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Archive for the ‘Sharon Van Etten’ Category

[ATTENDED: May 20, 2019] Emma Ruth Rundle

The night after Animals as Leaders, I was excited to check out Mono, primarily because I assumed it wouldn’t be all that crowded.  In fact, I didn’t even have a ticket ahead of time (risky if you’re driving over an hour, but it worked out fine).

My friends Liz and Eleanor had given me a Union Transfer gift card for my birthday and you can only use it at the box office, so I figured it was a nice time try it out.

The stage was pushed far forward to lessen the floor space (which is a cool thing they can do at UT).  I rather like when the stage is pushed forward as it makes the show intimate without being crowded.

I hadn’t heard of Emma Ruth Rundle and didn’t know anything about her.   I had no idea that she had a following (she has released three albums and plays in some other bands). (more…)

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[ATTENDED: February 7, 2019] Sharon Van Etten

I really loved Sharon’s Epic and Tramp albums.  After her 2014 release she kind of disappeared from the music scene, focusing on some TV work and on her family.

Then last year she came back with the single “Comeback Kid” and the album Remind me Tomorrow, which sounded very different from her guitar-based earlier work.

I had been told that she puts on a great show, so I grabbed tickets the day they were announced, assuming she’d sell out.  She did but only on t he night of the show.

I’d only listened to Remind Me Tomorrow once through before seeing this show.  In fact, I have more or less stopped listening to artists before I got to see them so that I’m not disappointed if they don’t play a song I really want to hear.  This served me very well tonight as she played the entire new album and just a few other songs.

Before she started, a guy next to me was talking to his lady friend.  In addition to spouting off about how he was the only one not looking at his phone and how he was kind of over his phone, he also said that she would never open with “Comeback Kid” because everyone would leave right after the song.

So it amused me that after the intense opening song “Jupiter 4,” (which opens with washes of synth that Sharon walked out to) she played “Comeback Kid” and the lady friend asked if they should leave now.  No one left. (more…)

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 [ATTENDED: February 7, 2019] Nilüfer Yanya

I had heard a little buzz about Nilüfer Yanya (and NPR had featured her at a SXSW show).  I found her music peculiar.   Nearly everything she does has a staccato feel–guitar lines, melodies and especially her vocal delivery.  I find that her vocal style is either love or hate–sometimes even within a song itself.

Her music is sort of jazzy, but with definite rock angles.  Her guitar playing style was pretty delicate with some really excellent-looking chords (all over the neck of her guitar). She played delicately most of the time, with the loud angles handled by drums and bass.  She also had a saxophonist/keyboardist who handled a lot of the accents and sound effects.

But most of the focus has to be on her voice. (more…)

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SOUNDTRACK: LUCIUS-Live at the Newport Folk Festival (July 27, 2018).

I was considering going to see Lucius at Union Transfer on July 25.  Something came up and I wound up not getting tickets.

While hearing a stream of them isn’t quite as good as seeing them live (especially since their look is so arresting), it was great to hear what I missed.

For this tour, Lucius was unplugged–acoustic versions of their songs and some covers.

It sounds like there may have been more going on at Newport (as there always is)

Accompanied by members of yMusic, students from the Berklee College of Music on strings and J. Blynn, along with Lucius regulars Jess Wolfe, Holly Laessig, Dan Molad, and Peter Lalish. The group also incorporated choreography into the set, with the dancers known as The Seaweed Sisters.

Songs included favorites new and old, like “Woman” and Turn It Around.” Tears were shed as they movingly tributed the recently departed producer and musician Richard Swift. Lucius performed Swift’s song “The Most of What I Know” (from his 2006 album Dressed Up for the Letdown) and, in typical Newport fashion, were joined by Brandi Carlile and the Twins, Nicole AtkinsSharon Van Etten and Bedouine.

Go Home” is my favorite song of theirs.  They opened with it.  I could have gone home happy.  “Right Down the Line” is a song I didn’t know by Gerry Rafferty.  It sounds pretty 70s–slick and poppy.  “Something About You”  featured the Seaweed Sisters doing choreography.

“Feels Like a Curse” is a slower number with strings.  It’s quite pretty.

“Turn It Around” is another favorite of mine, with big claps and a wonderfully catchy chorus (yes, I would have stayed for this!)  I love the power behind the chorus: “She’s looking through the wrong end of the telescope ha!”

Brandi Carlisle joins them for “Dusty Trails” and when they sing the “we’ll be alright” at the end, it is really transportive.

Next up

“They movingly tributed the recently departed producer and musician Richard Swift. Lucius performed Swift’s song “The Most of What I Know” (which I don;t know) and, in typical Newport fashion, were joined by Brandi Carlile and the Twins, Nicole Atkins, Sharon Van Etten and Bedouine.

“How Loud Your Heart Gets” is a little too overwhelmed by strings to really appreciate their vocals (which is crazy since they sing loud!).  “Woman” also sounds great and is a stunning set closer. The “encore” (sort of) is “A Dream Is A Wish” a lovely a capella version.

