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Archive for the ‘Sexism’ Category

SOUNDTRACK: BABY ROSE-Tiny Desk Concert #943 (February 10, 2020).

I had not heard of Baby Rose, which I suppose makes sense since she put out her debut album last year.

The blurb makes it sound like she has been through a lot more than her 25 years might suggest.

But when the voice behind those words is as seasoned and vintage as Baby Rose’s, everything it utters reverberates like the gospel truth. The D.C. native — who came of age in Fayetteville, N.C. before coming into her own as an artist in Atlanta — returned to her birthplace.

She even speaks like a much older person:

“I would not be able to write with such emotion about these things without my fair share of regrets.”

It sounds like a sincere statement until you realize it’s a bit, an introduction to the song strangely spelled “Ragrets.”

But that is my favorite song here.  It’s got a great opening guitar riff from John Scherer that is duplicated on the bass (with some great high notes) by Craig Shephard.  Backing vocalist Erika JaNaé is there with her throughout–matching her with lovely backing ooohs.

Baby Rose has a voice that sounds a bit like Antony from Antony & the Johnsons–wavery and operatic.  Especially as the Concert opens with “Sold Out” which features strings from Jasminfire on viola, Yuli on violin and Noah Johnson on cello.

It’s also evident in the third song “Over.”  In the middle of the song she sings low and it sounds very Antony, although I suppose another comparison would be “the bluesy melisma of Nina Simone and the deep register of Sarah Vaughan–two of her idols.”  This song is, surprisingly, less than two minutes long.  It has a simple piano melody from Timothy Maxey.  In addition to Erika JaNaé, Jasminfire and Yuli sing backing vocals.  I like the bass slide at the end, which seems like it’s a transition to another part of the song, not the end.

The next song is “Mortal” which opens with a loud drum hit from Tauseef Anam and quiet shimmering guitars.  There’s a lot of backing singing on this song and they all sing very nicely.

As this song is ending she introduces the band and says

“This is what real love sounds like.  This is what it feels like.”

The blurb says

From any other new artist, a Tiny Desk declaration like that might sound a tad bit presumptuous if not altogether premature.

I actually thought pretentious was the word.

She asks if she can do one more (because of course an artist I’ve never heard of gets an 18 minute set).  And in introducing “All To Myself,” she says she is

Dedicating the song to herself — and “to anyone here that’s ever wanted to call or text somebody that you know you should not call or text” —  congratulating those of us who’ve refrained from squandering our emotions on the undeserved.

Her voice is really impressive on this song and I like that the blurb acknowledges that she’s not using autotune

In an era when the over-reliance on Autotune has nearly everybody in radio R&B land sounding like automatons, her unadulterated voice is almost otherworldly. It’s confounding how a vocal tone so weathered and wise emerges from her so effortlessly.

I was a bit cynical about her at first, but Baby Rose really brings the goods.

[READ: July 10, 2019] Who is Rich?

Rich Fischer is a cartoonist.  As the book opens, Rich is beginning his annual week-long teaching assignment at a New England beachside Arts Conference.  Rich was once sort of famous for his first (and only) published book and that’s why he was initially invited to instruct.  In the intervening six years, he has not really produced anything except drawings for magazines, but the head of the council still likes him, so Rich has that annual work to look forward to.

Although he doesn’t really look forward to it.  At this point, he knows what he is and how he fits along with the rest of the teaching staff:

unknown nobodies and one-hit has-beens, midlist somebodies and legitimate stars.

His was a four day intensive workshop that cost $1500.  He details his students–a former high school art teacher (who tried to take over the class), a med student who didn’t want to start med school, a trans kid, a Vietnam War veteran, a grandmother and a teenager skulking in the back.

He talks about his precocious success–at first it seems like a mistake, but you get used to it quickly. You assume it will always be there.  Until it isn’t.

(more…)

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SOUNDTRACK: SiR-Tiny Desk Concert #940 (February 3, 2020).

I had never heard of SiR, the R&B singer from Inglewood, CA.  That’s not surprising since I don’t listen to R&B.

But as I often say I’m always surprised to read that someone is very successful and yet I have never heard of them.

Since signing to hip-hop juggernaut Top Dawg Entertainment in 2017, Sir Darryl Farris has been the most consistent, most reliable player on the roster outside of its original four.  His output has further solidified the label’s stake in spaces outside of just rap music.

He sings four songs, all ballads.  His voice is somewhere between speaking and singing with an interesting raspy quality.

The songs come from his latest LP, Chasing Summer.

