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Archive for the ‘Phish’ Category

[ATTENDED: December 30, 2019] Phish

After last night’s show, I really didn’t have high hopes for knocking out a bunch of songs.  I realize they don’t know what’s on my list, but it sometimes feels like they do and they keep spacing them out to make sure I come back.

For this show I had seats that I bought in the lottery.  I never get good seats in the Phish lottery, but the tickets themselves are very cool–colorful and quite lovely.  But I was up in the 200s for this show.  And once again my row-mates were lame.  Or maybe I’m the lame one.  Whatever the case, this was my first show where I could see the video screen.  The video screen is pretty terrible because the audio and video are out of synch.  However, it did allow me to take a few good pictures of the guys.

Tonight’s trip into the city was much better.  I’d picked a garage in the village, six blocks from Le Poisson Rouge, and this time I knew I’d be able to make the afterparty (Garcia Peoples, Chris Forsyth, Ryley Walker).  I also managed to go into MSG through a different entrance (I really wish I could keep track of which entrances are the best).  I managed to get the shirt that I liked (sold out last night) and get to my seat with ample time to spare.  Let it be known that there is FAR LESS ROOM in the 200s than in the 100s!

But the lights soon dimmed and Trey played the four opening notes that can only mean one thing–“Wilson!”  The very first time I saw Phish, they opened with “Wilson” and it was a wonderful moment.  And sure, I’ve seen it four times, but it is such a great, exciting song live–so much crowd interaction–that I knew it would be a fun night. (more…)

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[ATTENDED: December 29, 2019] Phish

I blew off two of the three Phish shows I had tickets to this summer.  (I really should have gone to that Sunday show).  Camden is such a hassle.

Somehow, I find getting to Madison Square Garden much less of a hassle–which makes literally no sense.  These were my fourth and fifth times seeing them at MSG (compared to two in Camden).  But this MSG trip involved driving into the city ($15 tunnel toll?) and then getting a garage.  And, because I planned to go to an after party at Le Poisson Rouge with Marco Benevento, I decided to park in the village and subway it up.  That’s actually a lot of hassle.

But it was worth it.

This was my eighth Phish show (I could be in double digits by now if I didn’t sell those Camden tickets).

The theory is that the Sunday night of the New Year’s Eve run is always great.  And boy howdy was it. (more…)

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[ATTENDED: December 12, 2019] Strand of Oaks

In 2016, Timothy Showalter played his second Strand of Oaks Winter Classic at Boot and Saddle.  I got a ticket for the third night, not really knowing what to expect.

It turned out to be a fantastic night of music and togetherness.

I missed the next year but went last year to Winter Classic IV.  Which was also great.

There was no way I was going miss Winter Classic V.  This year I went for the first night of the three.

The other two shows had opening acts announced, but there was none announced for my night.

I didn’t think we’d get an extra long show (Tim doesn’t do extra long shows).  Instead we got a cool improv by his partner for the night, Mike “Slo-Mo” Brenner. (more…)

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SOUNDTRACK: DEODATO-Prelude (1973).

I know this artist because of Phish.  For years I thought that they “wrote” the discoey, funky. super cool version of “Also Sprach Zarathustra” which they play at a lot of shows.

I should have realized that the “Deodato” in the credits was the actual arranger of this cool piece, but I guess I never really thought about it.  I’ve no idea where the realization came to me, but once it did I decided  to check out the album from which it comes.

It turns out that Deodato is Eumir Deodato de Almeida (Brazilian Portuguese: [ẽʊ̃ˈmiχ djoˈdatu]; born June 22, 1942) is a Brazilian pianist, composer, arranger, and record producer, primarily in jazz but who has been known for his eclectic melding of genres, such as pop, rock, disco, rhythm and blues, classical, Latin and bossa nova.  Prelude was his first album released in the U.S. (released when he was 31) and eighth overall.  In addition to making over 30 albums, he has also been a producer and arranger on everything from Kool and the Gang’s “Celebration” to Bjork’s albums PostTelegram, and Homogenic

“Also Sprach Zarathustra” begins with twinkling and guitar noises for 30 seconds before the 5-note funky keyboard comes in.  And then about a minute in the horns join to create the familiar Richard Strauss “Also Sprach Zarathustra” crescendo.  Even though that melody is barely a minute long, this version is 9 minutes long with a lengthy funky keyboard solo occasionally punctuated by horns.  It then switches to a more rocking sound with a 70s sounding guitar solo.  It really never loses the funk for the entirety of the piece.

“Spirit Of Summer” is a slow moody song that sounds like it could be the soundtrack to a noir film with slinky horn lines and jazzy bass.  I love the opening and how it then switches to an almost easy listening string section before adding a mellow keyboard solo and a surprising very fast flamenco guitar solo as well.   The song is only four minutes and ends with a flute solo and then a return to the opening horns.

“Carly & Carole” is an easy, mildly funky jazzy number.  There’s lead flute combined with the keys that push the song along.

“Baubles, Bangles, & Beads” is a jaunty five-minute romp that sounds like it would have been very popular at swinging parties in the 1970s.  There’s more flute and keys and two lengthy wild Santana-like guitar solos that run through to the end of the song.

