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SOUNDTRACK: JOSHUA BELL & JEREMY DENK-Tiny Desk Concert #568 (September 30, 2016).

After hearing a pianist and then a violinist, it was fun to hear a duet of the two.

Joshua Bell and Jeremy Denk are masters of their crafts.  Although I did not know that:

Bell and Denk have been chamber-music partners for 10 years, and they’re a bit wound up on Brahms these days. They’ve released a new album, For the Love of Brahms, and they’re performing the music, along with that of Brahms’ friend Robert Schumann, in concerts.

They play three pieces, two Brahms, and one Schumann.  And they all sound spectacular.

Brahms: Violin Sonata No. 3, IV. Presto agitato
“You gotta love Brahms,” Joshua Bell says, a little short of breath. He’s wiping sweat from his brow after the big rock ‘n’ roll conclusion to the composer’s D minor Violin Sonata. Bell and the astute pianist Jeremy Denk play it with all the turbulence and tenderness Brahms demands, and it’s an invigorating way to open this Tiny Desk concert. [I love that the focus jumps back and forth from violin to piano, with interesting riffs and trills from one then the other.  I also love the way the melodies seem to creep around and sneak up on us].

Schumann: Romance, Op. 94, No. 2
Contrasting with the fiery Brahms, Schumann’s Romance, Op. 94, No. 2 unfolds like a song without words. Bell makes his 1713 Stradivarius sing, capturing the bittersweet tone of the music. When the theme comes around for the second time, he lightens bow pressure for a more intimate, almost whispered disclosure.

Brahms (arr. Joachim): Hungarian Dance No. 1
Another of Brahms’ close friends figures prominently in Bell and Denk’s final offering. Violinist Joseph Joachim was something like the Joshua Bell of Brahms’ day, as well as the man for whom the composer wrote his Violin Concerto. Joachim’s gift to Brahms was creating piano and violin arrangements of the composer’s Hungarian Dances.  Brahms’ Hungarian Dance No. 1, powered by a sweeping theme and chugging piano topped with pearly descending runs, whisks you to a smoky café where gypsy fiddlers battle for supremacy. Starting off on the low G string, Bell’s tone is as rich as dark chocolate, the feeling a touch wistful.  [I really love Hungarian dances.  It seems like every composer’s take on Hungarian music is excellent.  I love how the violin plays a very simple yet dark melody and the piano sprinkles in all of these descending notes in a fairly dramatic scale.  And then of course as all the dances do, it speeds up, careening around in wild abandon and fun.  Wonder what made Hungary such a lively place].

[READ: June 13, 2016] Lunch Lady and the Author Visit Vendetta

I rather like that the Lunch Lady books are sequential and mildly dependent on each other. Of course you can read them in any order you like, but reading them in the proper order allows you to see some continuity between books.

In the previous book, Dee mentioned that the author of the Flippy Bunny series was coming to the school. And in this book he does.

The kids are super excited that Mr Scribson is going to be there to read and sign books.  He is something of a primadonna though as he is upset that the reading will be taking place in the gym.  After his presentation, he signs books, but when Hector brings him a very old copy of the book Scribson says “I don’t sign opened books.”  Hector who has always love the Flippy Bunny books is devastated). (more…)

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