Feeds:
Posts
Comments

Archive for the ‘Guster’ Category

SOUNDTRACK: GUSTER-Keep It Together Live from The Beacon Theatre (2014).

In 2014, Guster released three CDs of them playing their early CDs live in their entirety (excluding for some reason their second disc Goldfly).  This is their fourth CD ‘Keep It Together’ recorded live in concert at The Beacon Theatre on November 30, 2013, ten years after its release.

As the disc opens, Ryan shouts, “Keep It Together starts now.”  This makes me think that they played other songs before it?  It would be great to hear an album in its entirety but not if that’s all they played.

After the first song, “Diane,” Ryan jokes,  “I guess there no real surprises in the setlist from here on out.”

Midway through the show, he comments that as an active band making new music, you want to be careful not to trade in nostalgia.  But he also knows that if one of his favorite bands played one of his favorite albums…it would be magical.

The band sounds great.  And, fortunately, it’s one of those shows where the live recording sounds at times even better than the original.

The only real divergence from the album is that after “Homecoming “King” they play “Chariots of Fire” on piano and strings.  I’m not sure why, but it’s fun.

One of the great moments of any Guster concert is when they play “Come Downstairs and Say Hello” and the Thundergod plays the bongos and smashes the cymbals with his hands.  It’s more fun to see it, but it’s great in this case to hear it.

“Red Oyster Cult” sounds great with the horns as an addition and Ben Kweller comes out and sings lead on the first verse of “I Hope Tomorrow is Like Today” (I had no idea he co-wrote it!).  They even leave a slight pause for the “hidden track” of “Two at a Time.”

This is a great version of this album, and well worth the listen.

[READ: June 2, 2018] “Fungus”

This is a story about carrying on after the unthinkable. But not just carrying on, carrying on with the mundane things that you can’t live without but remind you of exactly what happened.

The story opens with an insurance check and talk of geckos.  But the tone is not lighthearted like Geico commercials.  Andrew has access to Ingrid and Ron’s car, but really, he can only borrow it for so long.  It is time to buy a new one.

So Andrew and his daughter Willa go to the Subaru dealer.

These two scenes are simple enough, but they are fraught with meaning–with the undertone of what happened and how Andrew is allowed and allowing himself to deal with it.   There’s darkly funny thoughts (he’d like a homemade sign around his next that says “I don’t know”).  But the reality is that he has to go on for Willa’s sake, if not his own.

And then there’s this idea which is perfect for the story but works wonders in everyday life: (more…)

Advertisements

Read Full Post »

SOUNDTRACK: GUSTER-Lost and Gone Forever Live (2014).

In 2014, Guster released three CDs of them playing their early CDs live in their entirety (excluding for some reason their second disc Goldfly).  This is their third CD ‘Lost and Gone Forever’ recorded live in concert, ten years after its release.

I’m not sure why they don’t say what show it is from, unless they picked the best recordings from a tour?  He does mention Boston at one point, but not sure if the whole show was recorded there.

As with the other two releases, the sound is great.  On “Barrel of a Gun” you can really hear the bongos.

There are a few more guests, which again, makes me think it’s different shows.  Ryan says “We’re inviting a bunch of people to help with instrumentation. Donnie and Amy are going to play strings” [on “Either Way”].  And later, “Fa Fa” has an amazing horn section.

For “All the Way Up to Heaven,” Ryan introduces, “Alright snow kitty bring up the children. It’s 10 o’clock.  It’s late.  Did you teach them the big rock move at the end?  That’s the most important part of the song.”

Like the other discs, they thank everyone for coming out and supporting this album.  He talks about how when they first started playing in 1991 they were all skinnier and had more hair.  They had no idea that so many years later they would still be together and be selling out shows.  “It’s a humbling experience.”

Incidentally when they announced this tenth anniversary tour, they made a video announcement.

[READ: May 31, 2018] “Silver Tiger”

This story involves realism and magical realism.

The narrator Ah Yang, is an adult looking back on his childhood when he lived with Deaf Granny.  He was sent to her early and only rarely saw his parents.

He first saw the titular Silver Tiger near a well pond by Deaf Granny’s house.   Well ponds are an ancient water storage system in China.  They are shaped like pools but are the depth of wells.  It was always off-limits to him  Deaf Granny feared that if he fell in there’d be no saving him (not unreasonable).  But that’s all he wanted to do after he first saw it.

