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Archive for the ‘The Pretenders’ Category

SOUNDTRACK: MORRISSEY-NONCOMM 2019 (May 14, 2019).

Morrissey was (to me) quite a surprise performer at NonComm.  It seems way too “exposed” for him.  When I mentioned divas not mingling with fans, it was Morrissey I had in mind.  I don’t know if he mingled anywhere at NonComm, but, speaking of divas, he does not have a live stream available.

I had the radio on when he performed and heard a bit of his set.  I was impressed with his voice.  It doesn’t sound like it used to in his heyday, but it still sounds strong.  He seems to have modified the songs to allow his somewhat deeper, gravellier voice to work well with them.

I was supposed to see Morrissey last time he came to Philly.  I even had a ticket. But better than a Morrissey show, I got a Morrissey excuse–the show was cancelled.  On the night of the show!  So I don’t feel the need to see him now.  I wonder if he’ll actually make it to his show this summer.

Since I can’t re-listen to his NonComm set, I’ll have to rely on the (lengthy) blurb that The Key has written.

Morrissey was as cynical, self-obsessed and self-assured as ever at NonCOMM on Tuesday night. “I have to warn you before I begin,” he offered slyly as he took center stage. “I have never in my life been this close to another human being. So If I don’t do something illegal, I will do something extremely… enjoyable.”

The World Cafe crowd responded with a roar, and the band burst into a rowdy rendition of “Alma Matters” from Morrissey’s 1997 album Maladjusted. His croon was grave and full-throated, and the band matched his machismo with pounding drums and several wailing guitar solos early in the set. Morrissey strutted across the stage, full of pomp and in his element; he danced with his microphone stand, clapped along to the band, and took every opportunity to denounce his critics, including in song. “So, the choice I have made may seem strange to you. But who asked you anyway? It’s my life to wreck, my own way,” began his opening number. The Manchester native dressed himself in all black, with a t-shirt proclaiming “MEAT IS MURDER” (also the name of a 1985 LP by his former band, The Smiths) and dressed his band in blood-red tees that threatened “BE KIND TO SEALS OR I’LL CULL YOU.” (These shirts are also available on Morrissey’s website.)

But for all his sarcasm, egotism and brash political inclinations, the Philadelphia crowd still hoped to show Morrissey plenty of genuine affection. Dozens of fans standing in the front row reached out to hold his hand each time he stepped downstage; one of his most ardent fans attempted to climb onstage before being shoved back down by a security officer, and another fan got so far as to step onto center stage and lock Morrissey in an embrace before security managed to pull them away from the singer.

Did this really happen?  Is there footage?  He didn’t cancel the rest of the set?

The crowd enjoyed a set spanning Morrissey’s career, including “I’m Throwing My Arms Around Paris” from 2009’s Years of Refusal, the Pretenders cover “Back on the Chain Gang” from 2017’s Low in High School, and the Jobriath cover “Morning Starship” from his upcoming album California Son.

Recently, as Morrissey has begun making public appearances to promote California Son, journalists and fellow musicians have criticized him for his outspoken support of For Britain, a UK political party that many have deemed extremist and racist. On Monday night, Morrissey appeared on The Tonight Show Starring Jimmy Fallon to perform “Morning Starship,” and he wore a lapel pin featuring For Britain’s trident logo. On Monday night at NonCOMM, he wore no pin and made no mention of the controversy, although he seemed bent on repelling all those who might judge him (as usual).

I was very curious if anyone would say anything about him or to him about what he;’s been saying lately, but apparently not.  Left-wing Morrissey fans (like me) are able to turn compartmentalize.

In between two songs, he gave the crowd a snarky smile and chuckled, “As I thank you now, I have many critics. I have many critics. As you know, I have many critics,” he repeated, before concluding, “They’re all idiots!” With that, he exploded into his most contemptuous number of the night, “If You Don’t Like Me, Don’t Look At Me.”  “See if I care! See if I care! See if I care!” he taunted in each verse. Growling lead guitar propelled this song toward its climactic finish, which was marked by Morrissey’s send-off, “Don’t get your knickers in a twist!” (These lyrics do not appear in the recorded version from 2009.)

