is a Lionel Hampton song that only appears on the Japanese release of her album which make explain her singing style.

Because on the final song she sounds very different.  “Apple Blossom” is her own composition.  It’s her singing with the string section playing along (there’s no bass).  The song is lovely, but I prefer it when she plays bass in the song, too.

I enjoyed this performance and how delightful Spalding was.

[READ: January 9, 2016] “My Saga: Part Two”

Speaking of not finishing multi part essays, I ended my post about Part One of this essay by saying I couldn’t wait for part two.  And then apparently I forgot all about it because here it is almost a year later before I read part two (which was published two weeks later).

In this second half of Karl Ove’s journey he spends most of his time realizing that he hasn’t really learned very much for his assignment.  I can’t imagine anyone else being able to write endlessly about how he has nothing to write about (and still make it strangely compelling–his stress produces good sentences).

He does make some interesting connections though. (more…)

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