It became even more enticing when a local boy found a turtle in a neighbor’s well pond.  Oh how the narrator wanted his own turtle. (more…)

Read Full Post »

SOUNDTRACK: GUSTER-Parachute Live from Brooklyn Bowl (2013).

In 2014, Guster released three CDs of them playing their early CDs live in their entirety (excluding for some reason their second disc Goldfly).  So this is a recording of their first album ‘Parachute’ performed and recorded live in concert at Brooklyn Bowl on December 1, 2013.

This album sounds quite different from the other Guster albums.  I don’t really understand what the difference is.  It sounds like Guster, but not exactly.  Is it that they both sing in harmony through most of the songs?  Is it that Ryan sings “better?”  Are the songs just more folkie?

Whatever the case, even after several albums that don’t sound like this album and nearly twenty years, the band jumps right back into it (the harmonies on “Window” are perfect, for example).

They aren’t the same three-piece they were back in 1994 (they have drums now for instance), but it all works very well.  They also aren’t terribly funny between songs.  Usually Ryan is pretty silly in a show, but they seemed to take it more or less seriously.

After “Dissolve” Ryan says, “we’re playing in a bowling alley I just realized.  Cool.”  You can hear someone in the crowd shout “steeerike.”

I know the guys have made jokes about their song “Happy Frappy” a few times when I’ve seen them, so it’s no surprise that before the song, Ryan shouts, “Alright its ‘Happy Frappy’ time, stoners.”  Although I have no idea what the song is actually about.

When the disc is over Ryan shouts, “Parachute the album–19 and a half years old!”

I think it sounds even better than the original.

[READ: June 2, 2018] “Orange World”

I love when a title gives you an idea but it is totally not the idea of what  the story means–and the new idea is even better than what you had imagined.

“Orange World” conjured up many things to me, but not the devil, not a woman nursing the devil and not a woman nursing the devil every night because the evil saved her baby’s life.

When Rae was pregnant she was worried about a lot of things: ABNORMAL RESULT, HIGH RISK, CLINICAL OUTCOME UNKNOWN.  When the third test came back, she started begging for anything to save her baby from the unknown.

Between 4 and 5 A.M. one night something answered and it promised the baby would be okay.

So what does this have to do worth orange world?  Well, “Orange World is where most of us live.”  It is a nest of tangled electric cords and open drawers filled with steak knives.  It’s a used crib  It’s compromises that could hurt the safety of your baby.  You take a shower with your baby and suddenly….

“Green World” is a fantasy realm of soft corners and infinite attention. The Educator say that Green World is ideal but Orange World is the reality.  Next week’s class is “Red World” and Rae doesn’t want to think about it.

Rae takes the baby doll.  Its head falls off and she steps on the blanket.  Sneaker bacteria: Orange World; decapitation: Red World.  The educator encourages her to go to new moms group. (more…)

Read Full Post »

SOUNDTRACK: THE LEEVEES-Hanukkah Rocks (2005).

The collection of Hanukkah songs is fantastic. I love this album more than a guy who doesn’t celebrate Hanukkah should.

The LeeVees are Adam Gardener from Guster and Dave Schneider  from The Zambonis (with help from The Time Share Choir).  Dave and Adam write super catchy poppy-but-rocking songs all about the holiday.  Most of them are funny or have a humorous aspect, but the songs all rock and stand up to repeated listens.

“Latke Clan” begins as a sweet ode to everyone’s favorite potato pancake  “Santa is cool but Hanukkah Harry’s the man, come and join of Latke Clan.”

“Applesauce vs Sour Cream” is the perennial decision you have to make with your latkes.  “just tell you mom to fry, not bake.”

“Goyim Friends” Goyim friends make lists and get snowboards and paintball guns, but “we will march on, six pairs of socks from each other’s mom.”

“At the Timeshare” is a hilarious, catchy song.  It’s swinging and loungey and is all about their parents wanting to live down at the time share in Boca or was it Boynton.  Or Daytona. Or Talahassee (There’s no Jews there).

“How do you spell Channukkahh?” is a hilarious goof on the spelling of this holiday and it totally rocks.

“Kugel” is a sweet mournful song about how times change–“you were once sweet and creamy, no you’re low-fat.”

