Feeds:
Posts
Comments

Archive for the ‘Outer Space’ Category

SOUNDTRACK: RHEOSTATICS-Scotiabank Centre Halifax NS (December 07, 1996).

This is the 19th night of the 24 date Canadian Tour opening for The Tragically Hip on their Trouble At The Henhouse Tour.

The show starts with Dorothy introducing “Somewhere Over the Rainbow” and then she begins singing the song.  After a verse, the acoustic guitar comes strumming in and Tim announces that “This one’s for Wilf Carter.”  [Wilf Carter, known as Montana Slim in the United States, was a Canadian Country and Western singer, songwriter, guitarist, and yodeller. Widely acknowledged as the father of Canadian country music.  He died on Dec 5].

It sounds great.  the final strains of guitar lead into a beautiful “California Dreamline.”  It’s followed by a “Fan Letter to Michael Jackson” that features a middle “dance” section, with Dave chanting: “Tuesday night at the discotheque, I can dance, what the heck.  I’m an Uzbek.  Wer’e all freakin’ Uzbeks.

The ending feedback segues into the introductory noises of “Motorino.”  Martin says it comes from their new album.  “It’s called The Blue Hysteria its about not having much money.  Dave: “That’s the green hysteria, martin.”  Tim:  “Blue hysteria as about playing your stereo too loud and blowing it up.”  That’s a sort of introduction to “Bad Time to be Poor.”

Dave says “It’s great to be in hockey rink, The Moosehead Dome.  We played in the Devonshire Arena last night, a private affair.  It was hockey though, not rock.  We’re all a little sore, a little better off, a little stronger in character.

Up next is “Sweet Rich Beautiful Mine,” during which Martin drops out of an entire verse–the music sounds great through.  You hear someone asks “want to do it again?”  but they press on and martin platys the noisy guitars that lead into RICH!

Then comes “two big songs back to back,” a ripping “Feed Yourself”  followed by a full 8 minute “A Mid-Winter Night’s Dream.”  It begins with a pretty, meandering guitar melody that Martin songs along to (in a high falsetto, la la l a)–its  quite lovely.  Then it segues into a roaring version of “Midwinter.”  The band sounds great and the feedbacking noise martin generates before the end is just amazing.

This might be my favorite version of the song.  It’s a show-stopper indeed.

[READ: March 20, 2019] Science Comics: Robots and Drones

I have enjoyed every Science Comic that has come out.  Most of them seem almost too full of information.  But this one was actually one of the less jam-packed books.  And that was kind of nice.

After an introduction from Sabine Hauert, the co-founder of Robohub.org, we are taken to a prototype robot from 350 BCE (!).  In Tarentum Italy, we see a “mechanical” bird created by Archytas.  It flies (perhaps on a string) and crashes instantly.   The bird snaps out of it and introduces himself –call him Pouli.  Pouli was the first machine to ever fly and he will take us through the past and future of robots and drones.

Pouli tries to break our familiarity with what a robot is by showing a simple robot–the coffeemaker.  It has as simple job.  It’s a modern version of the automaton.  Of course we have more sophisticated R/C cars and roombas now.  Some day soon there will be self-driving cars. (more…)

Advertisements

Read Full Post »

SOUNDTRACK: RHEOSTATICS-Scotiabank Saddledome Calgary AB (November 15, 1996).

Rheostatics opened for The Tragically Hip in Fall 1996.  Some of the shows were online already, but in 2018, Rheostatics Live added about ten more shows.  This is the 6th night of the 24 date Canadian Tour opening for The Tragically Hip on their Trouble At The Henhouse Tour.

Dave introduces the show: “Hello people of Southern Alberta, let us entertain you.  Let us kick your ass.”

The show starts with “Fat” and Martin gets some cool wild guitar sounds.  The backing vocals are great and the end of the song really jams out.

Tim’s “All the Same Eyes” seems to rock out a bit more than usual with some scorching guitars from Martin.  They follow it with “Fan Letter to Michael Jackson” and they have fun with it.  Dave has to announce, “stop making faces, this is serious stuff.”  During the middle part, Dave chants, “Michael’s getting married,  Michael’s having a baby, Michael’s going down.”  They stretch out the “it feels good” part with a mellow jam and Martin doing some great falsetto.

Dave talks about Melville millionaires sticker on his guitar.  He says “we played in Melville, Saskatchewan–the best town in Canada.  Martin talks about them playing The National hotel.  They had two nights there and after the first night, someone spray painted outside of their door: “Go home noise pigs.”

