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Archive for the ‘Lily & Madeleine’ Category

SOUNDTRACK: SAINT SISTER-Tiny Desk Concert #863 (July 3, 2019).

The first surprise from Saint Sister is the harp.  The second surprise comes when you realize that Saint Sister’s music isn’t going to be traditional harp-centric folk songs.

The third is when Morgan Macintyr speaks after the first song and she has a pretty heavy Irish accent.

It’s a surprise because their voices are angelic and accent-free while they sing their pretty songs.

Saint Sister makes the sort of music I’ve been fascinated with for much of my life, music that mixes the organic with the electronic. In this case, the organic sounds come from that Dusty Strings harp and the harmonies of Gemma Doherty and Morgan Macintyre, with electronics performed on keyboards by Morgan and Dek Hynes, and the mostly digital drums of Shane Gough.

So, yes, even if the harp is the centerpiece (“[when] Gemma Doherty pulled her 34-string lever harp from the band’s vehicle; it seemed bigger than all of us”) the rest of the band fleshes out the harp with waves of synths and percussion.

Causing Trouble” opens with single harp notes and echoing drums.  Then Gemma and Morgan start singing and their voices blend beautifully.

You can tell the Irish connection in the lyrics of this song:

We danced from Belfast to the Basin
When you sang, “And it stoned me”
Well it stoned me

“Shape of Silence” is a short instrumental made up of unearthly sounds and voices as Gemma plays a lovely harp melody.  It’s about a minute long and segues into “Is It Too Early? (Kilmainham).”  They sing in a kind of staccato style (and remind me a bit of Lily & Madeleine here).  There’s no much harp in the verses–it’s almost a dance song, but when the synths fade off, the harp returns and sounds even lovelier somehow.

For “The Mater” Dek and Shane leave so it is only Gemma and Morgan.  This song is quieter with just the harp and their voices.

Although the melding of harp and electronics is cool, they sound beautiful with just harp and voices.

[READ: July 1, 2019] “The Not-Okay Corral”

The Summer 2019 issue of The West End Phoenix was a special all comics issue with illustrations by Simone Heath.  Each story either has one central illustration or is broken up with many pictures (or even done like a comic strip).

Each story is headed by the year that the story takes place–a story from that particular summer.

This story is told in comic book style with panels.

1976: If you are Janet, when you are ten years old, the worst thing about horseback riding camp is the horses.  They are massive and muscular and totally in charge.

Much of the camp seemed to be about teaching the horse who was boss. When the kids were told to walk the horses around the ring, that was okay, even if Janet was clearly letting the horse lead.  But when they left the ring to return to the paddock, the horse let Janet know who was actually in charge.  It stopped following the horse in front of it and stopped to eat some grass. (more…)

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SOUNDTRACK: LILY & MADELEINE-Free at Noon, World Cafe Live (February 22, 2019).

I was pretty happy to be at my desk for this Free at Noon show today.  After seeing Lily & Madeleine Wednesday night, I was keen to hear them live again.

I was also happy that a lot more people showed up for this show than my bad-weather event.

They played a truncated version of the show that I saw–nine of the fourteen songs.  Can their real set only be five more songs?  They focused entirely on new songs, except their encore, and wound up playing all but two of the new songs.(Circles and Bruises).

The sisters aren’t the most dynamic performers.  They are quiet and somewhat subdued–look to guitarist/cellist Shannon Hayden for the action.  But they more than make up for it with their voices.  Once again Lily & Madeleine sounded great and their harmonies were transcendent.

Their new songs are really great live–the addition of the cello really fleshes out their music beautifully.  And their drummer (who goes by one name and which once again I didn’t understand (Coffee?)) was fantastic.

They played the first three songs as my show.  They skipped the older songs and went right to Analog Love.  I was surprised they played “Supernatural Sadness” right after “Analog Love” because they are very different.  Analog is, as the chorus states, “slow and sweet” whereas “Supernatural” has a much more dancey, almost disco attitude,

They ended the set with “Pachinko” and then the band left so the could play “Go” with just the two of them.

After Helen Leicht came out to thank the band for coming, they did one more song, an encore of “Blue Blades.”  This song sounded amazing when I saw them both because of their voices but also because of the awesomely echoed cello.  And she had that same effect on the song here–it just sounds massive and almost otherworldly.  It’s amazing.

Definitely check them out, they are terrific live (this will no doubt be posted soon enough).