“Jewish Girls”  Go to the mitzvah Ball, you may be surprised to find who is in the tribe.

“Gelt Melts”  This punky number says what everyone knows–if you keep the gelt in your pocket, you’ll be sorry.  “If goys can eat an Easter Bunny, why can’t we eat chocolate money.”

“Nun, Gimmel Heh Shin”  Yup, a dreidel song without the music from the dreidel song.

“There’s” also a bonus track called “Holiday,” a simple acoustic guitar song with the two guys singing about a lovely relaxing holiday.

[READ: December 20, 2017] “The Game of Smash and Recovery”

Once again, I have ordered The Short Story Advent Calendar.  This year, there are brief interviews with each author posted on the date of their story.

Hello. Welcome. It’s finally here: Short Story Advent Calendar time.

If you’re reading along at home, now’s the time to start cracking those seals, one by one, and discover some truly brilliant writing inside. Then check back here each morning for an exclusive interview with the author of that day’s story.

(Want to join in? It’s not too late. Order your copy here.)

This year I’m pairing each story with a holiday disc from our personal collection.

This was one of those stories where the character and setting are otherworldly–completely alien.  The main characters have a full story arc, and yet we are never provided any kind of context for where or even what they are.

The question is, of course, does it matter.

In some respects, no, and yet it is so frustrating to read this whole thing and have so many fundamental questions unanswered.

The main character is Anat.  She loves Oscar, her brother, who has raised her practically from childhood.  Their parents have been absent for as long as she can remember.  They left when they realized that Anat was different–what was she? (more…)

Read Full Post »

SOUNDTRACK: MAYBE THIS CHRISTMAS TOO? (2003).

This second installment of this Nettwerk Christmas series is much darker than the first.  Perhaps this is indicated by the tree being on fire.  In fact, of the three it’s the one I listen to the least, despite the fact that it has a couple of my favorite Christmas songs on it.  The downer songs are labelled [NSFC] Not Safe for Christmas.

RUFUS WAINWRIGHT-“Spotlight on Christmas”  I love this song.  It’s actually quite sad and stands up for poor little rich people at Christmas, but the chorus is so pretty.  And i really love Rufus’ voice.

EISLEY-“The Winter Song”
I’ve never heard of this band outside of this song (they are still active).  The song is terrific and their voices and harmonies are really wonderful.

AVRIL LAVIGNRE & CHANTAL KREVIAZUK-“O Holy Night”
This version of the song has stuck with me for years.  I simply cannot decide if Avril has the most pure and unmodified voice when singing his song or if she is just totally flat (which I don’t think she is).  I find her delivery is haunting in a very strange way.  Krevizauk, on the other hand has and absolutely incredible voice and her parts are amazing.

RILO KILEY-“Xmas Cake” [NSFC]
This is the first of many depressing songs.  Five and a half minutes of bad news and sad tidings.  Good grief.  The melody is nice and maybe in another context it would be powerful, but holy crap, no one want to hear this at Christmas.

DAMIEN RICE & LISA HANNIGAN-“Silent Night” [NSFC]
This is a really dark song that turns Silent Night from a song of hope to one of despair.

GUSTER-“Donde Esta Santa Claus?”
This is perhaps my favorite Christmas song, ever.  It’s fun and lighthearted and super catchy.  I can’t believe it is wedged in between these really dark songs that I always skip.

THE BE GOOD TANYAS-“Rudy” [NSFC]
This is a sweet, catchy song until you hear the words and that its about a red-nosed wino who dies.  Good grief.

DAVE MATTHEWS BAND-“Christmas Song” [NSFC]
This song has a pretty decent melody but Matthews sings it really quietly and, man, it just never goes anywhere. It’s five and a half minutes long and has no energy.  Gah.

OH SUSANNA-“Go Tell It on the Mountain”
I always forget that this is a Christmas song, but it certainly is.  It’s full of gospel tinges, as it should be.  Apparently new lyrics have been added but I don’t know all the words so it was news to me.

BARENAKED LADIES-“Green Christmas”
BNL has recorded three versions of this song.  It was written for the 2000 film How the Grinch Stole Christmas and appeared on the soundtrack.  It also appears on Barenaked for the Holidays.  Each of those versions is different and they both differ from this one.  It’s a bit of a downer but only as much as BNL can be downers.

