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Archive for the ‘Twins’ Category

SOUNDTRACK: KING GIZZARD AND THE LIZARD WIZARD-Eyes Like the Sky (2013).

King Gizzard and the Lizard Wizard clearly didn’t set out to top the charts. After the frenetic fun of 12 Bar Bruise, their follow up is this–a spoken word “Western” musical.  Stu Mackenzie says that after recording “Sam Cherry’s Last Shot” with Broderick Smith, he wanted to try a “multi-song, read-along, narrative based western musical” and Brod was keen to write a story and narrate it.

The music is impressively “Western.”   Right out of the gates, you feel the reverbed guitars and sound effects of gun shots.  Repeating motifs abound and there is an amazing amount of restraint.  Plus, the songs (which don’t really follow the story chapters) are quite different from each other (all within the same Western motif). “Year of Our Lord” builds some real suspense.  While “The Raid” adds some surf guitars.

You can also hear his parents’ dogs barking in “The Killing Ground” and his dad banging on a rusted saw blade, which you can hear in “The Raid.”

“Drum Run” is, indeed, very drum heavy with distant echoing harmonica.

And then there is the story.  A story of a man who is feared as a legend.

The bad white men call him the devil the Yavapai call him Eyes Like the Sky.

Miguel O’Brien was kidnapped from his white family when he was five years old.  He became a fearless Yavapai Apache warrior.

The American Civil had not encroached on Apache territory.  But ten years later, the Americans brought their war to Apache land.  They were

Led by a man holding a leather book with a cross stamped in the leather.  An evil man who did terrible  things to people in the name of a god that looked upon the man himself with revulsion

The music for this track is called “Evil Man” and between the Western riff and the backing “ahahas,” it’s got gunslinger all over it.

The Americans killed the Apache, but he was spared because of his blue eyes.  But once more family he loved had been killed–this time by Americans.

The god man thought he might be from the O’Brien family or maybe the Jebsen family.  So they named him Jebsen O’Brien but they called him “blue” because of his eyes and his expression.  A trapper taught him white man’s ways so that he could read and write and also learned to use a gun.

The god man was a truly evil man–“satisfying his goat lust with a Yavapei girl.”  Seeing this defilement, Blue swiftly killed him. Then he took guns, money and the defiled girl and fled from the Fort.  The two of them happened upon a scene of death–white men killing white men but disguised as Apache.

I’ll not spoil the ending but the final two songs are “Dust in the Wind” (not that one) and “Guns & Horses.”   “Dust in the Wind” is a stomping song that presages death–of many.  “Guns & Horses” ends the story–all too early in my opinion.  While Eyes Like the Sky’s story comes to a satisfying conclusion, I want to hear more.

With a cool soundtrack.

Incidentally, the soundtrack is far more grown up than the graphic novel.

[READ: February 5, 2019] Knife’s Edge

I didn’t realize that these two books made up the Four Points series (I didn’t know there was a series title until I looked this book up].  But it is nice to see that this book ends the story.  And it ends it very well.

This book opens with the explanation of what happened to Alex and Cleo’s father when he left them on their own.  He went off to do a (supposedly) simple job down at the docks.  But while he is aboard a ship he is attacked by Lucky Worley.  Turns out Worley knew that Mr Dodge had the pocket watch and pocket knife–the clues that will lead him to the treasure he wants so badly.  It also turns out that he doesn’t know about Alex and Cleo.  So he hijacks Mr Dodge and takes him aboard his ship.   We also learn that Dodge isn’t their father–which we knew from how young the babies were when he received them, but the kids didn’t.  He doesn’t know who their real father was.

Worley had caught word of them through their involvement in the Black Hook gang and he deduced that they had the map pieces.  So their lives were now in danger.  And that’s pretty much where book one began. (more…)

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SOUNDTRACK: KING GIZZARD AND THE LIZARD WIZARD-“Cyboogie” (2019).

Few band names are as much fun as King Gizzard and the Lizard Wizard. With a name like that, the fact that they actually make good music is somehow amazing.

2018 was a quiet year for the band after they released five albums in 2017.  But they are now back with a new single and an upcoming tour.

“Cyboogie” is basically exactly what it sounds like it might be–a cyborg boogie.  It also features a classic trope of KGATLW songs–one word repeated over and over again (see: Rattlesnake).

This boogie is nearly 7 minutes long and features electronically processed vocals, prominent synth sounds and the occasional run up the musical scales at the end of each chorus.

It opens with the robotic voices chanting “boogie boogie boogie.”  Over a pulsing bass and 70s sounding keys, this very retro song starts.  There are lyrics in the verses, but they are so processed as to be almost inaudible (nice melody though).  They lead to the chorus: cyboogie, cyboogie, boogie boogie boogie boogie, cyboogie.  All with that undeniable beat.

The instrumental breaks are classic trippy 70s era instrumental breaks.  Including the one at 3 minutes where the music stops briefly and a new beat and sound style emerges (more boogie).  The third verse is so vocally processed I wasn’t even sure if there were words–but since the music has all boy dropped away it’s all you can hear.  But fear not it is melodically sound and makes the next chorus even more interesting.

The song ends with some more robotic voice reciting something (no guesses as to what).

[READ: January 31, 2019] Compass South

This story was written by Hope Larson but illustrated by Rebecca Mock (which is only odd because Larson herself is an excellent illustrator).

It opens in New York City, 1848.  A man named Dodge is seen going home when he is stopped by a large man in a cloak.  The cloaked man tells him that his beloved Hester is dead in Ireland.  But she wanted him to have…two babies:  Alexander and Cleopatra.

He vows to be there for them, but in Chapter One, it is twelve years later and the children are on their own.  As we zoom in on them, they are in the middle of robbing a house.  They are with the Black Hook gang and Alex is getting tested.  But Alex gets caught.  Cleo goes to save him, but Luther, the local head of the gang stops her and says if they rat on the gang, they are dead.

Next, the twins are talking to the police.  They have nothing to offer, so he gives them a deal–tell them about the Black Hook gang and they can go free.  Of course, they take the deal. But before Luther can go after them, he is contacted by the henchman of Felix Worley, famed pirate and captain of El Caleuche.  Seems he wants the twins, too. (more…)

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