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Archive for the ‘Kurtis Blow’ Category

SOUNDTRACK: THE PERCEPTIONISTS-Tiny Desk Concert #661 (October 20, 2017).

The Perceptionists are Mr. Lif [Jeffery Haynes] and Akrobatik [Jared Bridgeman] two emcees whose names rock bells among true hip-hop heads. The duo of Boston natives first teamed up as The Perceptionists in the early aughts to release Black Dialogue on El-P’s Def Jux label in 2005. Their side project went into indefinite hiatus soon afterward, but now LLif and Akrobatik are reunited on their new LP, Resolution.

In a world that often appears to be spiraling out of control, their Tiny Desk set provides a much-needed breather.

With sharp, heartfelt lyricism, The Perceptionists critique the current political climate on “Out Of Control.”  There’s some great lyrics in this song.  I especially like

Man, I’m right there with them
Keeping it funky
If I’m African American, tell me which country
Our differences shouldn’t make you wanna hunt me
When in reality every fruit came from one tree

The song has a groovy funky bass from the really animated (H)Ashish Vyas.

On “Lemme Find Out” they rhyme about the symbiotic human relationship with technology.  They say our lives are just so dominated by technology…  Mr Lif wonders “if I am living in the real reality or just a predetermined reality that I’ve been programmed with.”  Akrobatik says, “50 years from know humans are going to have craned necks from [cell phones].”  The track opens with a cool echoing somewhat sinister guitar riff from Van Gordon Martin [“Not known for shit startin’ but his name is Van Martin”]

Once again, I love Akrobatik’s rhymes:

Microchip implanted in my hip
Got me feeling like an alien that landed in a ship
Probed my frontal lobe now I’m standing here equipped
With abilities to flip
But I can’t get a grip on regular shit
I’m about to dodge my competitor’s wit
Hit them with something that they’ll never forget
Deprogram, roll up a hell of a spliff
And smoke Master Kush at the edge of a cliff

I really like the little growls that Mr Lif does at the end of the verses.

The next song is “A Different Light.”  This chorus is great:

Want to crucify me for toughest era in my life?
That’s all right…
Thought the world of you but now I see you in a different light
That’s all right…

The duo’s

conscious ethos is perfectly encapsulated by Ak’s lyrical run.  He raps: “But I’m above all of the melodrama / When they go low / We go high / Michelle Obama.”

Mr. Lif says, “Everyone enters a relationship with different levels of expectations.”  Sometimes we are looking too closely at our expectations and not looking at the other person and being present with the situations right in front of us.   The song is mellow with some gentle synths from “Chop” Lean Thomas. The end of the song has a retro flute sound.  There’s also a mellow guitar line that runs through the song.

The song tells the story of Ak’s near-death experience with a pernicious aortic dissection, as well as the betrayal of a close friend during his convalescence.

About that incident, Acrobatik raps:

I don’t need to call your name out – I ain’t trying to embarrass ya
This is not about revenge, it’s more about your character
Or lack thereof, step back there brov
How can you call someone a friend and then attack their love?

The final song is “Early Morning.”  It’s got some great funky bass and some great funky drums from “Tommy B” Benedetti.  They say they hope this resonates with us all.

As the song ends, there’s some great riffs on the guitar and then Ak says, “we can’t  make a crazy exit… don’t wanna knock shit over.”

[READ: February 13, 2017] Hip Hop Family Tree 3

Book three continues the rise of Hip-Hop and bands who really start selling big.

Interestingly, it starts with Rick Rubin setting the tone for hip hop: “Sorry but girls don’t sound good rapping” (said to Kate Schellenbach of Beastie Boys.  And then getting the Boys all dressed in matching tracksuits (Puma).  Kate gets two rather unflattering drawings of her as the Boys tell her that the three boys will be the first white rap group (with Rubin as DJ).

Two art critics also get involved with tagging and graffiti at this time. Martha Cooper and Henry Chalfant take photos of the art but find time and again that “legitimate” businesses want nothing to do with this illegal work.  This also accompanies the rise of break dancing–there’s a funny page in which people think that a group of kids break dancing is actually fighting with each other.

But this book really tracks the rise of Run D.M.C., with the promise by DJ Run that he wouldn’t leave Jay behind.  He was good to his word. (more…)

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hhftSOUNDTRACK: G.L.O.B.E. & WHIZ KID-“Play that Beat Mr DJ” (Double Dee & Steinski Payoff Mix) (1985).

doubledeeThe original of this song (1983) was simply the drums and simple keyboard riff.  The “Payoff Mix” done by Double Dee & Steinski added the incredibly dense layer of samples that really make this song interesting (actually the samples are more interesting than the rap).