Martin introduces “Sweet, Rich, Beautiful, Mine” and Dave says “and we’re not going home.”   Martin makes some great weird noises from his guitar and, once again, there’s more amazing backing vocals from the band.

Don announces: “We’ve got a new record out, it’s been out about a week.  This next song is on it, that last one was on it.  It’s available tonight.”

Then comes two songs from Tim.  It starts with “Bad Time to Be Poor” which has scratchy guitars from Martin.  It sounds great and Dave says “That’s getting played on the radio and we’re awfully happy about that and thanks to those who are playing it.”  Up next is the second Tim song with “Claire.”  Dave says this next song is from Whale Music, underwater music–aquarium rock, they’re calling it.

Dave says they played hockey last night at Max Bell Arena–home of the Calgary Canucks–Calgary’s greatest team. It was them and the Hip & the crews.  The score was 17-17.  It was a great game–we were fortified on ice.

After a rocking “Self Serve Gas Station, ” Dave says, “The people in Edmonton said the people in Calgary didn’t know how to rock.”  Tim: “That’s not true.”  It’s a great intro to another blistering version of “RDA” which they sing as “Rock Death Canada.”

Even though I love the Rheostatics’ longer sets, these 45 minute nuggets are really tasty.  And the band is in peak form at these shows.

[READ: March 4, 2019] On a Sunbeam

I really enjoyed Walden’s memoir Spinning, which was all about competitive skating and a young girl coming out.  So this story threw me a bit because it is about a crew of workers aboard a space ship whose job is to help repair derelict structures.

And it starts right in the middle with no explanation.  We just see a teenaged girl looking out a window at a floating city.  Her name is Mia and she is being brought to a crew that she’ll be working with for the foreseeable future.  The crew consists of Alma, the de facto leader, Char, the actual captain, Jules, a young girl who is actually Alma’s niece, and Elliot.  Elliot is a mechanical genius, is nonbinary (goes by “they” rather than he or she) and does not speak.

Mia and Jules bond pretty quickly, but it’s going to be tough work–up at 5AM and a lot to learn.

The story flashes back to five years earlier.  Mia is at school and, although a freshman, is already defiant.  She gets in trouble for skipping out on a mandatory assembly and sneaking into the gym to look at what turns out to be flying machines.   While in detention, she meets Grace.  Grace is shy but a defiant in her own way.  They form a pretty quick bond. (more…)

Read Full Post »

SOUNDTRACK: JEN CLOHER-Live at Newport Folk Festival (July 29, 2018).

Even though it was half a year ago, NPR is still posting some shows from the Newport Folk Festival Festival.  This one is kind of hard to find, since it’s not with the other Newport Folk Festival shows, so here’s the link.

Jen Cloher is a great Australian singer-songwriter/punk.  I have seen her live twice. Once opening for Courtney Barnett & Kurt Vile and once on her own.  She is dynamic and brash, funny and clever and a great frontwoman.

When she opened for Kurt & Courtney, she was a solo artist, but when I saw her headline, she had a full band (the same line-up as Newport).  And her set rocked.

The setlist she played for Newport was a truncated version of the full set list she played for us.  But she also played two different songs.  The first was “David Bowie Eyes” and “Toothless Tiger.”

She opened both sets with “Regional Echo” and “Forgot Myself” (oh god, oh god, oh god).  The album is really good, but her lives show packs more punch.  Her band is great: Jen’s wife, Courtney Barnett, on electric guitar and Bones Sloane from Courtney’s band on bass plus the amazing kick ass drummer Jen Sholakis.

The “new song” is actually an old song, “David Bowie Eyes” which she says is “for anyone who likes Patti Smith..”  It’s a sweet poppy number with (of course) interesting lyrics:

She got David Bowie eyes
One is green and one is blue
I’m sure one of his is brown
But what can I do?
Come on say you’ll be
Mapplethorpe to my Patti
Just kids living on a shoestring dream

It’s followed by “Sensory Memory” one of my favorite songs of hers.  The melody is wonderful and the lyrics are so bittersweet.  After “Shoegazers” which has some great noisy soloing from Courtney, comes “Toothless Tiger” the other “new” song (which is also old, both of those songs are from her 2013 record).  It’s more on the snarky side, with some backing vocals from Courtney.

I love “Analysis Paralysis” for the lyrics (of course)–kangaroos in the pool–but also for Courtney’s wailing guitar solo.

