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Archive for the ‘Goat Girl’ Category

[ATTENDED: June 8, 2018] Parquet Courts

2017-01-31-22-13-40I saw Parquet Courts a year and a half ago at this very venue.  At the time I wasn’t sure if I wanted to see them again, but it had been a fun show.  Their new album was also fun, so why not?

They played 10 of the 13 new songs from Wide Awake.  But they also played a lot of older songs too (19 songs in total including a Ramones cover of “Today Your Love, Tomorrow the World.”

But they started with the lead song of the new album, “Total Football.”  The end of the song “and fuck Tom Brady” got a huge reaction from the crowd (since Philly beat the Patriots in the Super Bowl). (more…)

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[ATTENDED: June 8, 2018] Goat Girl

Goat Girl are a massive buzz band in England.

Back in March, The Guardian had this to say:

Fearless, omnivorous Goat Girl (named in reference to Bill Hicks’s lusty alter ego, Goat Boy) found each other, and their sound, in Brixton indie venue the Windmill, signing to Rough Trade (over Domino and XL) two years ago before releasing anything. Taking their time and choosing the right home has served them well – their eponymous debut sounds self-assured: 19 songs crafted with care, in which dirty grunge riffs take strange left turns.

I was surprised that they were playing here so soon, evidently on a multi-date tour with Parquet Courts.  But they proved to be an excellent compaion band to parquet Courts since they have a punk, DIY aesthetic but don’t stick to one genre of music

I’ll let NME describe their album:

The four piece’s debut album is a grubby, clattering thing that takes its lead from 1980s LA punk trailblazers like X and The Gun Club, who took traditional country music and fed it moonshine until it fell down in a ditch, then scraped the mud off its jeans, handed it a microphone and a broken electric guitar and made it walk through broken glass to sing in a grotty toilet venue bar over a broken PA system. Goat Girl have mixed this scrappy sound with the gothic ennui of Nick Cave and the Bad Seeds and the doomy experimentalism of Tom Waits. The result is a late-night swagger through the murky underbelly of the town that Clottie Cream, Rosy Bones, Naima Jelly and L.E.D. – not, we assume, their birth names – call home, coming in at 19 swirling songs in 40 punchy minutes. It even includes a song that describes their very sound, the Pixies-esque belter ‘Country Sleaze’, thus rendering the past paragraph of me picking apart their sonics almost entirely pointless. Ah well.

Goat Girl was a lot of fun.  They played for about 40 minutes, presumably their whole album, although I didn’t know it. (more…)

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