Feeds:
Posts
Comments

Archive for the ‘Nickel Creek’ Category

july7 SOUNDTRACK: NICKEL CREEK-Tiny Desk Concert #385 (August 26, 2014).

nickelI have listened to this Tiny Desk Concert so many times I can’t believe I never posted about it. This was my first exposure to Chris Thile, and in the two years since I watched this I have become a huge fan of his (and of singer Sara Watkins).

“Destination” was probably my favorite song from 2014 and is still amazingly catchy.  Nickel Creek’s harmonies are superb-lead by Sara and accompaniment by the other three, this song speeds along at a great clip with all kinds of fun instrumentation.

In addition to Thile on mandolin and Sara on violin, there’s Sean Watkins on guitar and Mark Schatz on upright bass.

I liked the way the players shifted positions to let Chris sing lead on “Rest of My Life.”  He introduced this song by saying, “this is the first day that I will be singing with my new braces.  I am 12 years old.”  With his new singing impediment he says this song is “Sung not as a its hungover protagonist but by its be-brace-ed protagonist.”   The melody is done on guitar and upright bass with Thile’s mandolin playing most of the higher notes and occasional grace notes from Watkins’ violin.  There’s also a delightful “lullaby” sounding  section in the middle.

“21s of May” is sung by Sean.  He introduces this jaunty song with “Remember when the rapture almost happened three years ago?”  May 21st was supposed to be judgement day so he thought he should write one more song and so he did.  He plays a great lead guitar melody on this song with great harmonies.

At the end of the song Thile bangs the gong and then asks if they want one more short song.  Then he admits that its longer than the other three.  It’s an instrumental song called “Elephant in the Corn.”  When the crowd cheers, Sean says it’s “Huge in Washington DC.”

I love that Chris and Sean get some fast solo and then Sara take as really slow violin leads that leads to a cool bass slide.  The song picks up again with Thile playing some amazingly fast mandolin licks.  And just when you think it’s all over, there’s a coda tacked on as well–and not just a “this is the end coda” either.

Nickel Creek has been around forever, and I’m only bummed that it took me until 2014 to actually hear them.

[READ: February 26, 2016] “Thirteen Hundred Rats”

Somehow I didn’t expect the title of this story to be taken literally.  And yet, it most certainly was.

I really enjoyed the way this story was constructed.  It is told by a man who is somewhat proud of himself.  He talks about the small village that they live in–a small village of 50 or so houses created by industrialist B.P. Newhouse (who hoped it would be a model of utopian living).  The narrator and his wife live there although they tend to travel the world now that they are older.

He tells the story of a village resident named Gerard.  He and Gerard had been friends and had congratulated themselves on not having any children.  Gerard’s wife had recently died and Gerard took it hard.  He wasn’t eating, wasn’t going out.  And people began to worry about him.

Villagers suggested that he should get a pet.  Even the narrator’s wife suggested it.  So the narrator trudged down to Gerard’s house, with his two dogs in tow to talk to Gerard. (more…)

Advertisements

Read Full Post »

boilenSOUNDTRACK: ANGEL OLSEN-Tiny Desk Concert #333 (January 27, 2014).

angelBob Boilen has liked Angel Olsen for some time, so when she did her Tiny Desk and most of us had never heard of her, he was already a fan.

Olsen plays a long set but with four songs.

She sits very still, strumming with her thumb and singing kind of low–not unlike Sharon van Etten.  The first song, “Unfucktheworld” is only two ans a half minutes.  The second song, “Iota,” is a little longer.  She sings in an affected almost falsetto style, although the guitar remains very spare.

Between these songs, she is coy about the title of the new record although she is quick to say the first word of the title “burn.”  Later she admits that the final song contains the title of the album, if we wanted to spend time figuring it out.

I marvelled at how high the chords were that she played on “Enemy,”  She seems to eschew any bass for this song.  This one is five and a half minutes long and is just as slow as the others.