Themes of regret loom throughout the album and he’s never shied away from writing about personal flaws. His depiction of misdirected desires and heartbreak on “John Redcorn” and “The Recipe” reveal a cruel honesty that couples grapple with at times.

“The Recipe” has some really nice backing vocals from Davion Farris, Jacquelyn Farris and Zyah Belle.

“New Sky” has a pretty piano melody from Ledaris “L.J.” Jones with some nice fat bass from Samuel Davis.   I quite like like the vocals on the chorus.

When he introduces the band he reveals that Davion Farris is his older brother and Jacquelyn Farris is his mom.

The set was also a family affair with his mother and older brother offering support as two of the three background vocalists. We get a glimpse of his upbringing in the gospel choir once those harmonies open up.

The set proves to be unexpectedly emotional

About halfway through the performance, SiR revealed that he’d lost his infant godson a few days prior and dedicated the performance to him. “We’re doing this for him. I didn’t want to come… It took a lot for me to be here today …but we’re gonna get through this.”

He plays the spare “Wires in the Way.”  It’s just his voice with some quiet jazzy guitar from Terrall Whitehead.  Midway through some lovely jazzy piano is added.  Throughout, you can see how emotional SiR is while singing the song and then he needs a moment at the end before they start the last song.

Woah.

He is able to bring the happiness back for the last song.  He says “It’s my favorite song off the album.  Hope you like this last one.”

“John Redcorn” feels like a culmination of the other songs, with everyone playing or singing to make this song very full.  I especially like the way Roger “Jooseondrums” Benford makes the cymbals sound like they are filling up the room.

Many Tiny Desk Concerts are emotional and you;d have to be stone cold not to be moved by this one.

[READ: February 20, 2020] Princeless: Raven Book 3

Book Two ended with a cliffhanger–would Raven be able to save Ximena?  She needs to take Ximena for medical care, but she knows that she can’t go anywhere on the island, since her brothers rule everything there.

Katie looks at the maps that Ximena has been making and sees that there’s an island not too far off.  It’s a spa for people who are really injured.  They set sail immediately and Katie is put in charge while Raven stays with Ximena.  Raven reveals that she is in love with Ximena (which most of the crew guessed anyway).

Raven is told that Ximena needs to hear her voice if she is to recover and so Raven tells the story of how her mother and father met.  It’s a pretty wonderful story and is beautifully drawn by Sorah Suhng.

All this time, Sunshine has been listening at the door.  It turns out she’s quite jealous of Ximena because she has a major thing for Raven.  So when Raven asks Sunshine to tell Ximena a story, Sunshine is really torn.  But she knows how important it is so she tells the story of how her parents met–that a human and an elf could conceive.  It’s a pretty great story drawn in a very different style by Jason Strutz. (more…)

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SOUNDTRACK: RISING APPALACHIA-Tiny Desk Concert #939 (January 31, 2020).

I feel like I have heard of Rising Appalachia, but I’m not sure that I have.  If I had, I certainly didn’t know anything by them.  But I think I had a pretty safe guess.

Rising Appalachia’s Tiny Desk Concert is charged with the roots music that sisters Leah Song and Chloe Smith learned in fiddle camps as kids. Growing up in urban Atlanta and beyond, they also heard rhythms from a wider world, and their music grew to reflect new sounds and their activism. When they came to NPR, their van was packed with a bodhrán (Irish drum), an ngoni (West African harp) a huge gourd, a cello, a baritone guitar and more, including the other musicians who make up this wandering, Atlanta-based band: David Brown, Biko Casini, Arouna Diarra and Duncan Wickel.

And so, with this band you get traditional-sounding folk music but with world music instruments and influences.  It melds beautiful.  And their lyrics are great, too.

“Resilient” starts the set with just the two of them.  Chloe Smith is on banjo while Leah Song is on bodhrán.  Their voices are great together as they sing a fantastic protest song. There’s so many great lyrics to choose from, but I’ll pick just this one

My voice feels tiny I’m sure so does yours / put em all together make a mighty roar.

There’s also a really catchy “who ho ho” in the chorus, which is a fun treat.

After the song, Leah says they are reviving the voice of the people.  Then, introducing the next song, “Medicine”  she says this is for all of our ancestors and all the medicine keepers.

Chloe switches to acoustic guitar.  The song begins with a a bowed, then plucked cello from Duncan Wickel.  Biko Casini plays a high hat with a big circular gourd for a bass and percussive sound.

