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SOUNDTRACK: RHEOSTATICS-Fall Nationals, Night 8 of 10, The Horseshoe Tavern, Toronto (December 15, 2005).

This was the 8th night of their 10 night Fall Nationals run at the Horseshoe.  Guest Vocalist Night.  Ford Pier on keyboards.

This guest vocalist night is a bit smaller than previous ones.  There aren’t twenty-six singers.  There’s only fourteen in total and a bunch of them sing two songs.  The show also runs just over 2 hours with the band singing some of their own songs at the end.   It’s like a tight, efficient guest night rather than a sprawling one.

Ford calls it “karaoke night.”  Dave nixes that, “Lets not call it that.  You have to be far more hammered to do that.”  Ford: “This is more like Star Search.  Mike sets forth the terms: “henceforth, we will be effectively mute except in support roles.”

As usual, they open with an instrumental “Four Little Songs.”  It’s always really interesting to hear this multi-part song with just the music.

“Produce the first victim!”

Here’s Selina Martin singing “Soul Glue” which segues into a very pretty “California Dreamline” (also by Selina).

Next up are Nick and Graham from Belleville.  Dave asks, “How’s Belleville?”  “No snow there.”  “It’s the Winter Nationals Pro-Am” as they sing “Fat” and do a terrific job.

Jennifer Foster comes out to sing “The Woods Are Full Of Cuckoos.”  Tim says, “Jen’s trying to play ‘stump the band.'”  Ford jokes, “Maybe you’ll wind up playing keyboard next year.”  Dave: “Coz we’re firing Ford’s ass.”  It is such a shame the mic gets staticky and cuts out because she does a good job with this hard song.  She notes, “its cutting in and out.”  Tim:”So were our brains.”

Then there’s a double shot of Don Kerr.  He says he’s going to do a double shot from his favorite album.  A terrific “Introducing Happiness” is followed by a change of selection.  He says he changed it just today.  They do “Fan Letter To Michael Philip.”  Don says it’s a real fan letter.  Dave: Don Kerr will personalize  a song to you for a small fee.”

Some of the lyrics:

I have all your records/
I have even helped you make a few
Among my favorite producers would be
Tchad Blake and you

I  would like a fan club letter/
but one of your Juno awards would suit me better

When i joined the Rheostastics / I was met by a lot of Dave Clark fanatics
I know they did the same thing to you / but just like me you made it through

During the end there are backing vocal chants of “Wojewoda.”  He must have been pretty overwhelmed.

Patrick Finch comes on to sing “Junction Foil Ball.”  Dave asks him, “And how’s that go exactly?”  Patrick: “It’s nice.”  And they do a great version.

I am amused to hear that someone is shouting requests.

Sarah Harmer comes out two songs.  A sweet “Loving Arms” (I love that Tim adds the spoken “Jeez, I don’t know” line, which is part of the song but it sounds amusing and sweet.  Mike: “That somehow just sounded right.”  It’s followed by a wonderful “Claire.”

Paul McLeod comes out and Ford says, “This guys isn’t as good-looking at the last one.”  Dave, “I don’t know, have you ever seen him in bicycle shorts?”  He does an excellent version of “Jesus Was Once A Teenager Too.”

Sean Cullen comes out for two songs.  “Power Ballad For Ozzy Osbourne” has a terrific voice for this rather silly song.  At the end, he scream/sings “he’s going off the rails.”   Then Cullen does a lengthy improvised Christmas Song.  It’s very funny and a twisted retelling of the Jesus story.  Some amusing lines:

Joseph was good with his hands and good with the ladies.
There was going to be a huge new tax. What an asshole Caesar was.
100s of men with their young pregnant wives clogging the roads.
They put him in a manger, which was weird, because cows were trying to eat.
The horse said to the turkey, you look ridiculous, look at you.  Sit down and shut up (the horse was a real asshole).
The turkey said I’m going to fight for Jesus.
The temple guard laughed because it was a turkey.  The guards fought and killed him, filled him with seasoned bread and threw him on the fire.
The angel came down and said you bastards.
The guards said, lets eat it and take a bit of him home with us.
We dream of that first Christmas where a turkey gave his life.  And the horse was an asshole.
It’s the Christmas turkey on Christmas day.  Thank you turkey for fighting for Jesus.
Dave: “I didn’t know whether to laugh or cry.”
Mike: “What album was that off of?”