Below is the set list from Newport and what i would have seen had I gone to Union Transfer.

SET LIST:

  • “Go Home”
  • “Right Down The Line” (Gerry Rafferty)
  • “Something About You”
  • “Feels Like A Curse”
  • “Turn It Around”
  • “Madness”
  • “Dusty Trails”
  • “Most Of What I Know” (Richard Swift) [did not play at UT]
  • “Two of Us On The Run”
  • “How Loud Your Heart Gets”
  • “Woman”
  • “A Dream Is A Wish” (Daniel Bedingfield-Disney Song)

UNION TRANSFER SETLIST (duplicated songs in bold)

  1. Go Home
  2. Tempest
  3. Right Down the Line (Gerry Rafferty)
  4. Something About You
  5. Neighbors
  6. Feels Like a Curse
  7. Until We Get There
  8. Sweet and Tender Romance (The McKinleys)
  9. Turn It Around
  10. Madness
  11. True Love Will Find You in the End (Daniel Johnston)
  12. Two of Us on the Run
  13. How Loud Your Heart Gets
  14. Woman
  15. Dusty Trails
  16. Strangers (The Kinks)
  17. A Dream Is A Wish (Daniel Bedingfield-Disney Song)

[READ: August 6, 2018] “Displaced”

I enjoyed this story but it seemed to take forever.  I attribute this to Ford’s writing style although there’s nothing I could point to about it that makes me feel this way.

This is a story about a recently turned 16 year old boy, Henry, whose father died unexpectedly.  Henry’s main sadness about the is that if his father had lived longer, his mother would have divorced him and Henry could have gone o military school.

He is now alone, with his mother, in the South.  His fellow students have placed him in a strange limbo because of his father;s death .  He doesn’t like it.

In their neighborhood is a house for “transients.”  Out front is a sign that says DIAL 33377 (that’s all) and everyone referred to it as the DIAL house.  Secretaries and waitresses lived there.   Young married couples.  Even two men living together.  Henry realizes now that he and his mother were transients too, they just didn’t call themselves that. (more…)

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SOUNDTRACKHOLIDAYS RULE (2012).

This collection is fairly new (a second volume has just come out this year).  It was curated by Chris Funk from The Decemberists.  It’s a nice mix of contemporary bands and classic songs.  The disc is mostly fun–it gets a little bogged down in the middle–and upbeat.

FUN-“Sleigh Ride”
The first time I heard this  had no idea who it was (I didn’t look at the disc).  I actually thought it was a female pop singer.  After listening a few times I’m mixed but favorable on it.  I love the sound effects in the background.  It’s fun, even with the autotune.

THE SHINS-“Wonderful Christmastime”
This is one of my least favorite Christmas songs, but I like this version better than Pauls’s.  It doesn’t sound especially like The Shins to me though.

RUFUS WAINWRIGHT AND SHARON VAN ETTEN-“Baby, It’s Cold Outside”
I love Rufus’ distinctive voice–he does louche so well.  Sharon is somewhat indistinct here but she is well-matched with him.

PAUL McCARTNEY-“The Christmas Song (Chestnuts Roasting On An Open Fire)”
This might be the only disc I have where someone covers a song by an artist on the disc.  His version of this is way too slow.  But I am intrigued that he says “some holly and some mistletoe” (Because he’s vegetarian).

BLACK PRAIRIE featuring SALLIE FORD-“(Everybody’s Waitin’ for) The Man with the Bag”
I typically don’t care for this song, but I love this bluegrassy version.  It’s stomping and fun (and Chris Funk plays on it).

THE CIVIL WARS-“I Heard the Bells on Christmas Day”
The Civil Wars are downbeat folk artists but, man, their voices together are so lovely.  Their harmonies make this song essential despite the less than upbeat rhythms.

CALEXICO-“Green Grows the Holly”
This song sounds so wonderfully Calexico.  I love it and would even have assumed it was an original of theirs if I didn’t know better,

AGESANDAGES-“We Need A Little Christmas”
I’m torn about this song.  They modify the delivery and I think I like it.  It’s also pretty infrequently played so it gets extra points.  But it feels like a real downer when you can hear the lyrics so clearly.

HOLLY GOLIGHTLY-“That’s What I Want for Christmas”
I don’t know who this is. And I don’t really care for this song which is kind of slow and ponderous even if the message is a good one.

IRMA THOMAS WITH PRESERVATION HALL JAZZ BAND-“May Ev’ry Day be Christmas”
This is big brassy version of the song which sounds like it could be quite old with Thomas’ husky voice.

HEARTLESS BASTARDS-“Blue Christmas”
I dislike this song to begin with, so making a countryish version certainly doesn’t help.

ELEANOR FRIEDBERGER-“Santa, Bring My Baby Back to Me”
So this song is interesting with its strange chord choices and themes.  And it would be great if it were like 2 minutes long.  It seems to end quite naturally at that time, but then some vibes come in and the song gets all slinky.  That would be fine except it just repeats the same line and vibes section for 3 minutes!  WTF Eleanor?

