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pinballSOUNDTRACK: RHEOSTATICSFall Nationals The Horseshoe Tavern Toronto, ON. Night 5 of 13 (November 14, 2003).

This was the 5th night of the Rheostatics 13 night Fall Nationals run at the Horseshoe.  Rheostatics Live has recordings of nights 1, 3, 4, 5 and 7.

It’s Big R night (see below).

There’s an introduction by J.C. who says he used to be the owner of the legendary Horseshoe Tavern “but as of tonight I am the owner of the R club.”  As he’s saying there’s a burst of “It’s Not the End of the World from Super Furry Animals–probably a mistake).

“Last night this band was here and they didn’t sing a single lead vocal the entire night.”  J.C. also mentions upcoming shows at the Horseshoe: Skydiggers will be doing an annual residency, Luther Wright, The Sadies, Royal City, Northern Pikes and the last two Watchmen shows ever.”

Then back to Rheos: “Next Wed will be the wheel of fortune–all requests by spinning the great wheel and next Thursday is all covers night.”  I’d love to see the set lists from these nights.

One of the greatest legendary Canadian bands:

“Power Ballad for Ozzy” is fairly mellow with lots of acoustic guitars.  It segues right into “PIN” where Martin recites “In the dirty boulevard” during the end chords.

“Aliens” brings a bit more loudness.  In the middle of the song, someone starts playing the melody for “When Winter Comes.”  The band starts grooving it but Martin will not be hijacked and he finishes “Aliens.”

A funky, percussion-heavy version of “Marginalized” is followed by a sweet “Loving Arms.”

As Dave starts playing the opening jazzy guitar to “I Dig Music,” Martin sings “The bed’s to big without you” (which fits pretty well).

Then you hear Dave say, “please sir don’t touch the setlist.”
Mike: “It’s still drying.  It’s like an infomercial for inverted reading.”
Dave: “Did it feel good to touch?”

“The Tarleks” has a really raucous guitar ending with lots of noisy loud chords.

Dave explains that “Tonight is giant R night.  The giant R was in Martin’s parents basement for the last 13 years–Otobicoke cultural prison–since the “Aliens” video.”  And since they’re returning to the olden says they’ll do an old song: Woodstuck.”  There’s a false start, wrong temp, but then they play a solid version.  Martin repeats “Hippie child” and Dave says “little protest song there.”

Then we learn that Dave is now playing drums.
Tim: “All because Michael showed up late for practice one day.” [rim shot].
Dave: “Anyone else want a rim shot–it’s not what you think–it’s the first thing they teach you in amateur drummer school.”

Tim sings “Here comes the Image” with MPW on keys with a great solo.

Someone shouts “Bad Time to Be Poor” which is followed by someone else shouting “Yeah! ‘Bad Time to be Poor!”

But they play a ripping version of “Fishtailin'” which Dave says they recorded in the Bahamas.  Someone growls and Dave says it’s about a giant cat–the mascot of the Bahamas.

The first surprise comes when Tim starts playing the then there the bassline that can only be a cover of “Teenage FBI” (!) by Guided By Voice.  They play a respectable version of the song with Tom on lead vocals.

Dave: “Yup, Guided By Voices.  Since we can’t be there we figured we’d simulate the experience.”  (GBV were at the Opera House in Toronto that night).  Were doing a covers night next Thursday so were working through a few tonight.  From then on someone keeps shouting “Horses” but they will not hear that song.  Next song is “From that up and coming Greenwich Village folk duo Simon & Garfunkel.  It ends with someone loudly going “doh duh duh doh duh duh doh duh duh doh…as  wrote.”

Someone yells do you plan to do any Rush covers?  Martin says, “If we had enough time I so wanted to do “Closer to the Heart” or “Red Barchetta.”  Mike says they might have time.  And Dave says, “No but we’ll do about four I Mother Earth tunes.  Mike says, “Why because that’s the equivalence weight?”