Robin Lowe comes out to sing “Sweet Rich Beautiful and Mine.”  Robin has been selling stuff for us this week.  Public congratulations, Robin got married to Steve Clarkson, our sound man, this week.  Robin sings a duet with Martin.  Dave: “Well, isn’t that sort of cheating, Robin?”  Robin hits some amazing high notes.  They sound great together.  This version gives me chills.

“Take Me In Your Hand” is sung by Howard Druckman and Beverly Kreller.  Howard is one of our oldest and dearest friends.  Dave: “I’ve been demoted to bass.”  They’re giving the rest of the band a break.”  The song ends with penny whistle and bongos.

Yawd Sylvester comes out to sing Tim’s song “Row.”  Tim Vesely, Yawd’s rhythm guitarist.  Yawd went on tour with Violet Archers and Tim promised it would  be Rheos-free.  But after the encore, Yawd would go out for a smoke and Tim would do “Row” as an encore.  It’s a bit too slow and the world is incredibly rude throughout the quietness.

Ida Nilsen comes out to sing Marginalized.  It’s a little too un-intense.   Tim Sings the Vic Chesnutt song “Little Caesar” at the end.”

Paul Linklater from Justice, Manitoba, the Scribbled Out Man, comes out to sing “Horses.”  He’s great for the song. At some point Paul starts chanting “Put away wet” for some reason.  Dave says guys, throw it into G for a second.  Dave starts playing a simple riff which Ford turns into “Hang on Sloopy.”  Which he sings: “I don’t know the words to hang on sloopy / that’s okay it’s not a Rheostatics song / so we shouldn’t do it / It’s all wrong.
“Back to B minor.  Now its a Tragically Hip song.”   Paul is really intense at the end.

Someone shouts, “Soul Glue.”  Dave replied, “we did it the first song!”

Justin Rutledge utterly rips through “Feed Yourself.”  It is just rocking and intense.

Ron Koop comes up and Dave says, “Mennonites are the most ticklish people.  Ron, you’re so ticklish.  I don’t mean to generalize, but generally…”

Oddly, someone keeps shouting “Hey, it’s Christmas, play The River, please.  C’mon Gordy, save us.  The River!”  Mike mutters: “shut up.”

Ron sings a lovely “Making Progress.”  And at the end she says, “How about the best band in Canada.”  Dave: “Are the Constantines here?”

They come back for an encore and say “we’ll do a couple where we sing just to mix things up and get ready for tomorrow.”

Dave also asks, “Shauna, can we get some new flowers.  Are replacement flowers in the budget?  They’re starting to bum me out.”  Martin: “Strangely just yours are dying, Dave.”

“PIN it up, Marty.”   In the middle Dave sings “I want some flowers.”  Tim notes: Thanks to Great Aunt Ida for opening tonight.  They were awesome.”

In the audience, that ass is still screaming for The River.  So Ford sings.

When I speak the words I repeat
Are lost within this roaring

I know the one by No Means No, it takes about 9 minutes to play, but it can be done.

They end the nearly two and a half hour show with “Stolen Car.”  Tim starts by playing “Jingle Bells” on the bass really quietly.  But then the song rocks out to the end.

A final note from Darrin, who posts all of these shows:

10 Years later I randomly met Robin Lowe on Sept 4th, sold Jennifer Foster my spare ticket for the Saturday night AGO show on Sept 5 2015, and Selina sang with the band on Sept 6 at the Monarch Tavern after AGO Party.

[READ: July 27, 2017] “Making Scents”

My nine-year-old daughter Tabby liked this book.  And I know that because as I was complaining about the massive problems I had with it, she said she liked it.  So, I guess its good for nine-year-olds.

But I like a lot of books that are good for nine-year-olds.  And I did not like this one.

The premise is a weird one to start: Mickey’s parents raise bloodhounds.  As such, they teach him to be a great sniffer as well.  Cute, right?

The story begins with Mickey writing his life story: “First I was born.”  Next half of the sentence… “then I was put in a tree.”

What?  So he is an abandoned baby and someone thought it would be smart to put him in a tree in the woods?

The next scene puzzled me even more. (more…)

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SOUNDTRACKRHEOSTATICS-Sugar, Victoria BC (November 17, 2005).