When we saw Kurt & Courtney, they played Jen’s “Fear is Like a Forest” and it was fun to hear it live.  When I saw Jen, like in this version, it was a very different, rocking song and Courtney takes a verse or two.  The set ends with Cloher’s awesome anthem “Strong Woman,” a great song for these times and for all times.

Cloher may get over shadowed by her famous bandmate, but she is an amazing songwriter/performer herself with all kinds of charisma.

SET LIST:

  • “Regional Echo”
  • “Forgot Myself”
  • “David Bowie Eyes” *
  • “Sensory Memory”
  • “Shoegazers”
  • “Toothless Tiger” *
  • “Analysis Paralysis”
  • “Fear Is Like A Forest”
  • “Strong Woman”

*not played at my show–the songs below were played at my show.

  1. Mount Beauty**
  2. Stone Age Brain **
  3. Great Australian Bite**
  4. Name in Lights**

[READ: January 19, 2019] The League of Lasers

I had forgotten how much I enjoyed Star Scouts (it had been almost two years since I read it).

It helps to have read book 1 to get the full understanding of this story, but this one stands on its own pretty well, too.

The book opens with a one-eyed creature in a cloak firing a blast at earth.  A blast directed at Avani Patel (the hero f book 1).  Avani and her Star Scouts (all aliens except for Avani’s friend Jen) are rocking out in their terrible rock band.  After the song, we see that Mabel the alien is still sniping with earthling Jen (Mabel made friends with Avani and was shocked to learn that Avani had friends back home).  The explosion hits earth, but it’s not a missile, it is a messenger.

The messenger is for Avani.  The handwritten (on lined school paper) note invites her to join the The League of Lasers–a special squadron of the Star Scouts.  How can she say no? (more…)

Read Full Post »

SOUNDTRACK: RHEOSTATICS-This Ain’t Hollywood Hamilton ON (December 15 2017).

This is the final Rheostatics concert of 2017.  And it’s the most recent concert available of the Rheostatics Live site.  This entire show is fantastic.  The band is in perfect form.  While they have fun and goof around between songs, the songs themselves sound amazing.

There’s a lengthy, amusing introduction by “Failed Hamilton mayoral candidate Steve Bunn” who describes the band as created by “David Cronenberg who combined the genetic materials from Stompin’ Tom. Joni Mitchell, Martha and the Muffins and Gino Vanelli, giving rise to the founding fathers of the can-rock renaissance.”

As the opening notes of Stolen Care begin, Clark asks: “Can someone turn off the house music in the monitor.”
DB: “We hate Haircut 100.”
Martin: Almost as much as Spandau Ballet.
DB: “Although, our next album is going to have a little bit of house music all the way through it.”

“Stolen Car” is just beautiful.  The band sounds in great form.  martin is having fun, Hugh sounds terrific.  And there’s a long, glorious ending.  It’s followed by a soaring and lovely Soul Glue.”  The next song is one of the best versions of “AC/DC on My Stereo” I’ve heard.  The band seems into it and Tim’s bass makes it a but more interesting than usual.

They start a regional antipathy between the locals.  While in Hamilton, DB says, we’re more into Ancaster ultimately, but it’s nice to be here.  Dundas, that fucking blows. Dunville’s alright  Don Mills?  Burlington sucks shit kind of, though, am I wrong?  I mean it’s great.  Bronte though that’s really the pits.  Here’s another song to divide you further.

It’s a lovely version of “It” with pretty pizzicato from Hugh.  Clark and Martin have this ending that they want to do and the keep forgetting.  They want to just have a short high note.  So they do just the ending.  And then once more.

A delightful version of “The Headless One” follows.  Tim and Martin’s voices are wonderful together.

Audience: Double Dave
DB: I know its confusing, eh?  Considering that we are both excellent drummers we get confused a lot.
Clark: Dave actually is a smoking drummer
DB: Like Bun E Carlos.
Clark: Yes in that style.  I like to learn from him.  I’m always looking for a swinging drummer.

MT: Now we’re gonna do “Take It Easy” by the Eagles which is about…  I was driving down the road trying to loosen by load.  It’ about constipation.
Like the Local Rabbits the protagonist in that song clearly shit in a bag

Audience: Stop talking and play.
Martin: You guys just fucked it up, now we’re gonna talk for ten minutes.
DB: Didn’t you see, the ticket price includes patter: WARNING: may include patter.  Not even good patter.
MT: Music n’ patter.
Clark: Cheerful stage patter.