  1. Self Care
  2. Just Do It
  3. Canterbury Girls
  4. Analog Love
  5. Supernatural Sadness
  6. Can’t Help the Way I Feel
  7. Pachinko Song
  8. Go
    encore
  9. Blue Blades

[READ: February 20, 2019] Kitten Construction Company

I loved Green’s previous book Hippopotamister and I was pretty delighted with the premise of Kitten Construction Company.  But I had no idea how funny it would be.

The city of Mewburg (I only wish it was Mewlinburg) is preparing to build a new mayor’s mansion.  The city planner is looking at excellent design plans for the mansion.  As he talks about how wonderful the designs are, he pulls back the paper to reveal Marmalade, an adorable kitten.  He stops what he is doing to marvel at her cuteness.  Marmalade is upset by this.

Even more so when the city planner says they can’t have a cute kitten as an architect–“you’re just too adorable to be taken seriously.”

Marmalade stomps off (cutely) muttering that she went to school and she has a degree.   While she is trying to drown her sorrows in milk, she meets Sampson. a dishwasher who is actually an electrical engineer.  They are sick of not being taken seriously so they decide to start their own firm.  But first Sampson has to finish his shift (which is adorable and hilarious). (more…)

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[ATTENDED: February 20, 2019] Lily & Madeleine

Lily & Madeleine are sisters from Indianapolis.  I saw Lily & Madeleine on a Tiny Desk Concert a few years ago.  The show was from 2014 when the pair of them were still teenagers (Lily was 16, Madeleine 18).  Their harmonies were just terrific and I made a note to see them when I got a chance.

I saw that they were going to be playing World Cafe Live upstairs in Philly.  I’ve never seen anyone upstairs there before (it’s a smaller space), so I was happy to grab a ticket.  It turns out that they are also doing a Free at Noon before the show.  Then I saw that they were going to be playing at The Saint in Asbury Park on a Wednesday night.  The Philly show was a Friday night (this Friday, 2/22, tickets are still available). It’s quite a hassle for me to drive to that part of Philly on a Friday night so I decided to go to the Asbury show instead.

Then it snowed.  A lot.  We were even given off early from work.   But by 6PM, the snow turned to rain and driving was totally fine.  There was no traffic on the Parkway and I made it to Asbury Park in ample time.  (See the post on The Well Wish for what I did between my arrival and the bands’ show).

Because of the terrible weather the were only about 8 people in the whole place.  In fact, Lily & Madeleine were in the floor dancing during the opening act–I thought it was them but wasn’t sure until they went on stage. (more…)

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[ATTENDED: February 20, 2019] The Well Wish

The Well Wish is a married duo (sometimes with a band).  They are from NJ and were picked to open for Lily & Madeleine at The Saint.

Because of a miscommunication with the woman at the door, I wound up missing almost their entire set (and I was a block away).

I saw two songs by them.   On the first one, singer Anya Schildge played keys while Patrick Angeloni played acoustic guitar.  For the second (and final) song, Schlidge switched to guitar.  They were accompanied by Lily & Madeleine’s cello played Shannon Hayden because their violinist couldn’t make it.

I really enjoyed their music and am quite bummed that I missed so much of their set.  There was a folk feel (complimented by the cello) but with pop sensibilities [their influences: Florence and the Machine, Radiohead, and Bonnie Raitt]. (more…)

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moomin9SOUNDTRACK: LILY & MADELEINE-Tiny Desk Concert #330 (January 7, 2014).

lilmadLily & Madeleine are a duo (surprise!).  But for a real surprise, they are sisters and at the time of the recording Lily was 16 and Madeleine was 18.  They sing beautiful folkie rock with fantastic harmonies.

That’s Lily on guitar and Madeleine on keys (and higher harmonies).

They play threes songs.  The first one, “Devil We Know” is amazing.  Their harmonies start off the song and it’s a beauty.  It’s an uptempo song that has a gorgeous verse.

“Paradise” features each sister singing an individual verse before the other chimes in with a harmony.  And while their individual voices are nice, when they harmonize it’s really something.

“You Got Out” sounds like a folk song from long ago–with the chord structure and harmony “ooohs.”

The duo is really great and they have just released a new record this year.

[READ: March 19, 2016] Moomin Volume 9

Moomin Book 9 and every subsequent book is made entirely of strips written and drawn by Lars Jansson.  These stories originally ran in the Evening News, London 1960-1975.  I have more or less caught up with the Moomin series at this point.  Book Ten has been released but my library does not have it yet.

This book tends to veer away from the Moomin family a little bit.  Of course they are still present, they just aren’t always the focus, as you might be able to tell by the chapter titles:  “Damsel in Distress” “Fuddle and Married Life” “Sniff’s Sports Shop” “Mymble’s Diamonds.”

(more…)

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