Before the final song they talk about whether this is the most awkward show she has done.  She says everyone is very alert–and indeed you can hear utter silence between songs.  But then they talk about the storm outside (and potential tornado) and how this show may never air if the storm is really bad.

“White Fire” is an 8 minute story song.  She does use the whole guitar for this one, which has many many verses.   Since I don’t really know Olsen’s stuff that well, I don’t know if this was a good example of her show or a fun treat to hear her in such an intimate way.

[READ: May 10, 2016] Your Song Changed My Life

This site is all about music and books, but you may be surprised to know that I don’t really like books about music all that much.  I have read a number of them—biographies, autobiography or whatever, and I don’t love them wholesale. Some are fine, but in general musicians aren’t really as interesting as they may seem.

What I do like however, is hearing a decent interview with musicians to find out some details about them–something that will flesh out my interest in them or perhaps make me interested in someone I previously wasn’t.  Not a whole book, maybe just an article, I guess.

I also really like Bob Boilen. I think he’s a great advocate of music and new bands.  I have been listening to his shows on NPR for years and obvious I have been talking about hundreds of the Tiny Desk Concerts that he originated.  I also really like his taste in music.  So I was pretty psyched when Sarah got me this book for my birthday.

I read it really quickly–just devoured the whole thing.  And it was really enjoyable. (more…)

Read Full Post »

jan2016SOUNDTRACK: CHRIS THILE & MICHAEL DAVES-Tiny Desk Concert #133 (June 13, 2011).

After seeing Avi Avital play an amazing show last week, it seemed only thilefitting to mention a show with an other amazing mandolin player. Chris Thile does some incredible work on that tiny instrument.  I’d love to see a duel between the two of them—it would be mind blowing.

Thile has played with many many different musicians, both in bands (Punch Brothers, Nickel Creek) and as duos and trios.  And this duet with guitarist Michael Daves is fantastic.

Daves plays a folkie electric guitar and sings.  They share lead and harmony vocal duties (with Thile usually going higher).  And while Thile’s mandolin solos are incredible, Daves is no slouch on the guitar either–his fingering may be just as fast as Thile’s.

The two have a great rapport (and play a super long set!).  The duo met and were going to record one song, but it turned into more than a dozen.  And they play 6 of them during this show.

“Sleep With One Eye Open” feature Daves on lead vocal.  It’s upbeat and bouncy folk with a country twang attached.  (I love that Thile’s mandolin is just as loud as Dave’s guitar).  And I love watching Thile bounce around while playing.

They duet on vocals for “Rabbit in the Log” which is about the inherent cuteness and tastiness of rabbits.  Thile’s fingerwork is mind blowing until you hear the solo that Daves does.  And how does a song that’s so fast end so sweetly?

“Bury Me Beneath The Willow” is slower song with Thile on lead vocals.  it shows that their whole act isn’t about speed.

“Billy In The Lowground”  Thile says that Billy, “through no fault of his own ended up in the lowground.”  It’s an instrumental so we just have to imagine what Billy did.  It’s another place for them to show off their skills.

“It Takes One to Know One” is a more bluesy than bluegrass song with Daves on lead vocals.  It’s alike a slow blues song with Daves’ country twang vocals.  Thile’s slide solo is amazing—never seen anything quite like that on the mandolin (well, until Avi did something similar).

When their set should be over, Thile says they’ll do “one more for good measure.”  “Roll In My Sweet Baby’s Arms” is an incredibly fast song.  They duet on vocals but Daves really shines on the super fast guitar solos.

The more I see Chris Thile the more I’m impressed by him.  I can’t wait to see who he teams up with next.

[READ: February 23, 2016] “There are Other Forces at Work”

John Darnielle, singer and guitarist for the Mountain Goats is also a fiction writer.  And here is a great essay about John Cage.

Darnielle opens the essay by saying that on the day that Nixon resigned, Darnielle was 7, but he cheered anyone since he was taught that Nixon was the bad guy.  And on that day, John Cage gave the first public reading of “Empty Word” a piece of unaccompanied voice in which he read from Thoreau’s journals and reduced the journals first to single words then to syllables and eventually to letters–drawing them out slower and slower.