FRUIT BATS-“It’s Beginning to Look Like Christmas”
It drives me nuts the way this guys says Creeesmas.  Why does he say it like that?  It’s crazy.  And I can’t get past it because he says it a bunch.

Y LA BAMBA-“Señor Santa”
This song is more or less “Mister Sandman” but sung with the lyrics of Mister Santa.  There’s a wheezy accordion and the great accented voice of the lead singer Luz Elena Mendoza.  I love this and more artists should invent songs like this for the holidays.

PUNCH BROTHERS-“O come, O come, Emmanuel”
The Punch Brothers are awesome and this version of this song terrific.  Chris Thile sings wonderfully as he gets that mandolin worked up.  I love that they turn it into an opportunity to stretch out some, too.

THE HEAD AND THE HEART-“What Are You Doing New Year’s Eve?”
A terrific duet with the unmistakable voice of Charity Rose Thielen.  This is a sprightly and fun song and they do a great job.  I love the way she sings “maybe I’m crazy” and the vamping at the end is fantastic.

ANDREW BIRD-“Auld Lang Syne”
Andrew plays some high-spirited violin and sings briskly.  There’s a kind of countryish feel to it, which is quite different for this song.

Overall this is a good collection to add.  Nothing offensive or off-putting and maybe just one or two duds.

[READ: December 21, 2017] “The First Day of Winter”

Once again, I have ordered The Short Story Advent Calendar.  This year, there are brief interviews with each author posted on the date of their story.

Hello. Welcome. It’s finally here: Short Story Advent Calendar time.

If you’re reading along at home, now’s the time to start cracking those seals, one by one, and discover some truly brilliant writing inside. Then check back here each morning for an exclusive interview with the author of that day’s story.

(Want to join in? It’s not too late. Order your copy here.)

This year I’m pairing each story with a holiday disc from our personal collection. (more…)

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[ATTENDED: January 31, 2017] Mary Lattimore

2017-01-31-20-21-17I wasn’t sure who would be opening for Parquet Courts.  I was surprised and delighted to see that the opening act was going to be a harpist.   I had never heard of Mary Lattimore before, although on looking her up it seems quite likely that I have heard her before–she seems to be a go-to harpist for a lot of bands [a shortened list includes these records: Thurston Moore – Demolished Thoughts ; Jarvis Cocker – Further Complications ; Kurt Vile – Smoke Ring For My Halo & Wakin on a Pretty Daze ; Sharon Van Etten – Are We There? ; Quilt – Plaza ; Hop Along – Painted Shut].

When I arrived her harp was onstage–lit up and gorgeous–and I was really excited to hear her show.

She came out while we were waiting and made some final adjustments.  And then a few minutes later she sat down at the harp, quietly thanked us for coming and began playing. (more…)

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boilenSOUNDTRACK: ANGEL OLSEN-Tiny Desk Concert #333 (January 27, 2014).

angelBob Boilen has liked Angel Olsen for some time, so when she did her Tiny Desk and most of us had never heard of her, he was already a fan.

Olsen plays a long set but with four songs.

She sits very still, strumming with her thumb and singing kind of low–not unlike Sharon van Etten.  The first song, “Unfucktheworld” is only two ans a half minutes.  The second song, “Iota,” is a little longer.  She sings in an affected almost falsetto style, although the guitar remains very spare.

Between these songs, she is coy about the title of the new record although she is quick to say the first word of the title “burn.”  Later she admits that the final song contains the title of the album, if we wanted to spend time figuring it out.

I marvelled at how high the chords were that she played on “Enemy,”  She seems to eschew any bass for this song.  This one is five and a half minutes long and is just as slow as the others.

Before the final song they talk about whether this is the most awkward show she has done.  She says everyone is very alert–and indeed you can hear utter silence between songs.  But then they talk about the storm outside (and potential tornado) and how this show may never air if the storm is really bad.

“White Fire” is an 8 minute story song.  She does use the whole guitar for this one, which has many many verses.   Since I don’t really know Olsen’s stuff that well, I don’t know if this was a good example of her show or a fun treat to hear her in such an intimate way.

[READ: May 10, 2016] Your Song Changed My Life

This site is all about music and books, but you may be surprised to know that I don’t really like books about music all that much.  I have read a number of them—biographies, autobiography or whatever, and I don’t love them wholesale. Some are fine, but in general musicians aren’t really as interesting as they may seem.

What I do like however, is hearing a decent interview with musicians to find out some details about them–something that will flesh out my interest in them or perhaps make me interested in someone I previously wasn’t.  Not a whole book, maybe just an article, I guess.

I also really like Bob Boilen. I think he’s a great advocate of music and new bands.  I have been listening to his shows on NPR for years and obvious I have been talking about hundreds of the Tiny Desk Concerts that he originated.  I also really like his taste in music.  So I was pretty psyched when Sarah got me this book for my birthday.

I read it really quickly–just devoured the whole thing.  And it was really enjoyable. (more…)

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