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Archive for the ‘The Cristina Pato Trio’ Category

SOUNDTRACK: TINY DESK PLAYLISTS (2019).

As on October 1, NPR has started the Tiny Desk Playlist page.

As of today there are 9 Playlists on the page.  I’m not going to comment on them, as I’ve already posted about all of these shows (except CHAI as of now).  I might disagree with some of these lists, but whatever the case they are a good introduction to Tiny Desks if you haven’t already seen one.

5 Tiny Desk Concerts That Will Literally Make You Cry
• Julien Baker (read more)
• Yusuf/Cat Stevens (read more)
• Bernie and The Believers (read more)
• Rev. Sekou and The Seal Breakers (read more)
• Barbara Hannigan (read more)

The 5 Most Uplifting Tiny Desk Concerts
• Lizzo (read more)
• Superorganism (read more)
• Fragile Rock (read more)
• Dan Deacon (read more)
• Mucca Pazza (read more)

The 5 Wildest Tiny Desk Concerts
• Gogol Bordello (read more)
• Red Baraat (read more)
• The Cristina Pato Trio (read more)
• George Li (read more)
• Dirty Three (read more)

The Best-Sounding Tiny Desk Concerts, Vol. 1 [selected by “the guy mixing the performances and bopping his head along just off (and sometimes on) screen” Josh Rogosin].
• Monsieur Periné (read more)
• Andrew Bird (read more)
• Nick Hakim (read more)
• Tedeschi Trucks Band (read more)
• PJ Morton (read more)

The Best Of The Very Beginning Of Tiny Desk Concerts
• Laura Gibson (read more)
• Vic Chesnutt (read more)
• Tom Jones (read more)
• Thao Nguyen (read more)
• Dr. Dog (read more)

The 5 Best ‘Before They Were Stars’ Tiny Desk Concerts
• Brandi Carlile (read more)
• Anderson .Paak & The Free Nationals (read more)
• Adele (read more)
• H.E.R. (read more)
• Mitski (read more)

Tiny Desk Trick Or Treat: Our 5 Favorite Concerts In Costume
• Neko Case’s Halloween Special (read more)
• Blue Man Group (read more)
• Mucca Pazza (read more)
• CHAI (read more)
• Preservation Hall Jazz Band (read more)

#ElTiny: The Best Latinx Tiny Desk Concerts, Vol. 1
• Natalia Lafourcade (read more)
• Jorge Drexler (read more)
• Juanes & Mon Laferte (read more)
• iLe (read more)
• Café Tacvba (read more)

Lianne La Havas’ 5 Favorite Tiny Desk Concerts
• Tank And The Bangas
• Anderson .Paak & The Free Nationals
• Noname
• Tamino
• Mac Miller

[READ: October 28, 2019] “God’s Caravan”

This story opens with boys crouching in the dirt shooting marbles.  I assumed it was set in the 1950s, so I was surprised to see that the boy knew of Michael Jackson’s moonwalk.  But it is set in Memphis, Tennessee–“Soulsville the black part.”

Earl was kicking butt and winning marbles left and right when the boys heard an ice cream truck trundle up.  But this was no ice cream truck.  Rather it was a van and it was playing “I’ve come from Alabama with a banjo on my knee.”  On the side of the van, painted in “blood of Jesus” red were the words “God’s Caravan.”  The speakers then broadcast “When I say, ‘Ride or die’…you say ‘Amen.'”

The voice said “Ride or Die” and Earl and the other boys all shouted back “Amen.”

The door opened and there was the pastor, dressed in black judge’s robes.  He said he had sweets for their hearts. (more…)

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luchSOUNDTRACK: THE CRISTINA PATO TRIO-Tiny Desk Concert #305 (September 21, 2013).

patoI didn’t know who Cristina Pato was or what instrument she played.  So when the show started (without visuals), I assumed she was the accordionist (because the show starts with some wild accordion music).  But in fact, Pato is playing the bagpipe.  Pato’s instrument is the gaita, a Galician bagpipe, and her roots lie in traditional Galician music — though she also boasts graduate degrees in classical piano, music theory and electronic composition.

I love the sound she band gets together with the funky staccato accordion notes and the wild racing pipes.  They are very jazzy and very idiosyncratic.  Her percussionist uses several different types of drums—the ubiquitous box drum and a hand held drum as well as various shakers and other sound makers.

They play three songs.  It’s interesting how much of the first song is taken up without the bagpipes—there’s lenghy sections where the accordion has the floor and she is just happily dancing around.  And the accordionist is amazing.  he plays all kinds of different styles and gets an amazing range of sounds out of that one instrument. He wails!  Of course I see now that the song is actually written by the accordionist: “Victor Prieto: ‘Mundos Celtas.'”  So it’s no wonder that she is happy to sit back and let him shine.  (Prieto , like Pato, is a native of the town of Orense in Galicia).  While he is playing, she whoops and hollers to get everyone pumped.  But once she gets her instruments going she is a nonstop blur of fingers and wild notes.  I particularly like that she has a section where the note is slightly flat and she continues to slowly raise it until it gets in pitch.  I also love–due to the nature of the bag pipes–that she can scream and whoops while still pressing air out of the bags.  And at the end of the song, she is just wild with fast notes.  It’s a very intense piece.

The second piece “Traditional/Cristina Pato: “Alalá Re-rooted” starts with her singing.  She is unmiked so you can’t really hear her, but I don’t really enjoy her singing as much as her playing so it’s okay.  I do love the interesting sounds the percussionist Shane Shanahan (Shanahan is American, but is also a longtime member (with Pato) of Yo-Yo Ma’s Silk Road Ensemble) is making.  Overall, this is a fairly dissonant piece—with her sounding almost like a free jazz players (but on pipes rather than sax).  I do love near the end where she almost seems to get a harmonic overtone on the pipe.  It’s a great moment—but fairly weird how the song just sort of fades away before seguing into the final song.

Victor Prieto & Emilio Solla: “Muñeira For Cristina” this song seems to be all about percussion with lots of drumming and a very noisy tambourine that Pato plays.  She gets the crowd clapping along and then  when she and Prieto play the same awesome riff together,it sounds great.  I love watching her shake the finger part while she’s playing it, to get a cool almost whammy bar sound out of it.  The song totally rocks and the whole set with the unlikely combo of accordion and bagpipe is startlingly wonderful.

[READ: April 20, 2016] Comics Squad: Lunch!

I really enjoyed the first Comics Squad book and I was delighted that a second one came out.  I just recently saw that a third one is coming out the summer–I love that it is called Detention and is coming out on Independence Day.

Like the first collection, this one is edited by Jennifer L. Holm and Matthew Holm (Babymouse/Squish) and Jarrett J.  Krosoczka (Lunch Lady).

But the rest of the line up is quite different this time around, which is cool–allowing other artists to shine.  This time there are stories from Cece Bell (El Deafo) ; Jason Shiga (a great indie artist who does some kid-friendly and some decidedly not kid friendly books) ; Cecil Castelucci & Sara Varon ; Jeffrey Brown and Nathan Hale (his own series of historical stories).

Like the previous book, the Holms and Krosoczka sprinkle the book with comments and interstitials from Babymouse and Lunch Lady. (more…)

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