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Archive for the ‘Phish’ Category

SOUNDTRACKRHEOSTATICS-Corel Centre, Ottawa, ON (November 29, 1996).

This is the 15th night of the 24 date Canadian Tour opening for The Tragically Hip on their Trouble At The Henhouse Tour.  The site has recently added a DAT version of the show in conjunction with the existing fan-recorded version.

It opens in a very amusing way.  I imagine that Dave and Martin are lying on the stage, because Dave asks, “Martin can you sleep?”
Martin: “No, I can’t sleep.  I’ve smoked about three cigarettes.”
Dave “I had this weird dream we were playing in a giant arena named after a software company, opening for Ringo’s All Stars.  It felt really weird.”
Tim starts playing the bass.
Daev: “Might as well just get up.”
Martin: “That’s either a nightmare or a fantastic dream.”
Then they loop saying “Let’s see what Tim and Don are up to.”

Dave breaks character and says, “The comedy is free tonight.”  Which leads to a rocking “Fat” followed by a nice surprise of “Aliens.”  Martin sings, “they came down in 1996.”

Then comes a grooving “Dope Fiends.”  I love that in these 1996 shows the middle part is a cool jam.  It makes the loud ending even more powerful.  And as the song fades it segues nicely into “Digital Beach.”  They start “Claire” before Martin is done and Martin sings a few more “beautiful things” before they start “Claire” properly.

Dave says that they are the Rheostatics from Etobicoke.  They’ve been around for 17 years and it’s a privilege to share the stage with The Hip and uh… we like you.  We have a new record out called The Blue Hysteria.  Sixteen songs, one of them is secret, so really only 15 and this next song is from that.”

Dave keeps talking about the record–it’s in quad sound while someone starts playing “Bad Time to Be Poor.”

Dave thanks the Green Sprouts who are here tonight–we have an address on the back of our CD and if you write us, we will write you back.  We promise.

Dave asks, Is anybody here form Italy tonight (massive cheers).
Martin: Oh my god, it must be empty over there.
This next song (a rocking “Motorino”)  is about being over there and wanting to be home.  It’s a great version that segues into a terrific “Feed Yourself.”  Boy I hope the next time I See them, they play “Feed Yourself.”

[READ: February 2019] Lawn Boy

Yup, I grabbed this book because of the Phish song/album.

Nope, it has nothing to do with the band at all.

Yup, I still enjoyed it quite a lot.

This is the story of Mike Muñoz.  He is basically stuck.  He absolutely loves landscaping–it is his passion.  He wants to sculpt topiary and be a recognized artist.  But he is stuck doing menial landscaping jobs–ones that often involves picking up dog poo more than beautifying plants.

Mike’s father abandoned him a long time ago, when Mike was 11.  When Mike was five, he took Mike to Disneyland.  Disneyland turned out to be an abandoned building site.  He told Mike “I guess they moved.”

There have been many stepfathers since then, but now his mom is pretty much done with all that. She works double shifts as a waitress in a bar (Mike tries to not go there).  Mike lives at home with her and his mentally handicapped brother.  He basically hasn’t matured past a child and has an impulse control and gets upset very easily.   He is also bigger than Mike–by a lot–so even though Mike does a good job watching him, its not easy. (more…)

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[ATTENDED: February 16, 2019] Billy Strings

I had never heard of Billy Strings before this show.  But when he was announced, the crowd was really effusive about him, which led me to think that he was well-known.  And I gather he is.  He has some 40,000 fans on his Facebook page, which is no small thing.   (Interestingly, headliners I’m with Her have only 22,000).

So Billy Strings came out and I swear I thought he was 18 (he’s 26).  He said a friendly “Hi, folks” and proceeded to absolutely blown me away with his guitar playing.  He opened with Brown’s Ferry Blues a folk song from around 1930 and proceeded to play the heck out of his guitar.  He also sang the rather amusing lyrics in a good ‘ol drawl (he is from Michigan).

Then he surpirsed me even further by playing a Jethro Tull song (which made S. and I quite happy).   It was a rather fast-tempoed version of “Thick As a Brick” and it was wonderful.  The song segued into a guitar workout called Fishin’ Creek Blues.

He then played “Tom Dooley,” a song I never expected to hear, well, ever.  (more…)

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SOUNDTRACK: PLACEBO-Running Up That Hill (2003).