One more scream for “Bad Time to be Poor” Martin says, “Okay, we know.”
Mike asks if anyone knows what a ballyhoo is: When they sweep the lights over the audience like at the beginning of a game show.  He says the stars are doing that tonight–whatever he’s talking about.

Then Martin says to Dave: “I see you’re selling hockey cards of yourself”
Dave: Sold out!  Just get a picture of yourself, charge 50 cents, people will buy anything.
Martin: “Dirty player… you see how mean he looks on that card.”
Dave: But off the ice, the meanest are the most loving and good to their fellow citizens.”
Mike: “When you play you’re not a goon, right?”
Dave: “Just a dirty suck.”
Martin: “You told me you’re a fun loving player.  You jab people, but its friendly.”
Dave: “A gentle tickle.”
Martin: “Some of them don’t have a sense of humor.  Some of them should try harder to get a sense of humor.
Dave: Kenny Linesman was called “the rat.”  Me I’m more of a monkey. I’ll bite you, but I’m a monkey.  I’m not all bad.”

They finally play “Bad Time to Be Poor” and then a rocking “CCYPA.”  And then after a wild and rocking intro to “Song of the Garden.” the song rocks too.

Then Martin says, “Gonna slow burn on this one.”  It’s one of the best versions of “Stolen Car” I’ve heard–the climactic section is so intense.  I love the way Martin sings “drive a…  way!” at the end.

Before “RDA” Dave says, “Send this one out to Bono, coz he’s the man.”  Martin says “Rock Death America starts with R.”  Dave has a wild middle section in which he starts yelling thing like:
“Gonna be in a big fucking band with big fucking people playing for big fucking people, big beautiful guns, big beautiful hockey pucks made of fudge.  It’s a silly war, it’s an insidious war, it’s a stupid war.”  At the end, Mike says, “Good rocking, Dave.”

Staying political, Dave says, “Congratulation to the Liberal dynasty, the Liberal monopoly, the Liberal empire of Canada.  Don’t fucking get it wrong.  “We’re gonna gave to retire this song because it was written about a bunch of assholes in the past.  We’ll have to put it behind us.”  Sadly People in the States need to bring it back for Betsy DeVos and her own shitty people.  “Hands Off Our Schools” is an outtake from 2067 : “Hands off our schools politician scum.”  At the end of the song Tim says , “you lose.  ha ha.”

Tim says, “We’re going try to put music back in the schools.  Next Tuesday we’re raising money for an alternative public school for their music program.”

After the encore Dave says, “We’d like to thank The Imponderables for playing before us.  Up and coming young funnymen.”  Then

Dave: We have T-shirts Fall Nationals T-shirts. Martin’s two solo records and 2 of my books and most of our CDs.  Hockey cards sold out.  We have mugs too so if you don’t like us buy a mug and throw it as us.  Nothing says I hate you like a mug to the head.
Martin: nothing says you’ve made it more than having a cup of coffee with your band’s name on it in the morning.  You know, Chapters won’t stock my album [Operation Infinite Joy] because they think the image on the front might offend some people. [Boos].
Dave: “We were supposed to do an in store there but we got bumped for Lady Di’s butler.  Double lame.”

Anybody here from the prairers?  Really?  All of them!  A rocking excellent version of Saskatchewan that segues into “The Mayor of Simpleton” with MPW on drums and vocals. It’s pretty good although his vocals are too quiet and he forgets some words and he seems winded by the end.  A quiet “Little Bird” is followed by a moody and intense “Shaved Head.”

Dave thanks George Stroumboulopoulos for nominating Whale Music for Best Canadian album for the CBC.

During the second encore break, Serena Ryder comes out  and yells at the crowd to get the band back up there.  Then she sings a cool, spooky version of “Digital Beach.”  It’s followed by a fun bouncy version of “Mumbletypeg.”

There’s some discussion and you hear Mike say “So many songs.  There’s a bullion of them and you just cant think of one, sometimes.”  Not sure what they were talking about playing but they settle on “In This Town” and then a wild version of “Me and Stupid.”  They play a verse and MPW stops the song.  Dave says “Sounded pretty good to me MPW Dot Com.  Dave starts talking about the fish in the song: “when those pike start going when they start thrashing you can hear them a mile away.”