Morrissey also performed one Smiths track — “That Joke Isn’t Funny Anymore” from Meat is Murder — before finishing with “The Bullfighter Dies” and the menacing “Jack the Ripper.” During the closer, white strobe lights struck him as his deep laugh echoed through the hall. Then, while the clanging guitars faded and the stage smoke dissolved, he smugly proclaimed, “I love you. Goodnight.” He tore his shirt in two, ripped it off and tossed it into the crowd, then departed.

Wait, he tore his shirt off?  For real?

I need more pictures to see what really happened.  And I’d like to hear “That Joke Isn’t Funny Anymore” to see if he or Johnny Marr now sings songs from The Smiths better.

[READ: May 3, 2019] “Extinction Sonnets”

I don’t normally write about poems.  Certainly not ones that appear in magazines (this blog would be all poetry if  did that).  But for a summer reading issue that features three poets, I thought I’d make an exception.

Especially for this one.

And it seems quite apt for Morrissey.

This depressing series of five poems is five sonnets written to extinct species.

The Monteverde Toad (Costa Rica)

This one offers some modicum of hope:

like fallen stars How lost the scientists
wondering where you went and why. Perhaps mist

there’s still hope that one day you’ll be found
like buried treasure: patient, underground.

The Baiji Dolphin (China)

[once] esteemed as a goddess: one glimpse then gone–

this time you’re drowned for real, will not return
no matter how much incense people burn.

The Black-Faced Honeycreeper (Hawaii)

The Honeycreeper is not yet extinct but is very close. Hence

rarest bird in the world

hidden on remote Haleakala

They say that you are “unusually quiet.”
Well, lonely as you are, why would you sing?
You pretty thing, pretty thing, pretty thing.

The River Otter (Japan)

Once abundant at as reeds in the waters
where you swam and played and raised your young for years,
you’ve disappeared victim of casual slaughter
because humans must wear fur.  Profiteers…

The Pyrenean Ibex (France and Spain)

extinction’s a mystery
we’ll never understand.  But full of guilt
or full of pride, we tried to fix history
by cloning you.  No luck.

The end of this poem summarizes the whole series and summarizes humanity, too.

The things we killed
can never be restored, we know that now.
What we don’t know is who dies next, and how.

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[ATTENDED: April 26, 2018] Built to Spill

This was my third time seeing Built to Spill.  I had seen them as a five-piece and a three-piece.  And this show was another three-piece set up.

I thought it was strange that the drummer’s drums were set up off to the right of the stage instead of in the middle, but that was how they left them.  And, indeed, that’s how they played at Stone Pony with drummer Steve Gere off to the right and bassist Steve Albertini to the left.

The two guys don’t do a ton–that’s not their job.  They are there to anchor whatever Doug feels like doing.  And it’s amazing the way they can adjust to whatever he decides to do–jam, change tempo, whatever.  They’re an amazingly tight band,

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SOUNDTRACK: A VERY SPECIAL CHRISTMAS (1987).

I remember when this album came out.  I think it was one of the first Christmas albums in which a lot of very popular musicians contributed to it. Of course proceeds went to charity.  By now, 30 years later, many of these songs are deemed classic enough that you will hear them regularly at Christmas.

Suffice it to say I hated this when it came out.  Now, I have grown to appreciate (some of it) it more.

THE POINTER SISTERS-“Santa Claus Is Coming to Town”
I really didn’t like this song back then.  I think it has grown on me enough that I just don’t mind it any more and it is certainly a staple.

EURYHTMICS-“Winter Wonderland”
I really like Annie Lennox’s own Christmas album.  This song is fine, it’s a little too 80s sounding, but over all its enjoyable.