Kate Bush’s “Running Up That Hill” is a masterpiece of a song–weird and wonderful and surprisingly moving.

This Placebo cover is much darker, with the sleazy/sultry/hopeless/hopeful edge that Placebo is based around.  The video is a collection of fan-submitted headshots of people singing the song, which makes it all the more moving.

I will always love the original more, but this version is pretty great as well.

[READ: December 30, 2018] Barefoot BF [Posts 1-8]

I don’t normally write about blogs. Heck I don’t normally read many blogs (I’m a print guy).  I would also never be drawn to a blog about running.  But this blog is different. It is about running but it is about a lot more: music, redemption, friendship, relationships and running as a way of coping with the shit you’ve done in the past.  And the writing is great–suspenseful, passionate and honest.

This blog about running will have you riveted as he talks about how a run was a metaphor for dealing with the crazy family nonsense that he was coping with–and it is pretty crazy.  He writes about the races that he’s run, but he writes in such a way as to make the outcome ever in doubt–running with plantar fasciitis?  Running when your foot is swollen and the only conceivable relief is removing the shoe (hence the barefoot title)?  Running on Cape Cod in a Nor’easter while your girlfriend is miles behind you?

It’s some pretty intense stuff. (more…)

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SOUNDTRACK: KASVOT VÄXT-“Passing Through” (1981/2018).

Back in 1994, Phish started covering a classic album for its Halloween costume. In 2015 they covered the Disney album: Chilling, Thrilling Sounds Of The Haunted House, which pretty much meant all bets were off.  So in 2018, they decided to cover an obscure Scandinavian prog rock band called Kasvot Växt and their sole album, í rokk.  This proved to be a big joke–they were a nonexistent band.  They had so much fun creating this band, that they even enlisted others to expand the joke.  This included impressively thorough reviews from WFMU and from AllMusic.

The joke is even in the name: when translated together Kasvot Växt and í rokk means “Faceplant into rock.”.

Here’s some more details they came up with:

The Scandinavian prog rock band purportedly consists of Jules Haugen of Norway, Cleif Jårvinen of Finland, and Horst and Georg Guomundurson of Iceland.  The album’s label, Elektrisk Tung, supposedly went out of business shortly after the LP’s release and little information about the record appears on the internet. Bassist Mike Gordon made a tape copy of í rokk in the mid-’80s and Phish would play it “over and over in the tour van in the early ’90s.” In the Playbill, guitarist Trey Anastasio insisted, “Every time the Halloween discussion comes up, we talk about Kasvot Växt. We honestly were worried we wouldn’t have the chops to pull it off or do justice to the sound, but when it came down to it, we just couldn’t resist any longer.”

The decision to go with an obscure album few have heard or even heard of appealed to the members of Phish. “We’ve paid tribute to so many legendary bands over the years, it felt right this time to do something that’s iconic to us but that most people won’t have heard of,” Gordon said as per the Phishbill. “And with these translations we’re really performing songs that have never been sung in English before.” Keyboardist Page McConnell added, “I love the mystery surrounding this whole thing. If those guys ever hear we did this I hope they’re excited because we absolutely intend it as a loving tribute.” As for what Phish fans can expect? “A weird, funky Norweigan dance album! Get out there and put your down on it!” exclaimed drummer Jon Fishman.

While the listings for the 10 tracks on the original í rokk were in a Scandinavian language, the titles appear in English in the Playbill. Phish called upon a Nordic linguist to translate the lyrics to English for tonight’s performance.

These songs do not really sound like a Norwegian prog rock band.  They do sound an awful lot like Phish (although with a more synthy vibe overall. The band has this part of their live show streaming on Spotify under the Kasvot Växt name.  And I’m ending the year by talking about each song.

This song sounds the most like a Norwegian band from the 1980s.  It has a simple bass line with just a drum shuffle and synths.  And the vocals are a lot of “Hey! way oh way oh.”

The middle jam is probably the most Phish-like with page on piano and Trey playing a happy jam which turns into a really rocking set ending jam by the end

The crowd is really into it by the end singing the Heys for the band while they supply the way oh way oh.  This could turn into a crowd favorite and it wa sa great fan-participating way to end the set.

[READ: January 6, 2019] “Red Letter Day”

I have not read very much by Kushner, although I have wanted to.  I know that she writes about the art world and this essay solidifies her awareness of and proximity to the art world in a rather unexpected way.