This leads to a pretty intro for “Michael Jackson.”  The middle section has a wild chanting nonsensical part where they sing “suck out the poison” over and over but the end has a great rocking jam with some pretty funky almost disco bass from Tim.

Thanks to our buddy Dale Morningstar for opening the show and and ripping it up.

A new song by Timothy Warren Vesely which features Dave Bidini on the bass its called “Rear View.”

They talk about their first show in Hamilton. No, before La Luna.  Before The Regal (with The Waltons) The Other Side was pretty weird–it had that freaky mural.  Tim: Where was that place they had to push the pool table aside?  DB: Every place.

Martin: Am I officially a Hamiltonian?  I’ve been here 8 years.  DC: Maybe you’re going to get beat up Toronto boy.  MT: “Toronto boy gets beat up in alley.”

This leads to a lovely “PIN.”

Dave Clark plays a clinking melody (like to one he described at a previous hows pluh duh duh duh ding” which is an introduction to “Northern Wish”  But the music is all wonky.  Thumping bass and drums.  They quickly start it properly and its a beautiful version with a fantastic ending of the whole crowd singing “Land Ho!”

DB: My mother in law is from the North End of Hamilton.  They came from Northernish Italy, the Veneto.  Any one here from the Veneto in Italy?  You never know in Hamilton you’re pretty much always two feet away from an Italian.  Much like Martin and I.  This is a song about people travelling. A pretty “Mountains & The Sea” follows.  The transition is a little rocky but they pull it of. There’s a delightful high-pitched solo from Hugh.

MT: We all went to the school of the entertainment arts in Forest Hill Toronto.  We were told how to project ourselves to the back of the room and to drink water–particularly bottled water.

Clark demonstrates the “proper way” to drink from a water bottle … his thumb is pointing up because I’m feeling great about life when I drink water.  I’m touching just the upper edges of the cap.  I do not want to touch the drinking part with my fingers.  I’ve been touching all kinds of things tonight.

MT: Your iPad is dirtier than the toilet in this joint.

Very fucking pro-Tim Vesely crowd tonight, what’s gong on?  “King of the Past” is fantastic with some great soloing by Hugh and amazing vocals from Tim and Martin.  The end features a little folk jam that’s quite a lot of fun, too.  It segues into a wonderful “Christopher.”

DB: Here’s a song you might have heard on the radio at some point in your radio lives.
Clark: If you listened all day for three weeks at one point in time you might have heard this once.
MT: All five of us have Toyota Echos and we head out on the highway.  This song is about how we head out on the highway in a sort of arrow formation Toyota Echo convoy.

“Claire” sounds lovely with a cool solo from “hometown boy, local legend, martin Tielli.”  They start chanting M-A-R-T-I-N instead of “C-l-a-i-r-e”

We’ll get to all your favorites hopefully before the night is done.  If not that’s why they invented recorded music.

Martin tunes his guitar and then runs through a quick “Ghost Riders in the Sky.”
DB: And this ones called “Who Stole the Kishka.”  Tim: “I’m pretty sure it was that guy.”  DB: “Totally fucking guilty.”  But it’s really a soaring “California Dreamline.”  The wonderful weird noises Martin is making on his guitar are a perfect segue into a totally rocking “Horses.”

And then its time for the encore break.  Amazingly they play for an hour after the encore.

MT: “This is the fake walk off… I just have to change my shirt.”

Clark returned first and sings a capella “I’m Not Afraid,” then he gets behind the kit to do some drumming before “Legal Age LIfe.”

That’s Dylan Hudecki to my left.  Also with them is George Collins and Skye of the Gas Station Islanders.  They all join in on a fun and raucous “Legal Age Life.”

Martin’s in his uber on the QEW.  He’s got to get home to host his late night radio show.  It’s a quasi-religious program.  He plays only Hawaiian gamelan music and reads from the scriptures.

All these years, I had no idea that the 12 bar blues section was an actual song.  It was written by (Canadian) Jack Butwell in 1974 and then covered in 1983 by NRBQ. Although it isn’t played tonight.

Clark: can we do “Supercontroller?” This is a good audience for that.

DB: This is our most Quaalude song ever.
MT: [In total disbelief] Quaaludes?  This is a lots of coffee song.