“Prelude To The Afternoon Of A Faun” opens with a mournful flute that sounds a lot like the weird Snoopy interludes when he is the World War I Flying Ace in the old Peanuts cartoons.  The melody is quite nice and is then repeated by several instruments throughout the piece.   After 2 minutes it tuns into a swinging jazzy number with a flute solo and wah wah guitars and a bright trumpet solo.  I see now that this piece was done by Debussy and this is another arrangement.  It is not used in Peanuts although Schulz does reference the song in a strip.

“September 13” ends the disc with an upbeat funky song with groovy bass and keys and wah wah guitars.  There’s a wild mildly distorted guitar solo with fun effects put on it.  It’s a fun way to end an album that is short but really captures a moment in time.

[READ: September 3, 2019] Herbert’s Wormhole Book 2

I accidentally read Book 3 before Book 2.  I am embarrassed that that happened because I am a librarian and I should know better, but I checked on Goodreads and must have read a paperback reprint pub date and though that book 3 was in fact book 2.

Having read book three I basically knew a lot of what happened in book 2.  But primarily this is because in book 3 they make offhanded comments to things they did in book 2.  Incidentally, while I was reading book 3 I thought it was a really fun, bold move on the author’s part to reference adventurers that we hadn’t read about.  That should have dawned on me but I just persisted in believing that the author was being really daring. Oh well.

Knowing what happened didn’t really spoil anything, because the book is silly and funny anyhow.

This book opens with a paneled cartoon recap of book 1.

It’s followed by a hilarious opening sequence in which Alex’s dad has become hooked on video games.  He was trying to bond with Alex over Alex’s love of video games.  But in book 1, Alex’s memory of video games is wiped out.  So now his father is playing them and Alex doesn’t really see the point.  But Alex’s father is now as addicted as Alex was. (more…)

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[ATTENDED: September 20, 2019] Vida Blue

I had seen two of the Phish guys’ side (or solo) projects, which meant I actually got to see them, and not just see them from a mile away.  Mike Gordon did a solo tour which I caught, and I’ve seen Trey Anastasio with his band and solo.  I assumed that would be it for small projects.  Fish has a band, Pork Tornado, but it’s been on hiatus since 2002 and Page McConnell has released a couple of solo albums, but his band Vida Blue stopped touring in 2004.

Until now.

Page announced that Vida Blue was going to reunite for THREE shows (although possibly more now).  And one of those three shows was in Philadelphia.  So of course I bought a ticket to see Page up close.

Driving into Philly has become something of a nightmare now that Girard Avenue is closed.  Especially if you want to get to the Fillmore.  Traffic and detours add at least ten minutes.  I had left early but still managed to get to the parking lot after 8 for an 8PM show with no opening band.  I was furious.  So I ran into the place and found out that they hadn’t started yet, phew.  Also, everyone seemed to be milling about, so I wended my way up near the front and got an amazing spot.  My only regret is that I didn’t keep going into that one last free spot in front of that one because it turned out the people around me were the worst people in Philadelphia. (more…)

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[ATTENDED: July 28, 2019] Trey Anastasio @ Newport Folk Festival

I have seen many variations of the Phish band.  I’ve seen Phish a number of times, I’ve seen Mike Gordon solo, I have also seen the Trey Anastasio Band and soon I’ll be seeing Vida Blue.  So here was my opportunity to see Trey solo.  I’d heard that his solo shows were terrific.  And this was terrific.

His show was the one I was most excited for on this day, even if there were a few other bands I wanted to check out.  I was happy to have gotten pretty close to the stage (again, if I ever go back, stand on the other side, with the sun at my back).

Unlike at a Phish show where Trey barely says anything (usually not even hello), Trey is very chatty solo.

This shows feel very intimate (even in an outdoor venue with thousands of people).  I know he has a lot of solo music out so I was pretty thrilled at how much Phish he played. (more…)

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[ATTENDED: June 29, 2018] Phish

I was very excited to see Phish again this summer.  I bought tickets for all three shows at the BB&T Pavillion.

But then my week had turned very busy with shows and other commitments.  When I heard Cate Le Bon was playing at Boot & Saddle on the Friday night, I decided to sell Friday’s ticket.  I mean, let’s be honest, BB&T is a pain in the ass to get to (and parking is insane and expensive).   (I wound up not even going to Cate Le Bon either, boo).   I also decided to sell Sunday’s ticket because Saturday was a long night and I had had enough of the late nights for a time.

But for the Saturday show I had originally bought two tickets so that S. could go to her first Phish show.  I was bummed that they were lawn seats, although I think she felt this added to the experience because she got to see all of the people dancing and milling about.  We were supposed to meet my friend Armando, which would have made the whole night really fun, but he had car trouble and wound up not making it.  (boo).

So it was just S. and I.  Traffic sucked, parking sucked and the weather was questionable.   We arrived literally as “Mike’s Song” started.  So we found a somewhat unused spot on the lawn and settled in.  Phish fans are very friendly but for some reason the group around us wasn’t very inclusive.  In what has to be a first, no one offered either of us a joint the whole night!  They must have thought we were narcs. (more…)

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