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Archive for the ‘Tweens’ Category

SOUNDTRACKWYCLEF JEAN-“Maria Maria Medley” Tiny Desk Family Hour (March 12, 2019).

These next few shows were recorded at NPR’s SXSW Showcase.

The SXSW Music Festival is pleased to announce the first-ever Tiny Desk Family Hour showcase, an evening of music by artists who have played NPR Music’s Tiny Desk Concert, at Central Presbyterian Church on Tuesday, March 12 from 8-11pm.

So this was Wyclef Jean, who I feel has been keeping a low profile but who apparently is always busy,

At this point in his life and career, Wyclef Jean can do just about whatever he wants. He’s sold millions in many configurations: as a leader of The Fugees, as a solo artist, as a featured guest on Shakira’s eternal “Hips Don’t Lie,” as a producer and collaborator on Santana’s Grammy-winning 1999 blockbuster Supernatural and more.

His latest project is an endearing exercise in torch-passing called Wyclef Goes Back to School, an album in which he collaborates with college students he’d scouted in a talent search.  Jean showed up with an electric guitar and a pair of young mentees: Jazzy Amra and Jeremy Torres, the latter of whom joined him for a loose and appropriately smooth take on “Maria Maria.”

As polished as the result sounds once it gets rolling, the performance’s improvisational nature gets stated right upfront for the audience to see: “So Jeremy, what I’m gonna do is, I’m just gonna vibe. And just keep up. OK? Keep up with Uncle Wyclef.”

Jeremy starts playing and Jean says, “Don’t do that, let me go first.”   Jean plays the song simply on the guitar and Jeremy sings some occasional backing notes.  Mid song, Jean starts singing some nonsense sounds and then stops and says, ” Now that’s what you call mumble rap.”

Midway through the song Jeremy takes over and strums and sings his  lyrics “Dominicana, she looks like Rhianna” and turns the song into an ode to a “mujer de Cuba.”  He has a good voice, although it’s a bit whiny to me.

There’s a lot to be said for this project even if I didn’t love the song.

[READ: March 19, 2019] Dear Sister

This story was so cute and so sweet and made me cry a whole bunch.  Which is pretty good for a graphics-heavy Tween book that you can read in twenty minutes.

The brother in the book is a few years older than his new baby sister.  The first page says “Dear Sister, They told me to draw a picture of you for your baby book.”  And on the bottom half of the page is a screaming baby with stuffed animals plugging their ears.

The illustrations by Bluhm are outstanding.

The next page:

Dear Sister,

They told me to write yo ua Three Months Old note for your baby book.

Here you go.

From, Brother

P.S. The reason I signed it from is because I am not sure I love you yet.

(more…)

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SOUNDTRACKHOLIDAYS RULE (2012).

This collection is fairly new (a second volume has just come out this year).  It was curated by Chris Funk from The Decemberists.  It’s a nice mix of contemporary bands and classic songs.  The disc is mostly fun–it gets a little bogged down in the middle–and upbeat.

FUN-“Sleigh Ride”
The first time I heard this  had no idea who it was (I didn’t look at the disc).  I actually thought it was a female pop singer.  After listening a few times I’m mixed but favorable on it.  I love the sound effects in the background.  It’s fun, even with the autotune.

THE SHINS-“Wonderful Christmastime”
This is one of my least favorite Christmas songs, but I like this version better than Pauls’s.  It doesn’t sound especially like The Shins to me though.

RUFUS WAINWRIGHT AND SHARON VAN ETTEN-“Baby, It’s Cold Outside”
I love Rufus’ distinctive voice–he does louche so well.  Sharon is somewhat indistinct here but she is well-matched with him.

PAUL McCARTNEY-“The Christmas Song (Chestnuts Roasting On An Open Fire)”
This might be the only disc I have where someone covers a song by an artist on the disc.  His version of this is way too slow.  But I am intrigued that he says “some holly and some mistletoe” (Because he’s vegetarian).

BLACK PRAIRIE featuring SALLIE FORD-“(Everybody’s Waitin’ for) The Man with the Bag”
I typically don’t care for this song, but I love this bluegrassy version.  It’s stomping and fun (and Chris Funk plays on it).

THE CIVIL WARS-“I Heard the Bells on Christmas Day”
The Civil Wars are downbeat folk artists but, man, their voices together are so lovely.  Their harmonies make this song essential despite the less than upbeat rhythms.

CALEXICO-“Green Grows the Holly”
This song sounds so wonderfully Calexico.  I love it and would even have assumed it was an original of theirs if I didn’t know better,

AGESANDAGES-“We Need A Little Christmas”
I’m torn about this song.  They modify the delivery and I think I like it.  It’s also pretty infrequently played so it gets extra points.  But it feels like a real downer when you can hear the lyrics so clearly.

HOLLY GOLIGHTLY-“That’s What I Want for Christmas”
I don’t know who this is. And I don’t really care for this song which is kind of slow and ponderous even if the message is a good one.

IRMA THOMAS WITH PRESERVATION HALL JAZZ BAND-“May Ev’ry Day be Christmas”
This is big brassy version of the song which sounds like it could be quite old with Thomas’ husky voice.

HEARTLESS BASTARDS-“Blue Christmas”
I dislike this song to begin with, so making a countryish version certainly doesn’t help.

ELEANOR FRIEDBERGER-“Santa, Bring My Baby Back to Me”
So this song is interesting with its strange chord choices and themes.  And it would be great if it were like 2 minutes long.  It seems to end quite naturally at that time, but then some vibes come in and the song gets all slinky.  That would be fine except it just repeats the same line and vibes section for 3 minutes!  WTF Eleanor?

FRUIT BATS-“It’s Beginning to Look Like Christmas”
It drives me nuts the way this guys says Creeesmas.  Why does he say it like that?  It’s crazy.  And I can’t get past it because he says it a bunch.

Y LA BAMBA-“Señor Santa”
This song is more or less “Mister Sandman” but sung with the lyrics of Mister Santa.  There’s a wheezy accordion and the great accented voice of the lead singer Luz Elena Mendoza.  I love this and more artists should invent songs like this for the holidays.

PUNCH BROTHERS-“O come, O come, Emmanuel”
The Punch Brothers are awesome and this version of this song terrific.  Chris Thile sings wonderfully as he gets that mandolin worked up.  I love that they turn it into an opportunity to stretch out some, too.

THE HEAD AND THE HEART-“What Are You Doing New Year’s Eve?”
A terrific duet with the unmistakable voice of Charity Rose Thielen.  This is a sprightly and fun song and they do a great job.  I love the way she sings “maybe I’m crazy” and the vamping at the end is fantastic.

ANDREW BIRD-“Auld Lang Syne”
Andrew plays some high-spirited violin and sings briskly.  There’s a kind of countryish feel to it, which is quite different for this song.

Overall this is a good collection to add.  Nothing offensive or off-putting and maybe just one or two duds.

[READ: December 21, 2017] “The First Day of Winter”

Once again, I have ordered The Short Story Advent Calendar.  This year, there are brief interviews with each author posted on the date of their story.

Hello. Welcome. It’s finally here: Short Story Advent Calendar time.

If you’re reading along at home, now’s the time to start cracking those seals, one by one, and discover some truly brilliant writing inside. Then check back here each morning for an exclusive interview with the author of that day’s story.

(Want to join in? It’s not too late. Order your copy here.)

This year I’m pairing each story with a holiday disc from our personal collection. (more…)

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