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Archive for the ‘Josh Ritter’ Category

boilenSOUNDTRACK: ANGEL OLSEN-Tiny Desk Concert #333 (January 27, 2014).

angelBob Boilen has liked Angel Olsen for some time, so when she did her Tiny Desk and most of us had never heard of her, he was already a fan.

Olsen plays a long set but with four songs.

She sits very still, strumming with her thumb and singing kind of low–not unlike Sharon van Etten.  The first song, “Unfucktheworld” is only two ans a half minutes.  The second song, “Iota,” is a little longer.  She sings in an affected almost falsetto style, although the guitar remains very spare.

Between these songs, she is coy about the title of the new record although she is quick to say the first word of the title “burn.”  Later she admits that the final song contains the title of the album, if we wanted to spend time figuring it out.

I marvelled at how high the chords were that she played on “Enemy,”  She seems to eschew any bass for this song.  This one is five and a half minutes long and is just as slow as the others.

Before the final song they talk about whether this is the most awkward show she has done.  She says everyone is very alert–and indeed you can hear utter silence between songs.  But then they talk about the storm outside (and potential tornado) and how this show may never air if the storm is really bad.

“White Fire” is an 8 minute story song.  She does use the whole guitar for this one, which has many many verses.   Since I don’t really know Olsen’s stuff that well, I don’t know if this was a good example of her show or a fun treat to hear her in such an intimate way.

[READ: May 10, 2016] Your Song Changed My Life

This site is all about music and books, but you may be surprised to know that I don’t really like books about music all that much.  I have read a number of them—biographies, autobiography or whatever, and I don’t love them wholesale. Some are fine, but in general musicians aren’t really as interesting as they may seem.

What I do like however, is hearing a decent interview with musicians to find out some details about them–something that will flesh out my interest in them or perhaps make me interested in someone I previously wasn’t.  Not a whole book, maybe just an article, I guess.

I also really like Bob Boilen. I think he’s a great advocate of music and new bands.  I have been listening to his shows on NPR for years and obvious I have been talking about hundreds of the Tiny Desk Concerts that he originated.  I also really like his taste in music.  So I was pretty psyched when Sarah got me this book for my birthday.

I read it really quickly–just devoured the whole thing.  And it was really enjoyable. (more…)

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holmes4SOUNDTRACK: BOB AND ROBIN’S EXCELLENT HOLIDAY ADVENTURE, NPR, December 19, 2013 (2013).

bobrobinEvery year NPR airs a holiday music special (I’ve been posting from them for the last few days).  Initially, they were like any of the episodes, with descriptions of the songs.  Then they became a music only playlist (which was kind of nice).  Then they added some guests.  Last year they did a very enjoyable story of Bob and Robin together having a party that no one came to.  This year, today, they have released the 2013 edition.

In this story, Bob and Robin are driving to Kansas in a huge snowstorm.  They listen to some carols on the radio.  And then when the snow gets too bad they pull over into a small hotel.  Then Bob falls asleep and is visited in his dream by Annie Clark (St. Vincent), John Vanderslice, Wayne Coyne (Flaming Lips), Josh Ritter and Jess Wolf (Lucius) who tell some great memories of Christmas.

The songs they play are wonderfully diverse as usual (although there’s no Hanukkah songs this year, as Hanukkah was last month).  They range from standard favorites (Burl Ives’ “Rudolph the Red Nosed Reindeer,” “You’re a Mean One, Mr. Grinch”) to very traditional songs (“Coventry Carol” an instrumental “sleigh Ride”) to funny songs (“Christmastime for the Jews”) to a brand new one: The Flaming Lips playing “Silent Night/Lord Can You Hear Me” (which completely makes up for their dreadful “White Christmas” from several years ago).

This is a wonderfully enjoyable story/holiday special.  Listen and enjoy.

[READ: December 7, 2013] Sherlock Holmes and the Adventure of the Dancing Men

Since I’m going to write about a few of these, I’ll keep up this little intro bit so I don’t have to re-write the general ideas/criticisms.

These are indeed the actual Arthur Conan Doyle stories just severely edited and truncated.  In other words, a lot of the story is cut out and yet the original language is still in place (at least I hope it is, I hope contemporary writers didn’t write the dialogue), so for young kids I think the wording is a little confusing.  The drawings are a little too simple for my liking as well.  They do effectively convey the story, but I didn’t like the very basicness of them.  I feel they make the stories seems a little more childlike than they actually are.

Having said all that however, I found the graphic novels to be a compelling introduction to Sherlock Holmes’ shorter stories (although not for my 8-year-old apparently).

This story features the fascinating name of Hilton Cubitt.  He comes to Holmes with a confounding problem. He has discovered a slip of paper with stick figured men drawn on it.  When he showed it to his wife, she absolutely freaked out.  But she won’t tell him why.  So he brings the paper to Holmes to figure out what the heck is going on.

Since I haven’t read the original of this story,  I feel like the graphic novel is a better medium for this story because of the titular dancing men.  Perhaps the original has drawings in it, but if not, the graphic novel’s version which contains the stick figures corresponding to letters is a very successful way of quickly showing the trick.  (Even if, again, I don’t love the illustrations).

Holmes can’t do much with one slip of paper–he can’t even decode the pattern because there’s so little to go on.  But then more dancing men appear, and Cubitt brings more evidence to Holmes.  Holmes is able to crack the code (I couldn’t, but I wonder if there was more information given in the real story?).  Anyhow, Holmes has cracked the code, but that still doesn’t really solve the problem, which is the message within the code.

This may have been another case where more information would have made the story a bit more compelling.  It seems a little too easy that the “bad guy” is spotted, giving Holmes a pretty easy capture. Nevertheless, I do love a good puzzle and I’m curious to read how well the dancing men are described in the original.

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