Lucky’s Notes: [Lucky recorded this show and gets a song dedicated to him]:
This was to be the last time the Rheos played in Victoria, though we had no idea at the time. We will all really miss you guys out here!!

Given that information, it’s particularly sad when they say, “we’ll see you hopefully in the spring.”  But despite that future sadness, the show itself is great.  It begins with a wonderful “Easy to Be with You” which sounds terrific: the “do da” part is really rich in harmonies.

It’s followed by a quite raw “CCYPA” and then a fun, romping “Garden” which ends with: “Hugh Syme’s dance party for your pleasure”–Martin making an electronic racket with his guitar.

“Fat” has some interesting echo on Dave’s voice that I wonder if it could be bouncing off the room or not.  The “don’t even know who you are” is pretty wild with many different vocal from the guys.  It’s a great version overall–the bands is really into it.  Having more fun with “PIN” Dave seems to be really enjoying himself with the backing vocal nonsense.

Dave says, “It’s great to be here in Victoria, the Queen’s city, once again.”  When they start the poppy and delightful “Mumbletypeg,” Martin acknowledges “the amazing rhythm guitar playing of Dave Bidini.  Very rhythmic.”

“We’d like to thank Shane Koyczan for opening tonight–one of the sexiest men in Canada–another Neruda.”

“Marginalized” sounds great–dark and angry with a lot of echo on Tim’s voice.  That sounds weird but cool.  There’s a quiet middle section where Dave is playing a gentle acoustic and Tim is keeping that bassline.  It goes on and then the final verse is sung quietly with little accompaniment.

Someone in the crowd shouts “Record Body Count,” and Dave says “yes we got records, what about it?”

But Tim says, “we’ll do another apocalyptic number for you.”  They play “Here Comes the Image” with lots of great synth from MPW including an awesome solo.  Some really cool backing vocal from Martin make this one of the best versions I’ve heard.  Then MPW sits back at the drums: “good now I can relax.”

“Christopher” starts with an interesting guitar chord structure intro before they get to the song proper.  There’s an intense soloing section and a terrific quiet ending.  It’s followed by “King of the Past.”  It’s not my favorite version of it but there’s a lot of interesting stuff going on in it.  It’s followed by a wild “Rock Death America.”

When they get to “Satan is the Whistler” Dave says they’re going to try this one “coz we hope to play it [well] in two days in Vancouver.”  Martin sings some verses pretty slowly and then later he plays the fast part much more slowly and sloppily than usual.

He also adds to these lines:

bouncers came and snuffed the fucking fire out / there’s no smoking in the parking lot / “I hate this fucking place” / some punks in the windy peaks

After the song Dave concurs: “You gotta keep those parking lots clean.  For parking.  And loitering.  Gas huffing [Martin: “pathetic addicts”] nefarious activities.”

“Claire” is a little sloppy from everyone, even Tim’s singing is a bit mumbly.   But there’s a great long solo from Martin.  Martin continues the solid work on “California Dreamline which is slow and trippy with lovely weird keyboards.  While singing, he whoops after “sand in my tequila” and rolls his r’s after the “escondido” part.

The song segues into what sounds like “Horses” with Tim chanting “do it do it do it do it ; do it do it don’t you do it” but then Martin plays a rocking guitar for the intro of “Feed Yourself.”  It is noisy and aggressive and amazing, perhaps the best version of this song I’ve heard.  They play a riff of “Hey Hey, My My”  then Dave starts getting really intense: “what’s in his head?”  he starts screaming “open it up.  “Look inside.”  (The loudest screaming I’ve heard him do).  The intensity is undermined somewhat by Tim’s ending backing vocal of “trunk trunk… what ‘cha gonna do with all that junk / all that junk inside that trunk.”

They go for an encore break and Dave says, At this point in the gig Martin usually has a cigarette, so I felt required to write a smoking song.  It’s a new song about Martin smoking.  It’s called “Smoking Song,” but how on earth is it about Martin smoking when he references Joseph Stalin and Hitler?  he doesn’t say, but when it’s over, he says, “uh oh looks like a 2 smoke break.  He might never come out.” so they play “My First Rock Show.”  During the first verse, Dave stops and asks, “What’s so funny sir?  That must have been the laughter of pure joy.”  You can’t hear what they’re talking about, but Dave mentions NoMeanasNo and agrees that “they sent a lot of us on the wrong road.  In the best way.”

