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Archive for the ‘Mike Patton’ Category

[ATTENDED: September 10, 2017] Dead Cross

I had heard that Mike Patton (Faith No More, Mr. Bungle and a million other projects) and Dave Lombardo (Slayer and other things) had formed a band and were touring.  I have wanted to see Slayer forever but never have.  I almost saw them last year but it sold out.  So, I kind of lost interest in seeing them.

And of course, Mike Patton is legendary and I’ve liked so much of what he’s done, but I’ve never seen him either.

I was curious what the album would be like and wasn’t entirely surprised to hear that it was basically a hardcore/speed metal album (10 songs in like 25 minutes).  Despite the two of them, I wasn’t really sure if I wanted to go to a show like that (I don’t really relish getting in a full-sized mosh pit).  But the more I thought about it (and after reading about the opening band) I decided it would be worth going to.

I checked out their setlists online and saw that they basically played the whole album and a couple extra songs.  Which, by my calculation, would be about 40 minutes. (more…)

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[ATTENDED: May 5, 2016] The Dillinger Escape Plan

2016-05-05 19.48.27I bought The Dillinger Escape Plan’s first album way back in 1999.  It is an abrasive, unpleasant, noisy, harsh record.  The band is known for playing “mathcore” which means their songs have lots of stops and starts and weird rhythms.  They are also really fast and the chords are more like screeches than actual guitar chords.

I didn’t listen to that album very much and I pretty much forgot about the band, but I saw their name pop up here and there.  And now, here they were opening for Mastodon.

I didn’t know that they had been making records for all this time–with many, many line up changes, including a new singer since that first album.  As I looked through their discography, I found out that Mike Patton, singer for Faith No More, Mr. Bungle and a dozen other even weirder bands, sang for them on an EP.

And then their new (and current singer) Greg Puciato took over.  On the songs that I’ve listened to from their later albums, Puciato sings in many styles.  There’s a lot of screaming, but there’s also some crooning and vocals that sound an awful lot like Patton’s (no mean feat).

Reviews said their newer albums were more melodic, so I was interested to hear what they’d do. (more…)

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janfebSOUNDTRACK: TANYA TAGAQ-“Uja” and “Umingmak” live at the Polaris Music Prize (2014).

tanyaTanya Tagaq won the Canadian Polaris Prize this year.  Tagaq is a Canadian (Inuk) throat singer from Cambridge Bay (Ikaluktuutiak), Nunavut, Canada who at age 15, went to Yellowknife, Northwest Territories to attend high school where she first began to practice throat singing.  Mostly I included that so I could have the word Ikaluktuutiak in a post.  She is the first native Canadian to win the prize.

Tagaq sings in a gutteral throat singing style combined with some more traditional high-pitched notes.  She has worked with Mike Patton and extensively with Björk.  Most of her songs don’t have lyrics per se, and the album that won the prize is called Animism.

This is a live broadcast of her set which has been describes as truly mesmerizing in person.  It is certainly mesmerizing in video–marveling that the woman can sound so possessed  and yet so clearly in control.

At 1:38 when the backing vocalists (who were shrouded in darkness sing out, it’s quite startling.  I don’t know when the first song ends and the second begins, but at 3:48. when the drums start a regular beat, you can hear a sense of commercial rock amidst the avant garde music.   Around 5 minutes the music drops away and when Tagaq sings briefly in her non-throat voice she sounds almost childish. But when the throaty growls returns, it’s a bit scary, frankly.

Tagaq has talked about bringing the sensuality of throat singing out into the public and by 7 minutes, the sensuality is right there on the stage.  By the end, when she is screaming her lungs out, it has to have been really intense in the theater.  And her wold howl at the end is uncanny.

Clearly not to everyone’s taste, but probably not lie anything else you’ll hear all day.  And unlike anything you’d hear at the Grammy’s.

[READ: January 2, 2015] “Beyond the Shore”

This is  brief story about competitiveness at the gym.  It’s the kind of story that is probably acted out in gyms across the country and one which shouldn’t have been all that interesting, but Awad chose an interesting setting and characters to flesh this out.

I also enjoyed that the title has nothing to do with the action of the story.  Rather, it refers to the place where they live: “Beyond the Shore, a gated-living community that has nothing to do with California (we are nowhere near California), the apartment building which overlooks the Malibu Club Spa and Fitness Centre.”  Each morning when the narrator wakes up, she can see from her bedroom window that Char, an extremely depressingly fit woman, is already working out ion the gym. And most of the time she is working out on Lifecycle One, the very machine that the narrator has signed up for in fifteen minutes.

This wouldn’t be a problem except that in fifteen minutes, the narrator, who is not in peak physical shape will get to the gym and Char will still be in mid-routine with no intention of stopping.  When the narrator approaches Char, Char says she’s almost done (even though she ‘s already over by five minutes) and then mutters a nasty name about the narrator under her breath.  Often by the time Char gets off, the narrator has but 24 minutes in her time slot before the cardio group comes in next. (more…)

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bartelbySOUNDTRACKOS MUTANTES-” Picadilly Willie” (2013).