This segues into the opening notes of “Dope Fiends” which leads to a couple of huge medleys.  “Dope Fiends” winds up being 16+ minutes long. The beautiful soaring end of “Dope Fiends” is shattered bu the roaring guitar of PROD.  Mid song–“Hey Tim, are you ready for your close-up?” (a zippy bass chord solo ensues).  Then there’s a section of Calling out the chords:  G then B flat just for a little bit now back to G then to G sharp.  DB to audience: “That feels right, do you guys like G sharp? It not G it’s not A it’s G sharp.”  Tim: “Now let’s go to A flat  A flat is a downer go back to G sharp.”  Then to D minor. Another bummer.  Lets go to E.  MT: Dave play this one solo … E minor, which Dave turns into “Who Stole the Kishka.”  Go back to G sharp and PROD  When it ends Martin plays the riff to Rush’s “What You’re Doing” and the band joins in.  He tacks on a bit of “Working Man” before it’s over.

DB starts asking for a beer and the audience asks for Wendell Clark.  We haven’t played that …  Only if you’ll sing it.

They start to play Part II.  MT: That’s the part I wrote!  The Ballad Of Wendel Clark Part I and II begins and mid way through Part II, they go to G for a run through of “Bud the Spud.”  DB: shouts “Don’t film this–copyright violation.  Jesus Christ, Daron, have some respect.”   Bud continues: “He knows a sign that rises up in the sun that says Martin Tielli.  …because he’s got his own fucking touring truck that’s filled with potatoes.  Dave says: It was really weird they played a medley of other songs and we wondered when they were going to finish Bud the Spud and play their own songs.

DB: He’s got another big load which is a fucking lyric that outs you in a whole nother…
Tim: Yes, it’s very Eagles.
Clark: Comedy high of the night.

This leads to a discussion of masturbating in the car, which people do.  (MT: There’s people who do everything which the internet has told us.)  Dave tells a story of a hitchhiker from Saskatchewan to Calgary.  And the driver said do you mind if I masturbate while we talk and the friend said.  This leads to an impromptu song called I know “Jerking Off All The Way To Calgary.”  It’s rude and hilarious, with Martin’s line: “That’s a lot of uncomfortable time.”  The y finish off Wendell Clark.

MT: Dave, you’ve gone blue!

Clark: Are we gonna do another song or go home.  DB: I vote go home.
No! Lots of requests especially for “Record Body Count” and lots for “Aliens.”  Also: Superdifficult, Queer, (Clark: queer is a good one). The Jane Siberry song?  And a loud solitary one for “Do You Believe in Life After Love?”

You should all go out and buy Tom Wilson’s book Beautiful Scars.  It’s an amazing Hamilton story.  And there’s copies of the West End Phoenix for sale.

They end the night after all that silliness with a great, solid version of “Self Serve Gas Station.”  It all goes well until Martin gets messed up (laughing) just after the loud section starts (he misses the “morning time has come” high note).

[READ: October 2018] Polish Porno Graphics

So yes, this is a book of graphic sex stories.  I found it at work and thought it was a book of Polish artists depicting pencil drawings of nudes.  I kind of assumed the title was a poor translation because I didn’t imagine our library would have anything quite like this.  I also thought it would be a uniquely Polish look at art (I like looking at Polish books).

But nope, this is a series of largely wordless (although the words which are there are in English) sex comics.  Some are a little cartoony, but for the most part they are pretty realistic and very very explicit.  There’s lots of drawings of people copulating in various, mostly unexpected ways and places.  Don’t read any further if you’re easily offended. (more…)

Read Full Post »

SOUNDTRACK: THE LEEVEES-Hanukkah Rocks (2005).

The collection of Hanukkah songs is fantastic. I love this album more than a guy who doesn’t celebrate Hanukkah should.

The LeeVees are Adam Gardener from Guster and Dave Schneider  from The Zambonis (with help from The Time Share Choir).  Dave and Adam write super catchy poppy-but-rocking songs all about the holiday.  Most of them are funny or have a humorous aspect, but the songs all rock and stand up to repeated listens.

“Latke Clan” begins as a sweet ode to everyone’s favorite potato pancake  “Santa is cool but Hanukkah Harry’s the man, come and join of Latke Clan.”

“Applesauce vs Sour Cream” is the perennial decision you have to make with your latkes.  “just tell you mom to fry, not bake.”

“Goyim Friends” Goyim friends make lists and get snowboards and paintball guns, but “we will march on, six pairs of socks from each other’s mom.”