When Martin arrives, Mike asks, “Where to, lads?”  After some mumbling, you hear Mike say “boogers?”  Dave says “vetoed! songwriter gets veto.”  He then says they “support the locked out Telus workers.  Telus is the shittiest service. They just got so big and fat there sitting on themselves.”  More quiet discussion then Mike says “that’s good, Martin you had a smoke and now you’re asserting yourself.”

Perhaps they agreed to the earlier request, because they play “Record Body Count” which sounds great.  When the song is more or less over, Martin starts playing a riff and begins singing “I’ve Been Thinking of You” and the crowd cheers.  They jam that song and afterwards, Martin says “What was that song we did in the middle was it April Wine or something?”  No one knows.  It was a band called Harlequin.

Dave says, “We were in Nanaimo last night.  Home to two of the greatest record stores.”  Someone shouts: “Home of the Nanaimo Bar.” To which Dave replies: “Home of the Naniamo Bear.  That bear likes them dead salmon.”

They play “Making Progress” which opens with a buzzy staticky guitar and big echo on Tim’s voice.  When they get to the synth part it’s all messed up and someone apologizes, saying “don’t let me near that thing again.”  Then it gets fixed and the synth is back on.

They end the show with “Dope Fiends.”  There’s a big echo on Martin’s voice.  Someone else sings some great falsetto along with him.  During the slow part, Dave stars singing “Legal Age Life” but the music doesn’t change–it’s rather disconcerting but cool.  The melody starts playing a keyboard that sounds like “Norwegian Wood” and at the end Tim does backing humming to “Norwegian Wood” before Martin’s loud and wild guitar ending.

Despite the odd echo, it’s a really great show.  The band sounds in great form and they are having a really good time.  It’s hard to believe they broke up so soon after this.

[READ: February 15, 2017] The Unbeatable Squirrel Girl

Sarah and I have really enjoyed the Squirrel Girl graphic novels.  She was really excited to see this actual novel about Squirrel girl from Shannon Hale.

This book is part of the Marvel Universe.  And what I’ve learned recently is that while I enjoy the Marvel Universe, I far more enjoy the peripheral characters of the Marvel Universe–like those of S.H.I.E.L.D. (even if I don’t watch the show anymore–it got a little crazy).  So I find myself enjoying Ms Marvel and Guardians of the Galaxy and now Squirrel Girl–characters who reference The Avengers but are not actually part of the team.

There’s some thing so much more enjoyable about these characters where the stories can have fun of the major Marvel figures.  And this one has a ton of fun with that conceit. (more…)

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SOUNDTRACK: SPARE THE ROCK, SPOIL THE CHILD PODCAST (2005-present).

Spare the Rock, Spoil the Child started as a small radio show in Massachusetts and is now syndicated to whomever wants it.

In browsing their playlists, I see a wonderful selection of tunes for kids (and adults).  There is a definite They Might Be Giants connection (I gather they did the theme song).  But in between bands like Deedle Deedle Dees, Trout Fishing in America and Wee Hairy Beasties, they also play Superchunk (“Hyper Enough”), NoMeansNo (“Joy”) The Beastie Boys (“Intergalactic”) and Firewater (!) (“Ponzi’s Revenge).  These are songs that any kid would love and the fit in very well with some of the more energetic music featured in the rest of the show.

You can see their blog site here.  You can listen to the archives (and subscribe) here.

[READ: November 5, 2012] The Flying Beaver Brothers and The Evil Penguin Plan 

I stumbled upon this book at the library.  I’m always looking for books for the kids, and this graphic novel seemed great for Clark to read before bed.  It turned out that Sarah really liked it and so did Tabitha and now so did I.

Maxwell Eaton III has written several different children’s books, like The Adventures of Max and Pinky which we loved, and Two Dumb Ducks, which was okay.  But we loved The Flying Beaver Brothers.  The brothers are Ace and Bub.  Ace loves adventure!  (The opening sequence is awesome!).  You can see his surfboard by the door and everything.  Bub, on the other hand, would much rather simply nap.  But it is time for the annual island surfing contest and Ace stands a good chance of winning, that is, if the huge beaver, Bruce, doesn’t get in their way (he wouldn’t be plotting something nefarious would he?). (more…)

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