There’s a very nice bowed cello solo.  Leah sings lead and Chloe adds some terrific harmonies.  Midway through the song you can really hear Arouna Diarra on the ngoni, playing some high notes, but it’s his solo at the end of the song that is so cool.  I’m fascinated by this instrument.

Before the final song, they joke that they wanted Leah to jump on the desk and that they might crowd surf.

Leah says she was going to shave I Love Bob Boilen into her hair.  Or maybe NPR, but if you mess that up it could just go wrong.

They end the set with a song Leah and Chloe “learned from our mama, an old boot-stompin’ Appalachian folk tune” called “Cuckoo.”  They aim to bring old music into a new format.

“Cuckoo” is a song I know from Kristin Hersh and, coincidentally, she played it when I saw her recently.

For this song, Leah plays the banjo and Chloe plays the violin (as does Duncan Wickel).   Their take is rather different from Kristin’s–not in the melody or lyrics but the way they sing the words.  Kristin has a very different vocal style.

The end features a njongi solo along with the baritone guitar solo from David Brown followed by a fiddle solo

And after a minute or so of soloing there’s split second pause before everyone rocks out a bit.  You can really hear the baritone guitar and its bass notes here.

I really enjoyed this set and I’m very curious about this band.

[READ: February 20, 2020] Princeless: Raven Book 2

Book One of this series was pretty intense.  And book two doesn’t really let up.

Well, the first chapter lets up some as we meet the crew and the women get used to the ship.  There are some rope climbing contests, everyone also wants to take a turn steering.  And Ximena and Raven are arguing already.

It’s a cool way to meet some of the new cast.  Dezzy would rather sunbathe than work.  Helena is very strong, Cid is deaf–which we find out because Jayla is yelling at her (to no avail obviously) and is getting frustrated and petulant–she’s a terrible character.  And powerful Sunshine is incredibly seasick.

Then they get into some sword practice. Raven addresses her crew calling them bilge rats. But Katie interrupts, “The insulting thing, is that something we have to do?”

Raven says she never thought of it.  That’s just how pirates speak. But Raven decides the ship will be a democracy (except in battle when her word is law).  She asks who finds insults to be a motivator?  No one raises her hand.  Raven hereby abolishes “name-calling, back-biting, under-cutting, insulting and sarcastic undermining” from her ship. (more…)

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SOUNDTRACK: KIKAGAKU MOYO-“Gypsy Davey”/”Mushi No Uta” (2020).

Japanese psych rock band Kikagaku Moyo (who are amazing live) were picked for the new Sub Pop 7″ singles cub release.  I’m not part of that club, but the tracks are available to stream.  Here’s what the band says:

This is a limited release as a part of the Sub Pop Singles Club Vol. 4, and physical copies will only be available to subscribers of the series. As such, it won’t be available at our shows or in stores…but you can listen now on streaming sites.

The first song, “Gypsy Davey,” is a reworking of the traditional British folk song by the same name. We referenced Sandy Denny’s arrangement from the 1971 album Fotheringay for our performance.  We recorded the track in London with guest vocalist Kandice Holmes, aka Bells @be__lls.

The second song, “Mushi No Uta,” was written by Tomo and Go and recorded last summer in their living room.

Both of these were recorded in brief windows during our touring in 2019. We are very happy with opportunity hope you enjoy the songs.

I love the way they have taken this old English folk song “Gypsy Davey” and added some great psychedelic elements.  First off it starts with drums and some very cool sitar work.  The guitars are slow and echoing.  Then after the first verse, the full band joins in with a slow 70’s sounding folk rock (with electric guitars) song.  By the third verses, the two guitars are doing different things and it all works together very nicely.

I had never heard of Kandic Holmes (aka Bells) but her voice is perfect, sounding old school and like she has heard this song a million times and can’t wait to sing it again.

The middle of the song has a wonderful, slow sitar solo.  I love that they have taken folk and made it international folk.

“Mushi No Uta” is a slow ballad. It does sound a bit like a home made recording (or else it is recorded deliberately close-sounding).  The vocals are whispered and the guitars intertwine nicely.  After a minute and a half, expansive, echoing guitar chords come rumbling through totally changing the atmosphere.  The second guitar plays some wild lines.  After about a minute, it all fades out and the original sound returns–gentle folk acoustic guitar and falsetto vocals.

It’s a nice single and shows a different side of the band.

[READ: February 20, 2020] Princeless: Raven Book 1

I really enjoyed Book 3 of the Princeless series in which Adrienne encountered Raven locked up in a castle.