“At the Timeshare” is a hilarious, catchy song.  It’s swinging and loungey and is all about their parents wanting to live down at the time share in Boca or was it Boynton.  Or Daytona. Or Talahassee (There’s no Jews there).

“How do you spell Channukkahh?” is a hilarious goof on the spelling of this holiday and it totally rocks.

“Kugel” is a sweet mournful song about how times change–“you were once sweet and creamy, no you’re low-fat.”

“Jewish Girls”  Go to the mitzvah Ball, you may be surprised to find who is in the tribe.

“Gelt Melts”  This punky number says what everyone knows–if you keep the gelt in your pocket, you’ll be sorry.  “If goys can eat an Easter Bunny, why can’t we eat chocolate money.”

“Nun, Gimmel Heh Shin”  Yup, a dreidel song without the music from the dreidel song.

“There’s” also a bonus track called “Holiday,” a simple acoustic guitar song with the two guys singing about a lovely relaxing holiday.

[READ: December 20, 2017] “The Game of Smash and Recovery”

Once again, I have ordered The Short Story Advent Calendar.  This year, there are brief interviews with each author posted on the date of their story.

Hello. Welcome. It’s finally here: Short Story Advent Calendar time.

If you’re reading along at home, now’s the time to start cracking those seals, one by one, and discover some truly brilliant writing inside. Then check back here each morning for an exclusive interview with the author of that day’s story.

(Want to join in? It’s not too late. Order your copy here.)

This year I’m pairing each story with a holiday disc from our personal collection.

This was one of those stories where the character and setting are otherworldly–completely alien.  The main characters have a full story arc, and yet we are never provided any kind of context for where or even what they are.

The question is, of course, does it matter.

In some respects, no, and yet it is so frustrating to read this whole thing and have so many fundamental questions unanswered.

The main character is Anat.  She loves Oscar, her brother, who has raised her practically from childhood.  Their parents have been absent for as long as she can remember.  They left when they realized that Anat was different–what was she? (more…)

Read Full Post »

SOUNDTRACK: BILLY CORGAN-Tiny Desk Concert #674 (November 20, 2017).

Back in the day, I thought Smashing Pumpkins were pretty awesome.  I even enjoyed the bloated Mellon Collie.  Billy Corgan is a terrific songwriter with a flair for the drama.

Then I got really turned off by him.  Whether his ego exploded or if it just really became public (and the fact that he always wore a shirt that said zero), I;d had enough of him.  I didn’t even listen to any of the Pumpkins’ later albums (band fighting didn’t help that).

recently, NPR played the new song by William Patrick Corgan, a sweet piano ballad.  And I realized that I really don’t like Corgan’s voice  And the more I thought about it the more I didn’t like his voice in the old songs either–but the intensity if the music and his delivery overshadowed the parts that annoyed me (which is more noticeable when the songs are slow and mellow).

So what had Corgan been up to

Billy Corgan is a complicated guy. In the years since that iconic and much-beloved rock band broke up in 2000, Corgan has continued to put out music under various names and projects – including several releases as Smashing Pumpkins, with different lineups – while often stumbling through a bumpy minefield of his own making. To the head-scratching surprise of some longtime fans, he’s gotten heavily involved in pro wrestling, talked conspiracy theories during several appearances on The Alex Jones Show (warning of weaponized zombies in one interview), and, over the years, lobbed innumerable grievances about former bandmates, while trashing other musicians and publicly feuding with a revolving cast of celebrities and public figures.

More recently, Corgan seems to have mellowed. He opted to release his new solo album Ogilala, under his (very grownup-sounding) full name, William Patrick Corgan (though he very recently changed it back to Billy Corgan on streaming services and YouTube), and filled the record with beautifully rendered acoustic songs built on piano and strings.

Corgan plays three songs in the Tiny Desk Concert.  Impressively, he plays “with a string quartet he’d just met hours before”: Kristin Bakkegard (violin), Livy Amoruso (violin), Paul Bagley (viola), Carol Anne Bosco (cello).

He opened with a stirring rendition of the 1995 Smashing Pumpkins song “Tonight, Tonight.”  It sounds great with the simple acoustic guitar (it’s really a lovely melody) and the strings.  I did realize that I don;t really love his vocal delivery, but I’m so caught up on the strings that it’s hard to care.

