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SOUNDTRACK: MEREBA-Tiny Desk Concert #919 (November 27, 2019).

Who the heck is Mereba?

Very few artists get to return to the Tiny Desk, and fewer still return twice in the same year. But after contributing background vocals behind the desk for Dreamville artist Bas in early 2019, we invited Mereba back for a solo set that puts her eclectic, major-label debut The Jungle Is The Only Way Out into sharp focus.

As with many singers I’ve never heard of, I’m not sure if these songs sound like this on the record or if they are more dancey.  I do quite like the simple, organic sounds that accompany these songs.

The stripped-down soundscape Mereba achieves live with her four-piece band is equally dreamlike here, drawing from influences as wide-ranging as the many places she’s called home (Alabama, Philly, North Carolina, Atlanta, Ethiopia). As she pulls from genres as seemingly disparate as folk, rap and spoken word, her set reflects the years she spent perfecting her craft on live stages in Atlanta cafes and clubs, where she attracted the attention of the indie creative collective Spillage Village  before joining them in 2014.

She sings three songs and recites a poem (all on the album).

When “Black Truck” started I thought she sounded exactly like Alanis Morissette.  The way she says “and I said world would you please have some mercy on me” sounds very uncannily like her.  The song is a quiet, mellow piece that starts with a simple bass line (including some harmonics) from Chris James and guitar washes that turn into a nice picked melody from Sam Hoffman.  After a minute or so, Aisha Gaillard plays a simple drum beat and the song kicks into higher gear.

Through all of this, the backing vocals from Olivia Walker were just beautiful.  The end of the song turns into a kind of rap as the guitar and bass fade out.  I say kind of a rap because Mereba is also a poet and she has more of a poet’s delivery than a rapper’s delivery.

For “Stay Tru” the guys switch instruments and the bass takes on a slightly more lead role.  But this song is also very mellow.  Mereba’s vocals sound a bit more Jamaican in his song.  Midway through, James switches to violin and Mereba plays keys which adds a whole new texture.  I didn’t like this song as much because the chorus is kinda lame with a lot of repeating of “cut the bullshit, this time” sung in a sweet voice.  It also seems to drag on for a really long time (although it is very pretty).

“Dodging The Devil” is a poem she wrote when things just didn’t seem to be going right.  After a couple of verses, a quiet guitar line fills in the background.

On the last song, “Kinfolk,” Mereba plays the main guitar line while Sam plays single soaring notes.  The song kicks into gear with a simple guitar riff and some prominent bass.

I really enjoyed this set.  I thought the music was beautifully restrained and her voice distinct enough in each song to show such a range of sounds.  It’s always nice to be surprised by a new musician.

[READ: November 15, 2019] Cursed

I saw this book in the new YA section at the library.  I was attracted by the cover and fascinated by the “soon to be a Netflix Original Series” sticker.

I have known of Frank Miller for years.  I’m sure I’ve read graphic novels by him, although I don’t know if I’ve read Sin City (maybe a long time ago?).  Mostly he drew superhero comics which is not my thing.  Turns out I really don’t like his artistic style in this book (at least for the way he draws the heroine–I rather like the way the bad guys are drawn).  If the series was in any way designed to look like the art in the book I don’t think I’d watch it.

But the story itself is petty darn good.  It took me a while to read it for some reason. I guess maybe the opening was a little slow because there’s so much going on it takes awhile to really get settled in this universe.

But the description of the story is pretty intriguing: Whosoever wields the sword of power shall be the one true king.  But what if the sword has chosen a queen?

For this is a story of Arthurian legend with many many twists.  My knowledge of Arthurian legend is surprisingly minimal.  I love the story and I know the main participants, but there is a lot of information in here that I didn’t know about–or even how much Wheeler is making up. (more…)

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