WHITNEY HOUSTON-“Do You Hear What I Hear?”
People really like to overdo this song.  This version is okay.

BRUCE SPRINGSTEEN AND THE E. STREET BAND-“Merry Christmas Baby”
This is a classic Christmas song by this point, but boy do I dislike the sax.

PRETENDERS-“Have Yourself a Merry Little Christmas”
This version I don;t thin I hear too much.  Probably because it’s understated and quite nice.

JOHN COUGAR MELLENCAMP-“I Saw Mommy Kissing Santa Claus”
I don’t particularly like this song.  I love the musical style that JCM plays, although I don’t like the way he sings it.

STING-“Gabriel’s Message”
I don’t know this at all, I guess everyone skips it.  It’s rather pretty if you can get past the fact that it’s Sting at his more pretentious.

RUN-D.M.C.-“Christmas in Hollis”
This is an all time favorite.  The song is fantastic and must be heard every year.  I live that I write a Christmas card that goes to someone in Hollis.

U2-“Christmas (Baby Please Come Home)”
I’ve heard this a million times.  I don’t particularly like this song, but I do like this version.

MADONNA-“Santa Baby”
My most hated Christmas song, done by Madonna at her most grating.  Ugh.

BOB SEGER & THE SILVER BULLET BAND-“The Little Drummer Boy”
Can Bob Seger ever do anything that doesn’t sound like him?  I don’t really like this song, but this version is kind of fun given how over the top it is.

BRYAN ADAMS-“Run Rudolph Run”
Never liked this song either.  It’s a lame lyrics to make into a rock n roll Christmas song.  All versions sound basically the same to me.

BON JOVI-“Back Door Santa”
I do not know this song at all.  Is it always skipped because it’s so bad?  Man the synths are awful.  Although it makes me realize just how unfair it was to both Bon Jovi and heavy metal that they were lumped into the same category.

ALISON MOYET-“The Coventry Carol”
I think Alison Moyet is the only artist here who most people probably don’t know today.  Her voice is really great though and this song is very cool.  Not exactly my favorite here, but certainly the most interesting.

STEVIE NICKS-“Silent Night”
It’s entirely possible that Stevie Nicks forgot how to sing on this song.  She seems really flat and then doesn’t even do most of the lead vocals half way through the song.  The “grace notes” are appalling too.

So it seems that the songs that were pretty good have stayed with us, the rest have faded away.  And there are a couple that need to be brought into rotation again.

[READ: December 23, 2017] “How to Be a Slut”

Once again, I have ordered The Short Story Advent Calendar.  This year, there are brief interviews with each author posted on the date of their story.

Hello. Welcome. It’s finally here: Short Story Advent Calendar time.

If you’re reading along at home, now’s the time to start cracking those seals, one by one, and discover some truly brilliant writing inside. Then check back here each morning for an exclusive interview with the author of that day’s story.

(Want to join in? It’s not too late. Order your copy here.)

This year I’m pairing each story with a holiday disc from our personal collection. (more…)

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[ATTENDED: July 27, 2016] Garbage

2016-07-27 21.26.35Back in the late 1990s, I loved Garbage.  Their debut and 2.0 were two  of my favorite albums of the era.  I had the chance to meet and greet when I was living in Boston, but when I got to the store, the line was huge and they cut it short about ten people in front of me.  But I did get to see them live.  And I saw them live later in the year when they played in New York.

They took a few years off and I didn’t love their next album.  Or the one after that.  I liked them, but I wasn’t as blown away (which I suppose is natural).  They released a new album last year and I liked it–it was a little less slick than those middle ones. And in the meantime, I’ve grown to appreciate those middle albums more–sure they are slicker, but there’s some good stuff on them.

So when I saw they were touring in the area, I thought it would be fun to see them again nearly twenty years later.

And man, was it ever.

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