It’s also odd that he kept on the heavy scarf, hoodie, down jacket and cap, but it didn’t seem to hinder him ob guitar or the final two songs which he played on piano: “Aeornaut” and “Mandarynne.”  I don’t understand the titles or what they have to do with the words I can pick out, but the melodies are again, lovely.  The blurb say they are about “staying strong and true to yourself and soldiering on in the face of a troubled world.”

He doesn’t say anything, and he seems pretty businesslike, but he acts graciously at the end.  And it’s nice to read that

Corgan was nothing but a good-natured delight. After years of selling millions of records and playing packed arenas, he showed up in a cab with just his tour manager and, during setup and rehearsals, joked about being all DIY now.

I haven’t listened to Smashing Pumpkins in a long time.  Maybe its’ time to bust out Gish again and enjoy Billy when he had long hair.

 

[READ: April 30, 3017] Captain Marvel: Rise of Alpha Flight

After two lighthearted series with Captain Marvel, new writers have come along and changed the tone of her story line quite a bit.  Indeed, everything is different from the DeConnick stories, right down to the incredibly different appearance of Carol Danvers on the cover and even the logo of Captain Marvel herself.  The art in these books is by Kris Anka and Felipe Smith)

When I looked this book up to see where it fit in to the series (it’s very confusing when there seems to be a recurring Volume 1 (this covers issues 1-5)), I read that a lot of people didn’t really like this story line.  So I wasn’t expecting to like it either.

But I found that I really enjoyed it a lot.  It’s very different from the whimsical stories from DeConnick (this arc was written by Tara Butters and Michele Fazekis) and in fact, since it is all set in space, I felt that it took on a kind of Star Trek quality which I enjoyed quite a lot. (more…)

Read Full Post »

SOUNDTRACK: RHEOSTATICS-Fall Nationals, Night 2 of 10, The Horseshoe Tavern, Toronto (November 12, 2004).

The Rheostatics, live at the Legendary Horseshoe Tavern in Toronto, November 12, 2004. This was the 2nd night of their 10 night Fall Nationals run at the Horseshoe.  This show was exactly 13 years ago!

I compared all of the setlists from the nine shows and was somewhat surprised to see just how much repeating they did. Most of the repeated songs are new ones–they played a lot from 2067, which makes sense.  But for a Fall Nationals, there’s really not a lot of “popular” or “rare” stuff.  But the band is in terrific form for all nine shows and the recordings are consistently great.

They open intensely with “Christopher.”  It’s a great version and Martin is in very good voice.  Similarly, “King Of The Past” sounds terrific.  Once again, “Pornography” opens a lot like “Bread, Meat peas and Rice,” but the backing vocals sound great .  At the end, Dave notes: “a bit of folk disco there for ya.”

Introducing “The Tarleks,” Dave says it’s “from our new album called 2067.  It’s the year of Martin’s 100th birthday and Canada’s bicentennial and the year we get a hit single.  We’re having a party and you’re all invited.  Martin: “Unfortunately so are these guys, the Tarleks.”  The song is perfect and segues right into “Marginalized” which is also great.  The whole band is in great form and I love the guitar sounds as it segues to the chorus.

“Power Ballad For Ozzy Osbourne” is slow and fine.  And Dave says, “and you doing the super tokes you are…. from the country.  Tim: “Mmm smells good. Smells like grade 12 math class.”  MPW:  Shop class.  Dave: Back in the 70s they let you do that sort of thing …80s.  Tim, snapping fingers: “It’s cool.  Foosball is like soccer crossed with shishkabobs.”

“Fish Tailin'” rocks and then comes “Me and Stupid,” which hasn’t been played in a while.  Tim plays the riff and sings “Dave is tuning, tuning his guitar, Dave is learning how to use a tuner on his guitar.”  Dave starts the song and after the first verse he stops the song “I gotta re tune.”  Tim: “He’s just leaning.”  MPW: “That’s okay my hands hurt a little.”

“PIN” and “Mumbletypeg” sound terrific and mid song Dave says, “We’re the Rheostatics were from Etobicoke, it’s west of here.”

Dave: “We’re gonna take it down a bit.”  Tim: “We’re gonna take it down but its gonna become very heavy” with “Here Comes the Image.”  While waiting Tim pays the bass riff to “Tom Sawyer.”   Tomorrow at 2 o’clock we’ll be at Sam the Record Man.”

“Shack In The Cornfields” sounds quite different with Dave’s bass backing vocals.  It takes a while for the song to start really rocking but once it does it’s so much fun.  I like the chorus of “Try To Praise This Mutilated World” more and more.  I’m assuming by now that the spoken part is prerecorded.