I thought Raven was a pretty awesome character and I was really happy to see that Jeremy Whitley had created a series just for her.

This series is a lot less light-hearted than the Princeless series and definitely skews a bit older than Princeless.  It’s also not quite as funny (by design, I assume).  However, it features a wonderfully diverse crew of women and all of the great feminism that Princeless is known for.

As this book opens, we see Raven’s father showing her how to shoot an arrow–how she came to be known as Black Arrow and how fearsome she was even as a child.

The story of the excitement she had as a child on her father’s ship is contrasted to the drudgery of the present–fixing up the ship that she has commandeered from her brother’s mates.  She realizes that if she is going to get revenge on her brothers for locking her up, she needs a crew.  So she heads into town where she bumps into (literally) a woman who barely speaks English and is down on her luck.  She says she ate today, but has no money left.  Raven gives her some coins and the woman replies, “You give me to have these?”  She gives Raven a huge kiss and walks off.  That’s when Raven realizes the woman stole her purse.

The rest of the chapter shows some excellently drawn chase scenes from Rosy Higgins and Ted Brandt in which the thief (who we will learn is a half-Elf named Sunshine) is impressed by Raven’s tenacity and in which Raven is impressed by Sunshine’s physical abilities.  Sunshine runs into a bar and as Raven is about to tackle her, the bar owner points a crossbow at her. (more…)

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SOUNDTRACK: TWIN PEAKS-“Spiders (Kidsmoke)” (from WILCOvered, UNCUT Magazine November 2019).

The November 2019 issue of UNCUT magazine had a cover story about Wilco.  It included a 17 track CD of bands covering Wilco (called WILcovered or WILCOvered).  I really enjoyed this collection and knew most of the artists on it already, so I’m going through the songs one at a time.

This was the last song on this compilation and it’s my favorite.

There’s a lot of Wilco songs that I like and “Spiders (Kidsmoke)” is way at the top.  The song is really long and doesn’t change a lot but the changes are fantastic.  One of the great things about the song is Nels Cline’s insane guitar work throughout–noisy and seemingly uncontrolled, but somehow fitting in perfectly with the 1-2-3- bass line.

This version by Twin Peaks is as good, if not slightly better than the original.  I say that because the band sounds a little fuller during the verses which I like (although it does make the change to the noisier section less dramatic).  And Nels Cline;s guitar work is more interesting than the Twin Peaks version–although they do some cool things too.

I think Twin Peaks has a bit more of the heavy alternative sound the I like.  The vocals are great, the guitars are great.  I’ve now listened to both versions back to back and I like them both!

This cover actually made me investigate Twin Peaks more and I was bummed to find out that they had just played a show in our area after I had listened to this song.

Next time!

[READ: February 20, 2020] Princeless: Volume 5

This book opens with Adrienne and Bedelia enjoying a cleansing bath in a lake (I assume).  While they are getting clean, Adrienne mourns the state of her hair.  How often she has tried to straighten and control the knotty curls on her head.  And after some serious thought, she has Bedelia shave it all off.  I love that when she pops out of the water newly shorn, she looks gorgeous–well done Emily Martin.  On a less great note, there’s a scene in the water where Bedelia, who is a strong and rugged half-dwarf lets not forget, is drawn with a waist that would be about 10 inches across in real life–bad form Emily Martin.

In book two, Devin and Kira are trotting along (with the tough Kira getting nauseous on the back of a horse).  When suddenly Kira smells… an elf.  And it is her duty to kill it.  Kira dives on the elf’s travelling companion, who is Prince Wilcome.  The elf, named Tempest, quickly disarms Devin and takes his sword.  They are at an impasse.

Next we jump to the dwarf kingdom.  There are two male guards out front discussing music and almost come to blows during their argument, calling each other girlie and arguing which one is the real man.  But when another dwarf comes along shouting Dragon, we find out that the dwarf dragon slayers are all women.  They prep themselves and get ready to make dragon stew.  After a kiss between Benna and Gretta they fling the dwarfs through the air from a catapult. (more…)

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SOUNDTRACK: THE HANDSOME FAMILY-“Capitol City” (from WILCOvered, UNCUT Magazine November 2019).

The November 2019 issue of UNCUT magazine had a cover story about Wilco.  It included a 17 track CD of bands covering Wilco (called WILcovered or WILCOvered).  I really enjoyed this collection and knew most of the artists on it already, so I’m going through the songs one at a time.

