Archive for the ‘Stanley Clarke’ Category

oct13SOUNDTRACK: PRIMUS-Rhinoplasty (1998).

Rhinoplasty_primusThis is a kind of follow-up EP to Miscellaneous Debris–a covers and live song compilation EP that runs 48 minutes.

While there are some of the same artists covered, there are also a few surprises.

XTC-“Scissor Man.”  I didn’t know the original of this song, but I like the cool bass and the chorus’ da da da da nyow”  They tack on about a minute and a half of extra nonsense at the end, but it’s a still a fun cover.  The original is quite similar (Primus should be commended for getting more people into XTC, although it’s a small shame that this song is on the same album a “Making Plans for Nigel”).  See the original:

Peter Gabriel-“The Family and the Fishing Net” is next and fortunately this song is off a different Peter Gabriel album (although it is also called Peter Gabriel)  The original of this song is 7 minutes long (Primus lops off 30 seconds).  The Primus version is quite faithful (which shows just how odd the PG version is).  You can compare here:

The first surprise (sort of) is their cover of Stanley Clarke’s “Silly Putty.” It’s obvious that Claypool is a huge fan of Stanley Clarke, it’s just an unusual sound to hear from Primus.  There’s some turntable scratching by Disk from the Invisibl Skratch Piklz.  The song is quite faithful to the original spirit (although the original had horns).

The next surprise is “Amos Moses” as done by Jerry Reed, a honky-stomping song if ever there was.  And their version is honky-stompin and pretty much right on to the original–a huge surprise to me.

The Police-“Behind My Camel” is an unusual choice –a Police song with no words?  It’s one of their weirder songs too, and Primus does it perfectly. (If not a bit heavier with more popping bass).

“Too Many Puppies” is the first song the Les ever wrote.  I believe that this is how it was originally written, although it is listed as a remix.  It sounds quite different–watery bass instead of popping bass and no I don’t like it as much.

Metallica-“The Thing That Should Not Be” is quite faithful to the original, even down to Les’ growly singing.  He says in the Primus book that he wished he had sung it more like himself and I kind of do too–I’d have liked to hear a bit more “Primus” in the version as well.  But it’s fun to hear them do other people’s songs reverentially.

There are two live bonus tracks.

“Tommy the Cat” is a fun wild live version–it has changed somewhat over the years–a little faster and Les’ singing is rather different.  This version is 9 minutes long.  The first part is the song proper (I love that Ler plays the same wild guitar sounds perfectly and Brain is perfect with the drums).  But this song also features a bass solo at around 3:31 (which is primarily Claypool playing the song “The Awakening” from his Holy Mackerel album (it’s a cover from the Reddings) and a drum solo at 5:30 (which is okay, nothing special).  By 7:30 the song more or less resumes till the end.

It blends right into a live version of “Bob’s Party Time Lounge” (from The Brown Album).  It’s one of my favorite recent songs from them  and the live version is quite good.

As with Debris, this is a really enjoyable stopgap–one that shows how normal the band can sound, but which also lets you see just what formed Primus.

[READ: January 12, 2015] “Amazing Proposal Stories”

In this one page story, Simon Rich gives us three “amazing” proposal stories.

The first one comes from Alice.

On Valentine’s Day her boyfriend did something really special, which involves a ship, the US Embassy and, uh, hostages.

The second one comes from Kayla. (more…)

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