For the final song, they thank Canadians and Americans “we’re gonna do a Ron Koop song.”  Koop sang “Introducing Happiness” the night before.
As they head out they announce, “Tomorrow night, Tim Vebron and Rheostar.  You don’t wanna miss it.”

Tim Vebron and Rheostar were the Rheostatics dressing up in crazy outfits playing synth songs.  You can see some pictures here.  Wish there wad a recording of it.

 

[READ: December 30, 2016] Pinball 1973

In the introduction of this book. Murakami devotes a page to Pinball and says he wrote a sequel the following year.  He was still running the jazz bar.  Soon after finishing this he decide to stop writing at his kitchen table and then wrote his first full length A Wild Sheep Chase which “I consider to be the true beginning my career as a novelist.”

He describes the text as “a novel about pinball,” but also explores themes of loneliness and companionship, purposelessness, and destiny. As with the other books in the “Trilogy of the Rat” series, three of the characters include the protagonist, a nameless first-person narrator, his friend The Rat, and J, the owner of the bar where they often spend time.

The plot is sort of beside the point although it is more present than in Hear the Wind.

Before the story starts properly we get this little introduction in which the narrator says the story is about “me” but also about a guy called “Rat.” That autumn the two of them were living four hundred miles apart.  This novel begins in 1973.

The story begins with Pinball and Raymond Moloney.  In 1931 Moloney made the very first pinball machine (this is true). (more…)

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SOUNDTRACK: RHEOSTATICSFall Nationals The Horseshoe Tavern Toronto, ON. Night 3 of 13 (November 12, 2003).

This was the 3rd night of the Rheostatics 13 night Fall Nationals run at the Horseshoe.  Rheostatics Live has recordings of nights 1, 3, 4, 5 and 7.

As the show starts, Tim says, “Thanks for coming out.”

So Dave replies, “Why, you’re welcome, Tim.  I was doing nothing else so I figured why not play a little drums, a little bass, a little guitar.”

“Here Comes The Image” opens the show (Dave is on drums for this).  It’s slow with lots of cool keys from M.P.W.  The sound quality fades dramatically about 3 minutes in.

Dave explains, “That was an epic song by Tim Vesely.  We’re gonna do another epic song now.  Epic means just long basically, and grand.”  It’s “Oneilly’s Strange Dream.”  Which Dave describes as a song that “was supposed to the be the equivalent of an Edgar Rice Burroughs book.  He’s the guy who wrote Tarzan.  Not to be confused with William S. Burroughs–an urban jungle thing still a lot of guys with no shirts on.”  Martin: “I hate those guys.”

Martin repeats the first verse.   There’s some great powerful drumming in the middle of the song.  The sound levels go back up during this song.

The final notes are a little cockeyed and you hear someone re-sing “pile of bones laying at my side” with that bad chord.

They play Woodstuck “with a drum fill.”  Dave says it’s an old song and someone asks him what it’s about.  Dave tells a story about touring in 1987 and he tells a strange story about a merch guy.  It’s pretty strange and ends with: that’s a song about Brett.  We left him in Calgary naked, quivering under the bed.  Tim says “we didn’t leave him, we gave him to another band: Pigfarm.

Mike notes that “that story was on the set list.  That was a tune.”

Next they play a new song (from 2067), “The Latest Attempt On Your Life.”  It seems they haven’t quite figured out the backing vocals live yet.  “CCYPA” rocks and then they settle things down with “Introducing Happiness” and “Power Ballad for Ozzy Osbourne” (with no ending howl from Martin).

Dave says this is our 3rd annual Fall Nationals.  Mike asks if there is a theme for this night.  No, but one might emerge.

Mike says, “A bolt of lightning struck exactly one block from my house this evening.”  (Dave makes an allusion to Frank Marino of Mahogany Rush (who “inherited the soul of Jimi Hendrix”).