Iosmut enjoyed this album so much (thanks NPR for the stream) that I had to talk about this song and how radically different it was from yesterday’s track.  “Picadilly Willie” is this wonderful old-sounding rock song.  It’s got a very classic rock riff, but there’s something slightly off-kilter which makes it sounds more like Frank Zappa classic than radio classic.  And when the vocals come in (with a sinister laugh) it sounds more like Mr Bungle than anything else (I wouldn’t be surprised if Mike Patton was a fan of Os Mutantes).

The song ends with what sounds to me like Middle Eastern sitar music and echoed chants of “Bra-zil!”

And these are just two of the styles of music on this wonderfully wild and diverse CD.  I can’t wait for its release.

[READ: April 22, 2013] Bartelby & Co.

I read about this book in the Bolaño interview book.  Vila-Matas was one of many authors that Bolaño highly recommended–this book ion particular.  And, it was one of the few books on that extensive list that has been translated into English.

This book follows in the rich tradition of books that are more or less lists about people and not really novels at all. (This seems like a peculiarly Latin American pastime, at least in my experience, as there are nearly a half dozen books that seem to do this, including several by Bolaño).

The key to this book is in the title: Bartelby.  The narrator is a hunchbacked loner, and he decides to catalog all of the instances of writers who have in the grand tradition of Herman Melville’s Bartelby the Scrivener said “no, I would prefer not to” write anymore.  And so this book becomes a series of notes without a text.  The glorious list includes many famous and not so famous writers (the most famous being Salinger) who whether famous or not, decided to write no more.  And thus we have 86 “sections” in which the narrator writes about writers who stopped writing.  For most of the he gives their reason for no longer writing, for others he simply likes talking about how they stopped writing or what their circumstances were before they stopped. (more…)

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Gsimon
SOUNDTRACK
: PEEPING TOM-Peeping Tom (2006).

peepingPeeping Tom is one of the many side projects that Mike Patton (known mostly as the vocalist for Faith No More) has created in the last few years.

As Faith No More moved past “Epic” into their later releases, it became increasingly clear that Mike Patton was one wacky little monkey.  And as he moved into projects like Mr. Bungle and his solo releases, he really let his freak flag fly.

Peeping Tom has Patton collaborating with all kinds of people.  And it is a surprisingly accessible record (even though it is still pretty unusual).  The album has a sort of hip hop feel to it with loud pulsing drums on most of the tracks as well as collaborators like: Kool Keith, Amon Tobin, Doseone, Kid Koala, and uh, Norah Jones.

“Five Seconds” starts as a pretty straightforward song, but the chorus of him counting/shouting 1 second, 2 seconds… faster and faster, takes on a new meaning of sinister.  “Mojo” has fun with Britney Spears, although the fun is in lyrics only, as the song is a heavy blast of illicit substance references.  The third track “Don’t Even Trip” continues this carnival of dementia with the wonderful lyrics, “I know that assholes grow on trees, but I’m here to trim the leaves.”

The middle of the album is less manic, it slips into some really catchy trip hop moments with the guests taking some control of the songs.  Kool Keith raps on “Getaway” allowing Patton to take charge on the choruses, while “Caipirinha” sounds very smooth and jazzy, as any song with Bebel Gilberto should.  “Celebrity Death Match” has a very funny vibe to it, not unlike Kid Koala’s tracks. The final track “We’re Not Alone” says it’s a remix, although it’s not a remix of any tracks on the disc.  It returns to the heaviness of earlier in the album.  And near the end it sounds not unlike a Foo Fighters track (despite its slow-paced and falsettoed verses).

But probably the most fun/giddy song on the disc is “Sucker.”  In it, a whispering, sultry, derisive Norah Jones sings the line, “What made you think you were my only…lover?  Truth kinda hurts, don’t it mother…fucker?”

There are many many moments on this record that seem borderline commercial, yet the schizophrenic nature of Patton’s songwriting means that those moments are quickly replaced by something else.  Compared to say Fantomas, this is a very commercial disc, but fear not, Patton fans, there’s enough weirdness on here to keep you coming back.

Plus, the album packaging is really cool. You pull open the tab on the right side and the disc slides out on the left side. There’s a keyhole cutaway that reveals different layers as the package opens, too.  Very cool.

[READ: November 22, 2008] Free Range Chickens

I had forgotten my book for lunch time reading today, and I didn’t want to start anything big, so I was thrilled to see that we had gotten in Free Range Chickens (at my request, of course).  It was the perfect lunchtime book as I finished the whole thing in 40 minutes.  (This may be a warning not to buy it, unless you intend to re-read it). (more…)

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