MARTINA SORBARA-“It’s the Most Wonderful Time of the Year” [NSFC]
Never has anything wonderful felt so sad and mopey.  This bluesy version is kind of interesting but man is it ever at odds with the meaning of the song.

BADLY DRAWN BOY-“Donna & Blitzen”
This is another terrific song.  Its got a  great melody, some terrific piano and a super catchy chorus.  Its not exactly Christmas although it sort of is and certainly works for the Christmas season

THE FLAMING LIPS-“White Chritsmas” [NSFC]
Despite my love for the Lips I really don’t like this version of the song at all.  It’s subtitled that it is a demo for Tom Waits which might explain why it is sung in such a crazy way, but Waits would do it so much better.  He just sounds mocking all the way through.

SIXPENCE NONE THE RICHER-“It Came Upon A Midnight Clear”
This band used to be pretty huge back in the day.  This song is very pretty–played on a kind of Spanish-sounding guitar with some neat and kind of spooky keys playing single notes at the end of each verse.  It’s a really cool version and ends the disc on a good note.

[READ: December 12, 2017] “Kings”

Once again, I have ordered The Short Story Advent Calendar.  This year, there are brief interviews with each author posted on the date of their story.

Hello. Welcome. It’s finally here: Short Story Advent Calendar time.

If you’re reading along at home, now’s the time to start cracking those seals, one by one, and discover some truly brilliant writing inside. Then check back here each morning for an exclusive interview with the author of that day’s story.

(Want to join in? It’s not too late. Order your copy here.)

This year I’m pairing each story with a holiday disc from our personal collection

This is a story about D.H. Lawrence and his life in Kandy, Ceylon in 1922.  I don’t know anything about Lawrence, so I assume this is all based on research.  As with most fictionalizations of real people’s lives, I don’t get why it was written.  But it was quite interesting and enjoyable, so maybe that’s why.

He and his German wife had exiled themselves from England immediately after the war.  They met an American, Brewster, who invited them to Kandy, nicknamed Little England.  But it was a sad trick, that name, for it was all jungle.  Lawrence suffered from tuberculosis and the jungle heat did not help. (more…)

Read Full Post »

lastman1 SOUNDTRACK: BLACK PRARIE-Tiny Desk Concert #262 (January 14, 2013).

blakcpBlack Prarie is 3/5 of the Decemberists (that seems like a hint directed at Colin Meloy, ha ha).  No actually they are a kind of folk-country band “started by Chris Funk and Nate Query, who wanted an outlet for some of their rootsy, mostly instrumental string-band wanderings.”  Jenny Conlee from the band has also joined on accordion.  That leaves Annalisa Tornfelt’s who sings “sweetly countrified vocals and [plays] violin.” I feel a little bad for the other guys in the band who are not mentioned, but I don’t know their names either.

They play three songs.  “Dirty River Stomp” is a fun instrumental with prominent accordion in the beginning and then a banjo solo and then a violin solo.  It is indeed a big stomping song.   I love the way the song sounds like it has built to an ends but there is a small accordion coda tacked on.

For “Nowhere Massachusetts” there’s a switch from banjo to guitar.  The opening section of the song sounds so much like Guster’s “Careful” that I was sure that’s what song this was.  But indeed, it is not and it goes in a very different direction after that intro.  Coincidentally, Guster also has a song that about Massachusetts (“Homecoming King”).  But this sounds really nothing like Guster once the song starts—there’s accordion and slide guitar and fiddle and of course the vocal melody is very different.

Jenny introduces “Richard Manuel” with “We’re gonna rock this out.  We’re gonna bring it.”  It turns out to be a fairly slow, quiet song.  But with some intense lyrics.  And again there is some great accordion work on this track.

As the show fades out there is much excitement about tote bags, although I’m not sure who is getting what.

[READ: December 15, 2016] LastMan 1

This is the final series of older First Second books that I hadn’t read yet.  I brought home this book 1, some time ago, but when I saw that there were six volumes and that they’d all be released relatively quickly, I figured I’d just wait until they were all out and read them closer together.

This book was originally written in French (and called Lastman there as well).  These editions were translated by Alexis Siegel.