They play a sweet version of “It’s Easy To Be With You,” about which Dave says, “Boy is this song ever about cocaine.”

Next Thursday is an all covers night, so they’re going to do some tonight to make sure they know what they’re doing.

They play Simon & Garfunkel’s “The Only Living Boy in New York,” which I don’t know at all. Martin sings and plays gentle guitar.

Then they start joking about “Old Garfunkel, eh?”

He walked across America with just a credit card…it’s true.  Talk about time on your hands.  I thought it was a knife and a rope.   I heard it was credit card shoes.  Shoes made out of old credit cards.  That was his last album Credit Card Shoes.

In Edinburgh we listened to Scissors Cut about 20 times.  Weirdest album ever made.  Scissors cut and yet the hair remains.

They finally get to a quiet “Palomar” with limited backing vocals.

Somebody in the audience says “I heard you guys have a synchronized soft shoe routine.”  Tim says,”we’re waiting for that to become an Olympic event before we unveil it.”  Dave says, “I couldn’t remember if it was black square white square or white square black square.”

Martin introduces “Self Serve Gas Station”: Take it away Dave.”  But Dave plays “Roll Another Number” bu Neil Young which segues in to “Self Serve.”  The quiet guitar section at the end segues beautifully into “California Dreamline.”

They play a cover of The Clash’s “London Calling,” which sounds great although Dave is a little not angry enough.

People shout out “Michael Jackson”  Martin: “pleased to announce that Michael Jackson is in the audience tonight.”

Then after lots of ums there’s discussion of what to play. Martin in HAL’s calm voice “Why not both, David.  Let’s do both.”  They play “One More Colour,” but then go to an encore break.

Thanks all.  “Frozen rock pose.”  Dave: “We are Frozen Rock Pose.”

We have a few more for you—Dave sings “My First Rock Show” and gets the wrong verse!  He also sings “I ‘sore’ [sic] everything.”  Tim calls him on that.  At “swan dived,” Mike plays a thunderous drum and Dave recites a spiel:

The drums of war were in the air yet they were peaceable times.
And you saw a band like Yello and found out that they sucked and it didn’t cost you $85 to find out.  No $21.50.  Trixter, Heart, The J Geils Band.    Meat Loaf, Blue Peter, The Spoons.  A Flock of Seagulls.  No A-ha did not play.  OMD  OMD, baby.  Oingo Boingo at the first Police picnic.  To Martin: Are those guitar sounds a flock of seagulls?  Dave: they were the best, not the best but they were good.

Where to?  A Flock of Seagulls.  No Tim will do a Warren Zevon song.  called “Reconsider Me.”  I don’t know it.  He sings very high and off a bit.  He groans but then by the middle he says its coming to me and he finished okay with a “Sorry, Warren, I tried.”

We’re here til next Saturday and tomorrow night is guest vocals night.  We have 26 guest vocalists.  We better get in the habit of thanking our guests.

Andrew Houghton played tonight.  And Serena Ryder the next two nights held over by popular acclaim.  They end the with a poppy “In This Town.”

[READ: January 25, 2017] The Ugly

I read a review of this book that made it sound really compelling and strange.  And the back of the book has some of that compelling strangeness in the blurb:

Muzhduk the Ugli the Fourth is a 300-pound boulder-throwing mountain man from Siberia whose tribal homeland is stolen by an American lawyer out to build a butterfly conservatory for wealthy tourists.  In order to restore his people’s land and honor, Muzhduk must travel to Harvard Law School to learn how to throw words instead of boulders.

And that is exactly what happens.  Along with a bunch of other strange things.

I enjoyed the way the story was told.  There are basically parallel narratives.  One is told in first person and is Muzhduk’s life after Harvard (perhaps the present), the other is told in third person and is all about his life at Harvard law school.

But the story begins with the Dull-Boulder Throw.  In his village a chief is determined by who can catch (and throw) a boulder hurled at your chest.  Muzhduk the Ugli the Fourth is the next in line for the throne–his ancestors have all been leaders–but he is the smallest of his lineage being only 300 pounds.