The samples included:

  • Adventures of Grandmaster Flash on the Wheels of Steel by Grandmaster Flash and The Furious Five
  • Play It Sam…Play “As Time Goes By” (Avalon/As Time Goes By) by Humphrey Bogart (dialogue spoken from the movie Casablanca)
  • That’s the joint – Funky Four Plus One
  • Take the Country to N.Y. City by Hamilton Bohannon
  • Don’t Make Me Wait (Acapella) by Peech Boys
  • Stop! In The Name Of Love by Diana Ross and the Supremes
  • Rockit by Herbie Hancock
  • Situation 12″ by Yazoo
  • Starski Live at the Disco Fever by Lovebug Starski
  • World’s Famous, Hobo Scratch, D’Ya Like Scratchin’ and Buffalo Gals by Malcolm McLaren
  • Apache by Incredible Bongo Band
  • Tutti Frutti by Little Richard
  • Last Night A DJ Saved My Life by Indeep
  • I’ll Tumble 4 Ya by Culture Club
  • Speech by Fiorello La Guardia from Reading the Comics – July,1945

Double Dee & Steinski went on to make some other great mashups (and these sound amazing since they were done circa 1985).  I particularly like Lesson 3.

Here’s the one that made them famous:

[READ: November 23, 2014] Hip Hop Family Tree 2

This volume picks up right where the previous one left off in 1981.

First we meet Doug E. Fresh who, devoid of records, starts the trend of beatboxing.  We also see The Sugarhill Gang doing a rap over the song “Apache” (while dressed like Native Americans).

The book bounces back to California (Oakland this time) where we meet Too Short, a great high school rapper who is interested in making money from his skills.  We also see a young Ice-T doing his gangland thing

Then it jumps back to Rick Rubin whose love of punk and metal (these goings on are happening at the same time as Black Flag is trying out a young Henry Rollins, and Bad Brains are in high gear–and often times the crowds mix amiably) fuses with his love of rap.  he really wants to be able to capture the rawness of the live sounds of both types of music onto a record (enter the Beastie Boys).  And, strangely enough (although perhaps it should be expected), Malcolm McDowell enters the picture.  We also see Fab Five Freddy making “Change the Beat” which includes a since-very-heavily sampled “Freshhhhh” (more…)

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hhftSOUNDTRACK: “The Adventures Of Grandmaster Flash On The Wheels Of Steel” (1981).

grandThis track was one of the first records to mix songs from other artists (yes, we call it sampling now).  It was a chance for Grandmaster Flash to show off his mad mixing skills.  He used three turntables, samples from the movie Flash Gordon (nice) and this songs:

Chic – “Good Times” ; Blondie – “Rapture” ; Queen – “Another One Bites the Dust” ; Sugarhill Gang – “8th Wonder” ; The Furious Five – “Birthday Party” ; Spoonie Gee – “Monster Jam” ; Michael Viner’s Incredible Bongo Band – “Apache” ; Grandmaster Flash and the Furious Five – “Freedom” ; Sugarhill Gang – “Rapper’s Delight” ; The Hellers – “Life Story”

It’s really impressive and it sounds seamless.

[READ: November 23, 2014] Hip Hop Family Tree 1

This book came across my desk at work and I was really excited to read it.  I thought I didn’t know all that much about the origins of hip hop.  And while I was largely right, I was also pleased that I knew so many of the big names.

So this is a graphic novel done by Ed Piskor.  Piskor’s style is familiar (it looks like old school indie comics, even though he was born in 1982). Now, I already said I don’t know all that much about hip hop history, so I can’t vouch for the veracity of this family tree (and I certainly suspect that Piskor likes some people and dislikes others), but I assume that this is a pretty accurate story about how hip hop came to be.

It all starts in the 1970s with DJ Kool Herc in the South Bronx.  He spins discs at parties and is hugely successful.  He starts looping records to extend the drum breaks.  His popularity inspires Grandmaster Flash who tries new techniques and Afrika Bambaataa who plays the most obscure records he can find (Kraftwerk, for instance).  Bambaataa was once a gang leader but he channeled his music into a more peaceful gang–Zulu Nation.  This group leads to some other early hip hop groups: The Treacherous Three, The Cold Crush Brothers, Funky Four Plus One (the first of the groups to feature a woman) and The Fantastic Five, (more…)

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