She had moved into an apartment in the Lower East Side of Manhattan.  The first night she smelled cigarettes coming in through the outlet of her room.  The next day she discovered that the next door apartment was completely gutted and being renovated and the smoke came from the two guys who were working on it (and living there).  One of the men, who went by Red, was charming and eloquent but clearly homeless.

The next morning she woke up to find a six-foot length of drywall tape under her door.  On the tape was a lengthy poem/letter in which the man signed it Le Rouse, Redhead.  And that began a near daily one-way correspondence from Red to her. (more…)

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[ATTENDED: July 21, 2017] Phish

I have wanted to see a Phish New Year’s Eve show for years.  But one should welcome in the New Year with people you love, so I will never go to a show on New Year’s Eve.  But this year I decided to try for a ticket for the night before New Year’s Eve.  Once I got my ticket I learned that many people feel like the 12/30 show is ultimately better than the 12/31 show–in terms of music, not theatricality naturally.

I was also pretty happy to find out that my friend Armando and his girlfriend were going.  So we wound up making an evening out of it.  They live near the train station, so I drove to their house and we walked to the train.  It was nice meeting his girlfriend (she is famous from his blog) and we all got along very well.  When we got into the City, he told me we were going to a great Peruvian restaurant really close to the arena.   And what a great find it was.  Rather than pizza or a hot dog we were able to eat a yummy (and filling meal) and it was quite fast as well.

Although, perhaps it could have been faster.  When we walked across the street to MSG, the line to get in was massive.  We never found out exactly what was going on, but they were holding everyone back at a barrier while the line thinned out.  We were running very tight to show time.  But the arena must have known that because the band did not go on as early as they usually do. (more…)

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SOUNDTRACK: KASVOT VÄXT-“Cool Amber and Mercury” (1981/2018).

Back in 1994, Phish started covering a classic album for its Halloween costume. In 2015 they covered the Disney album: Chilling, Thrilling Sounds Of The Haunted House, which pretty much meant all bets were off.  So in 2018, they decided to cover an obscure Scandinavian prog rock band called Kasvot Växt and their sole album, í rokk.  This proved to be a big joke–they were a nonexistent band.  They had so much fun creating this band, that they even enlisted others to expand the joke.  This included impressively thorough reviews from WFMU and from AllMusic.

The joke is even in the name: when translated together Kasvot Växt and í rokk means “Faceplant into rock.”.

Here’s some more details they came up with:

The Scandinavian prog rock band purportedly consists of Jules Haugen of Norway, Cleif Jårvinen of Finland, and Horst and Georg Guomundurson of Iceland.  The album’s label, Elektrisk Tung, supposedly went out of business shortly after the LP’s release and little information about the record appears on the internet. Bassist Mike Gordon made a tape copy of í rokk in the mid-’80s and Phish would play it “over and over in the tour van in the early ’90s.” In the Playbill, guitarist Trey Anastasio insisted, “Every time the Halloween discussion comes up, we talk about Kasvot Växt. We honestly were worried we wouldn’t have the chops to pull it off or do justice to the sound, but when it came down to it, we just couldn’t resist any longer.”

The decision to go with an obscure album few have heard or even heard of appealed to the members of Phish. “We’ve paid tribute to so many legendary bands over the years, it felt right this time to do something that’s iconic to us but that most people won’t have heard of,” Gordon said as per the Phishbill. “And with these translations we’re really performing songs that have never been sung in English before.” Keyboardist Page McConnell added, “I love the mystery surrounding this whole thing. If those guys ever hear we did this I hope they’re excited because we absolutely intend it as a loving tribute.” As for what Phish fans can expect? “A weird, funky Norweigan dance album! Get out there and put your down on it!” exclaimed drummer Jon Fishman.

While the listings for the 10 tracks on the original í rokk were in a Scandinavian language, the titles appear in English in the Playbill. Phish called upon a Nordic linguist to translate the lyrics to English for tonight’s performance.

These songs do not really sound like a Norwegian prog rock band.  They do sound an awful lot like Phish (although with a more synthy vibe overall. The band has this part of their live show streaming on Spotify under the Kasvot Växt name.  And I’m ending the year by talking about each song.

This song picks things up a bit.  It’s still slow but the tone is a bit lighter. The repeated chorus of “Cool Amber and Mercury” is upbeat and there’s a great poppy guitar riff for most of the song.