This piece caused riots.

Then Darnielle gets to the meat of the matter.  He has gone to Halberstadt because The John Cage Project has been performing Cages’ “ORGAN2/ASLSP” there since 2000.  And it plans to run until 2640.  Perhaps you have heard of this piece and its preposterous length.

There is a piano version of ASLSP (which stands for As Slow as Possible).  Darnielle tries to imagine playing each note on a piano until it rang its length out (about 30 seconds). But an organ can play for as long a performer can hold the note.   The only instruction Cage gave for the piece: “all eight pieces are to be played.  However, any one of them may be repeated, though not necessarily, and as in ASLSP, the repetition may be placed anywhere in the series.”   In other words you can play it for as long as you like

Here’s a 4 minute version

It is being performed in Halberstadt because the modern twelve note keyboard was in vented in Halberstadt in 1361.  That was 639 years before 2000 and thus the entire piece will last until 2640 which is 639 years from 2000 (there’s nice symmetry for an asymmetrical piece).  As such, since they were mathematical about it, they determined that one of the 8 parts would last 71 years.  That’s 71 years of an organ playing a single note.

When Darnielle arrives it is for one of the changing of the chords.  This discordant chord had been playing since 2012.  Before he arrived, he tried to imagine what it would be like, and he is both underwhelmed but also moved by the simplicity of it.  He says its not pretty or unpretty, it’s just sort of there–a kind of background drone.  It’s also much quieter than he imagined.  The chord is being played by sandbags–there is no keyboard.

The note change (and Darnielle’s visit) was on October 5, 2013.  The next change is in 7 years.  Here’s a list of planned chord changes (note they do not go until 2640)

The piece started with a 17-month rest on September 5, 2001, Cage’s 89th birthday. The first sound appeared on February 5, 2003. Subsequent dates for note changes include:

  • July 5, 2004
  • July 5, 2005
  • January 5, 2006
  • May 5, 2006
  • July 5, 2008
  • November 5, 2008
  • February 5, 2009
  • July 5, 2010
  • February 5, 2011
  • August 5, 2011
  • July 5, 2012
  • October 5, 2013
  • September 5, 2020

Beyond the sound of the chord there are things to see.  An engraved metal panel attached to an iron rail at eye level–these were paid for by people as a funding for this project and they were allowed to write what they liked.

Darnielle was quite moved by the thing although he is concerned because they play the notes of the new chord one at a time–one note builds on the others.  He says the piece is supposed to be just the one chord and that’s it.  (Realistically it allowed the three people who were invited to begin the chord to each have a moment in the spotlight).  Then he realizes that in the course of 639 years (if you were to compress it to a reasonable length) that will seem like a blip or a grave note.

Darnielle notes that Cage can still cause people’s ire to rise, just if you look at all of the YouTube comments on his piece “4’33′”(the silence piece).  People are outraged by it, still.

I really enjoyed Darnielle’s look at this fascinating event.  I really like Cage for his daring.

Here’s a person’s recording of the event

Read Full Post »

[ATTENDED: December 7, 2015] Punch Brothers

punchChris Thile is a member of Nickel Creek whose last album I loved.  He’s also appeared multiple times on Tiny Desk Concerts (with several different bands).  And that’s where I saw Punch Brothers for the first time.

Punch Brothers are five guys–Chris Thile (mandolin), Gabe Witcher (fiddle/violin), Noam Pikelny (banjo), Chris Eldridge (guitar), and Paul Kowert (bass).  They play a sort of bluegrass, but with a lot of elements of classical music (their debut has a classical suite on it and now they cover Debussey live).  Other labels given to the band include “bluegrass instrumentation and spontaneity in the strictures of modern classical” as well as “American country-classical chamber music.”

That all goes a long way to not really describing what the band sounds like.

The five guys stood around one old timey microphone (like in the poster).  ANd they blew us all away. (more…)

Read Full Post »