“In This Town” starts quietly but martin sings a big growly ending.  “Dope Fiends and Boozehounds” slows down in the middle with a drum solo and a clapping solo.  After the solo, Selina Martin comes out and sings the end with Martin.

Martin: “Dave Alexander Herschel Bidini wrote that in 1972.”
Dave: “Hell of a year.  What with Ian Sunter’s field goal and everything.   This refers to the 60th Grey Cup in which Hamilton ran the clock down while getting close enough for Ian Sunter to kick a 34-yard field goal on the last play of the game to win.]

Tim plays a great “Bad Time To Be Poor” and Dave says “We will conclude with a song from 2067.”
Someone in the audience shouts: “what do you mean conclude?”
Dave: “what do you think I mean?  We’re fucking right off after this one.  The limo is idling, baby.”
Tim: “conclude the first set.”
Martin: “it’s really just a smoke break for me.”
Dave: “oh we got rail and hoo-ers waiting, don’t worry.”

“Making Progress” is lovely as always.  “Feed Yourself” starts off a little rocky but it sounds great.  Dave gets a little crazy with the “inside his head” bit at the end (and someone is manipulating his voice to echo and process in one way or another, which is cool).

After a quick encore break, they’re back with a Dave song while Martin smokes.  In “My First Rock Concert” he changes The Ramones to Johnny Winter for some reason.

Someone keeps shouting “Saskatchewan” and you can hear a rhythm guitar playing the melody.  Mike says this ones for the greasy wheel, but then the guitar switches to “Self Serve Gas Station” and Mike says “make up your mind I’m trying to decide which way to adjust the chair.”

Before “Desert Island Discs,” Martin notes: “We stayed in the same hotel as Van Halen a week ago.  (Those hookers in the lobby were not for us).

Desert Island Discs is sloppy and fun with people picking these discs:

Dave: Ramones-Rocket to Russia; Cars-Cars; PiL-Metal Box.
Tim: Bob Marley-Survival; Tom Waits-Closing Time (huge cheer); Pavement-Crooked Rain, Crooked Rain.
MPW: It’s his first time.  He says it’s like ordering last in a restaurant.  Anything by Gino Vanelli; Music for a Large Ensemble; Steve Reich (Tim: try to follow the groove) Metal Machine Music-Lou Reed.
Martin: my first record is (plays “Tom Sawyer”); Second Mary Margaret O’Hara-Miss America; Third uh… uh… uh… uh…  Mood Music for Beer and Pretzels
audience members
first one has a hard time: Led Zeppelin, Martin Teilli-Operation Infinite Joy; Rheostatics, of course.
second one: Weakerthans-Left and Leaving; The Beatles-Rubber Soul  and… [Dave: you don;t want to hear the E minor chord] Weezer-Weezer.
As they wrap up the song Mike keeps going after the final chord.  They bust his chops and say he is in the legion hall trance.

The set ends with a great “Legal Age Life At Variety Store.”

They take an encore break and Martin comes back out with  a ‘suede banana’ jacket “Very Century 21–he sold the most houses in the band.”

For the encore, they play “Rain, Rain, Rain” and Martin introduces “Mister Dave Bidini on lead” (it’s sloppy but fun).

This show runs about 2 and a half hours and it sounds great.

[READ: April 6, 2017] Star Scouts

Boy I loved this book.  I loved everything about it, from the understated to the perfectly stated.

The book opens with an alien creature getting yelled at.  Her name is, humorously, Mabel.  Mabel is scanning planets to collect a new species.  It turns out that she is doing this for a badge for scouts.  She selects a newt.  But she accidentally switches from Newt to New Kid (an amusing joke if not a little strange) and the teleportation begins.

The New Kid is Avani.  Avani speaks Hindi (which in itself is pretty awesome).  She and her dad (there is no mention of a mom) have just moved to a new place.  Avani has no friends.  She thinks everyone thinks she’s weird.  Even though she feels like an outsider she is also keeping people away, determined to feel sorry for herself.

The only social activity she has is Flower Scouts. Back home he Scouts were awesome, but here they just talk about make up and boys.  When Avani tries to talk about rodeos, the other kids laugh at her.  And they are equally horrified when she doesn’t swoon over Chaz Wunderlip the boy band sensation.  She would like nothing more than to get out of Scouts but her dad won’t let her quit. (more…)

Read Full Post »

Older Posts »