Nevertheless, he knows he must defeat Hulagu who was inbred huge and dumb.  If Hulagu won, the tribe would suffer.  And so for the good of the tribe, he win the Throw. But the second part of becoming chief was climbing the tallest mountain.  Each of his ancestors had climbed a taller mountain, and now his task was trying to find one taller than the tallest one around here. (more…)

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CV1_TNY_03_18_13Kalman.indd SOUNDTRACK: THE MILK CARTON KIDS-Tiny Desk Concert #232 (July 16, 2012).

milk-cartonI was unfamiliar with the Milk Carton Kids before seeing them on NPR.  I had always assumed they were a punk band with a name like that. Well, nothing could be further from the truth.  The Milk Carton kids are a delightful folk duo.  And they give the origin of their band name a little later in the Concert.

Joey Ryan sings lead and plays rhythm acoustic guitar.  Kenneth Pattengale plays lead guitar and sings beautiful harmonies.  It’s his guitar work that is so disarming because he plays leads throughout the songs, so rather than having the two guitars doing the same thing, his guitar is all over the place–playing beautiful trills and lines while Ryan is singing.

The first song they play is “Michigan.”  I love how in the middle of the song between the melodies and the harmonies it sounds like about three different bands—there’s a kind of Simon & Garfunkel vibe, a Jayhawks vibe, and maybe even a CS&N vibe–and yet it retains their original sound.  There’s some beautiful melodies in the vocals and the lyrics are really good (but sad).

After the song, Bob asks about the neckerchief on Kenneth’s guitar.  he says, “well it looks good.”

Then he explains that in a technical way, “This guitar is a bit crummy.”  When they play higher chords the strings buzz, so the neckerchief keeps that from happening: “It’s practical and it’s alluring—this is what got Stephen to stop at our concert to listen.”

Kenneth then says that Joey usually talks more than this “I don’t know why he’s so demure today.”  Joey deadpans, “I don’t know what demure means, but I’m, sorry if that’s how I’m behaving.”

Before the next song, Joey deadpans, “This is something we’ve been looking forward to for a long time.  Hence our palpable excitement.”

They’re very happy to be behind this desk so “We’ll play you a love song to the desk.  This song is called ‘To the Desk.'”  The song is actually called “Stealing Romance.”  They sing a duet with Ken taking the high notes.   It’s a slow ballad.  During the song you can hear all kinds of sirens going past the offices.  When it ends, Ken says, “I think Joe Biden drove down the street during that one.”  Joey reacts: “Who’s that?”

Then Joey explains the origins of their band name Milk Carton Kids.  The name comes from one of their songs “Milk Carton Kid.”  The song itself is named after a lyric in the song.  He says it’s an attempt to answer the question that’s one everyone’s mind with a completely unsatisfactory answer.  Then he says they’re not going to play that song.

Rather, they play “their happy song” “I Still Want A Little More”which proves to be really fast and uptempo—a real surprise after the other two songs.  Ken is wailing away on his guitar while they sing in great harmony.  There’s some rollicking guitars and singing.  This is my favorite song of the three.

I don’t love their slower songs. Although as far as slow songs go, their setup is great–the harmonies, the interesting guitar.  But I really like the two of them.  They are great performers and excellent storytellers.

[READ: July 20, 2016] “Checking Out”

This story is bookended with a man planning on marrying woman.

Obinze is African, and he is in London on a work visa.  He is arranging a sham marriage to be able to stay in the country.  The arrangement has been set up by some Angolans. They claim that he is a friend of a friend and they’re doing him a favor, but they are keeping lot of the money that is meant to go to his bride.

When he met Cleotilde, he was surprised to see that she was young and pretty.  And it seemed that she was pleased with him when she saw him as well-0ff.  I guess expectations are pretty low in this situation.  He was kind to her from the start, making sure that she was okay doing this. And she said she was–she really needs the money for her family.

Obinzne and Cleo meet up a few times to get their details straight, and he finds that he is really falling for her–although he knows he can’t really act on it until after the marriage. (more…)

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