The art is black and white (and grayscale) and the characters are what I can only describe as very French looking. The faces are very minimal, with some of them looking almost bleached out but for eyes and a mouth.  Some of the men are rather grotesque-looking while the one woman is a knockout.  (The book is safe for younger teens, with just a cleavage and an underwear shot, although the whole book is about fighting).

So the story is a little confusing (at least in Book 1).  The main plot is not at all confusing, but the context is never given, so we must try to piece it all together,

Set in an unamed village, the 184th annual Tournament of the Realm is coming up.  We first meet young Adrian who is practicing for his first competition tomorrow.  His teacher is Mr Janesen (with a full head of blond hair and a goatee) and while he is hard on them, he seems fair.  He tries to get Adrian to really harness his powers for the battle. (more…)

Read Full Post »

2016-12-05-21-06-09SOUNDTRACK: RUFUS WAINWRIGHT-Tiny Desk Concert #237 (August 20, 2012).

I’d published these posts without Soundtracks while I was reading the calendars.  But I decided to add Tiny Desk Concerts to them when I realized that I’d love to post about all of the remaining 100 or shows and this was a good way to knock out 25 of them.

rufusPreceding his sister by a few months at the Tiny Desk was Rufus Wainwright.  I love Rufus’ delivery and style.  I really like his voice too.  The problem is I don’t really like his music all that much.  I wish I did, because I love hearing him sing.  But for some reason it doesn’t do anything for me.  We even saw him live (on a bill with Guster and Ben Folds) and left half way through his set because it’s such a different energy than the other two.

But I love this little bit of information about this show:

We’d never tried to squeeze a piano behind the Tiny Desk, but when I saw a chance to have Rufus Wainwright play here, I wouldn’t — and he probably wouldn’t — have had it any other way

That’s particularly funny because now some five years later they have had all kinds of things behind his desk.

He plays three songs on the piano.

“The Art Teacher”is a sad story about, yes an art teacher.  Really listening to the lyrics (full of art references) makes the song come alive.

Before the second song, he says I’m promoting my new album Out of the Game…yes, you may applaud if you wish.  Covers a lot of genres of music, one is, briefly, country.  Today is a lazy hazy day in the South–while we’re near the South.

“Respectable Dive”is a slow song (the country song, but not sounding country here) and again, the lyrics are great.

“Montauk” is about several people.  His daughter Viva Katherine Wainwright Cohen and his fiance.  Viva’s bilogical mother is Lorca Cohen who is Leonard Cohen’s daughter.  The last verse is about “my mother, the great Kate McGarrigle” (Rufus’ father is Loudon Wainwright III).

This song is, as the blurb says:

Wainwright at his best. The piano lines flow with forward motion in a Philip Glass way, and there’s also a hauntingly beautiful story. Wainwright sings to his daughter Viva, [imagining her] grown up and visiting her two fathers in Montauk, a small community on the eastern tip of Long Island.

So I am torn between really liking his voice but feeling that his delivery is a little too slow to fully understand the great lyrics.  There’s so much greatness in his stuff, and yet I can’t find my way in.

[READ: December 20, 2016] “Defamer”

Near the end of November, I found out about The Short Story Advent Calendar.  Which is what exactly?  Well…

The Short Story Advent Calendar returns, not a moment too soon, to spice up your holidays with another collection of 24 stories that readers open one by one on the mornings leading up to Christmas.  This year’s stories once again come from some of your favourite writers across the continent—plus a couple of new crushes you haven’t met yet. Most of the stories have never appeared in a book before. Some have never been published, period.

I already had plans for what to post about in December, but since this arrived I’ve decided to post about every story on each day.

I really liked yesterday’s story and I really liked this one as well, even though it is very different.

This is a the sad story of a woman named Birdie.  Boy oh boy everything goes wrong in her life.  She works at an office.

Big boss takes a four-hour lunch.  He has suffered no major disasters in his life.  [He and his wife plan] their vacation to Maine a year in advance.  This is one way to live.

Birdie works in a corner cubicle near Bog Boss’ office… [She] makes $20,000 a year forwarding emails to people who make $15,000 a year.

Birdie assumes that her boss is having an affair on his four-hour lunches.  But one day she see him during his lunch break working at a deli, frantically making sandwiches for customers.  Nothing makes sense. (more…)

Read Full Post »

Older Posts »