There’s also the return of the “foosiplant in torock” as Trey solos.  This is a smooth grooving song and a nice pick up after the darker last few songs.

[READ: December 19, 2018] “They Told Us Not to Say This”

This is a story about young Filipino girls and how their lives evolved.  It is told in the plural as they experience the world around them.  Aside from having feelings for the boys in town, they also are keenly aware of how much more valued the boys are than them.

They note that the few white boys in their town could ball.  Brent Zalesky talked about basketball all the time.  He didn’t flinch at the sound of gunshots and he received detentions weekly.  He stole cassettes and CDs and removed the security stickers with magnets and a BIC lighter.  He even took requests for music.   Everyone called him Z.

The story then goes to say that Brent took “her” to the movies in junior year.  “Her” is Marorie (one of the “we”) and she described the date in wondrous terms. (more…)

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SOUNDTRACK: KASVOT VÄXT-“Death Don’t Hurt Very Long” (1981/2018).

Back in 1994, Phish started covering a classic album for its Halloween costume. In 2015 they covered the Disney album: Chilling, Thrilling Sounds Of The Haunted House, which pretty much meant all bets were off.  So in 2018, they decided to cover an obscure Scandinavian prog rock band called Kasvot Växt and their sole album, í rokk.  This proved to be a big joke–they were a nonexistent band.  They had so much fun creating this band, that they even enlisted others to expand the joke.  This included impressively thorough reviews from WFMU and from AllMusic.

The joke is even in the name: when translated together Kasvot Växt and í rokk means “Faceplant into rock.”.

Here’s some more details they came up with:

The Scandinavian prog rock band purportedly consists of Jules Haugen of Norway, Cleif Jårvinen of Finland, and Horst and Georg Guomundurson of Iceland.  The album’s label, Elektrisk Tung, supposedly went out of business shortly after the LP’s release and little information about the record appears on the internet. Bassist Mike Gordon made a tape copy of í rokk in the mid-’80s and Phish would play it “over and over in the tour van in the early ’90s.” In the Playbill, guitarist Trey Anastasio insisted, “Every time the Halloween discussion comes up, we talk about Kasvot Växt. We honestly were worried we wouldn’t have the chops to pull it off or do justice to the sound, but when it came down to it, we just couldn’t resist any longer.”

The decision to go with an obscure album few have heard or even heard of appealed to the members of Phish. “We’ve paid tribute to so many legendary bands over the years, it felt right this time to do something that’s iconic to us but that most people won’t have heard of,” Gordon said as per the Phishbill. “And with these translations we’re really performing songs that have never been sung in English before.” Keyboardist Page McConnell added, “I love the mystery surrounding this whole thing. If those guys ever hear we did this I hope they’re excited because we absolutely intend it as a loving tribute.” As for what Phish fans can expect? “A weird, funky Norweigan dance album! Get out there and put your down on it!” exclaimed drummer Jon Fishman.

While the listings for the 10 tracks on the original í rokk were in a Scandinavian language, the titles appear in English in the Playbill. Phish called upon a Nordic linguist to translate the lyrics to English for tonight’s performance.

These songs do not really sound like a Norwegian prog rock band.  They do sound an awful lot like Phish (although with a more synthy vibe overall. The band has this part of their live show streaming on Spotify under the Kasvot Växt name.  And I’m ending the year by talking about each song.

This song continues in that darker, sleazier mode with the slinky bass and dirty keys.  The vocals are by Fish and he’s singing in a growly/Frank Zappa style.

Frozen in place (death don’t hurt very long)
Cast into space (death don’t hurt very long)
Transported too fast (death don’t hurt very long)
You know it don’t last (death don’t hurt very long)
Up from the ground (death don’t hurt very long)
Shaken by sound (death don’t hurt very long)
Descended from apes (death don’t hurt very long)
You’re just changin’ shapes (death don’t hurt very long)

At over 8 minutes, it’s one of the longest songs in the set and it totally rocks.  There’a lengthy, raw sounding solo and the song turns into a heavy jam.  It’s really good.

[READ: December 20, 2018] “Canon”

This story was written in 1926 and has been translated by Ryan C.K. Choi

This is a short piece.  It opens with a young man deciding to become a socialist and his father threatening to disinherit him.  But the young man persisted.  His studies suffered and his attendance at school became less frequent.  Eventually he dropped out and got a job.  Although he continued attending meetings .

After all, a world-wide socialist revolution was under way. (more…)

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