I’ve know of The Handsome Family for a long time, but I’m not sure if I’ve ever heard them before.  “Capitol City” is also a bit of a mystery.  It appeared on a Wilco bonus disc (for the deluxe edition of The Whole Love).  I assumed it had something to do with The Simpsons, but I guess it doesn’t.

This is a kind of honky-tonk version with banjo and “gadgets” as part of the lineup.   It’s fun with lots of weird sound effects swirling around this otherwise conventional song.

I wish you were here. Better yet, I wish I was there with you.

[READ: February 20, 2020] Princeless: Volume 4

Sir Gahiji the Hunter has learned that Adrienne is actually not dead and is in fact the knight they are all after.  He shares this information with the Black Knight. They instantly fight and the Black Knight knocks out Gahiji (or Cat Hat, since he wears a wolves’ head on his head).

Adrienne and Bedelia are headed for Grimmorium Swamp.  Bedelia tells of some horrible things that live there: flesh eating goblins, swamp creatures, electric fish, squirrels… real live squirrels! (The squirrel revelation is pretty great).

Back at the castle, the King grabs Devin and brings him along to the forest where the encounter the remains of the Queen’s carriage.   The King says he thinks the Black Knight is responsible.  The King then introduces Devin to the wolves (Kira scares the daylights out of him).

Amazingly Devin and Kira soon bond well enough.  The leader of the wolves says that he wishes his daughter were inquisitive like Devin. The King says he’d rather have Kira in battle–he’s seen rabbits with more courage than his son.  In the background we see Kira and Devin climbing all over his mother’s empty chest.  When he comes out he stands tall and says “I’m going on a quest to save my mother!” (more…)

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SOUNDTRACK: PUSS N BOOTS-“Jesus, Etc.” (from WILCOvered, UNCUT Magazine November 2019).

The November 2019 issue of UNCUT magazine had a cover story about Wilco.  It included a 17 track CD of bands covering Wilco (called WILcovered or WILCOvered).  I really enjoyed this collection and knew most of the artists on it already, so I’m going through the songs one at a time.

This was my introduction to Puss N Boots, a group consisting of Catherine Popper, Sasha Dobson and …Norah Jones?  They’ve been getting some buzz lately (of course) and it’s interesting to have my first exposure to them through this cover of one of my favorite Wilco songs.

This has a great slow rocking sound.  It’s got minimal instrumentation (no drums), just electric guitars and bass.  The women harmonize really nicely.

I really like this version, although whoever is singing lead (Catherine or Sasha) has that weird thing that singers seem to be doing now where it almost sounds like a speech impediment on the letter r.  The way she sing skyscrapers so it almost sounds like skyskwrapers.  And cry sounds like cwry.

It’s a thing that I’ve heard a lot lately and I can’t quite wrap my heard around it.  It’s not an accent, but what is it?

Regardless, I do like this version.  The opening electric guitar is great and their voices work very well together.

[READ: February 19, 2020] Princeless: Volume Two

I like the artwork y in this book so much better than the first.  I feel like Emily Martin brings a whole new level of greatness to this series.  The coloring is also much more vibrant.  It’s possible that the printing I had for book 1 wasn’t very good, but this book is fantastic.

The book opens with Adrienne’s father speaking to the bravest knights of the land: Sir Rocks the Mighty; Sir Gahiji the Hunter (who wears a wolf head on his head); Sir Raphael the Handsome (a poet and a vampire); Sir Walsh the Braggart; Sir Zachary the Pure (who serves the gods); and The Black Knight, the king’s fiercest of friends.  They have been summoned to kill the knight who made off with Adrienne’s head and bring the head of her dragon.  Whoever can do so will win his daughter’s hand in marriage.  (Which daughter? someone whispers).

Devon is angry that his dad is doing this so he goes to talk to his mom.  But she has plans–she is leaving and going to visit her parents.  He can’t believe she is running away too.

Back to our heroines.  We see them flying on Sparky, with Bedelia hanging from a rope and swiping food from the cart of a thief who stole the food in the first place.  But Sparky isn’t the most coordinated of fliers and soon enough, Bedelia and Adrienne wind up in a tree.  Again.

They manage to regroup and are sitting near a fire eating their plunder when a dandy prince shows up.  His name is Roderick Lovelorn and he is a poet.  He calls her fair lady and i love that there’s a running joke that she is not fair–fair means pale and she is not pale, she has brown skin (and kinky hair) thank you very much.  He is heading home to his muse.  The lady whom all seek to see but none dare to touch.

As he goes on like this, Adrienne gets annoyed because she realizes that he is talking about…her sister Angelica. (more…)

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