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Archive for the ‘The Black Box’ Category

[ATTENDED: May 1, 2019] The Murlocs

I was aware of The Murlocs as being the spin-off band from King Gizzard and the Lizard Wizard’s Ambrose Kenny-Smith.  I’d listened to them a few times but hadn’t really listened intently.

Then I saw that they were playing at Underground Arts (in the Black Box, one of my favorite venues no less).  I thought it would be a great opportunity to see 2/7 of KGATLW (Craig Cook plays in both bands) before seeing KGATLW again later this year (probably from much further away).

I had also seen just the day before the show that two other members of KGATLW (Stu Mackenzie and Eric Moore) were on the East Coast (a picture of them hanging out with Trey Anastasio(!) has surfaced), so I thought there was chance that they might come down and join Ambrose on stage (they didn’t).  Although I learned that Stu and Eric joined the band for the encore cover of Hot Chocolate’s “Every 1’s a Winner” the night before in NYC (always at the wrong show).

I assumed that this show wouldn’t be all that well attended.  The King Gizzard shows are always popular, but I figured it was a side project by the “second singer” so how crowded would it be?  (more…)

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[ATTENDED, May 1, 2019] Moonwalks

Moonwalks is a three-piece from Detroit comprised of Jake Dean on guitar and vocals, Kate Gutwald on bass and Kerrigan Pearce on drums.

They play deceptively simple garage rock songs.  Their songs are retro and fuzzy, but they have a number of guitar and vocal styles and sounds in their quiver.

And deceptively simple because each song has a twist or turn in it which prevents it from being a simple three-chord, two-minute rocker.

I enjoyed their entire set and have checked out and enjoyed their bandcamp site.

Although as far as I can tell, none of the songs they played are up there (That doesn’t seem right, though).

I also loved the look of the band.  Jake’s glittery lamé shirt, Kate’s moon and stars themed top and Kerrigans’s possibly velvet top (they must have been very hot up there).

I’m not sure why, but Jake reminded me of Thurston Moore–possibly for his look but something about his presence and vocal delivery

I don’t know any of the songs they played, but the first one which seemed to be about “never coming back” set the tone for their set and it was solid right from the start.

They were a perfect band to open for the garage rock Murlocs, but they would work for just about anyone. I hope they go places, because they were really good.

 

 

 

 

 

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[ATTENDED: April 21, 2018] Acid Mothers Temple & the Melting Paraiso U.F.O.

Several months ago I purchased a ticket for Ministry in Morristown, NJ.  I’d loved Ministry’s brand of industrial noise in the early 90s, although I pretty much stopped listening to them altogether before Y2K.

But I saw that they were touring and that they were playing some older songs so I thought it might be a cathartic experience.

Then I found out that Acid Mothers Temple & the Melting Paraiso U.F.O. were playing at a small club the same night.  Acid Mothers Temple is one of my friend Lar’s favorite live acts and it was fairly easy for me to decide to get a ticket to them and sell my Ministry one.  (I decided I’d rather be pummeled by psychedelia than vitriol and anger).

It was the right decision because Acid Mothers Temple was amazing. (more…)

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[ATTENDED: April 21, 2018] Yoo Doo Right

I hadn’t heard of Montreal’s Yoo Doo Right when I saw they were touring with Acid Mothers Temple.  But I may have been the only person there who hadn’t.

Before the band even started to set up, a guy with (reasonably) professional looking audio equipment set up his microphones right up on stage.  And another guy with a camcorder propped himself up near the side of the stage to record the whole set.

The band got their name from a Can song and they play a kind of psychedelic Krautrock-inspired indie rock.  It was a really great set and I totally got into it.

The band came out and set up their gear (poor John Talbot on drums needed a bigger cinder block as his drums kept sliding forward).  Charles Masson on bass stood center stage anchoring the flights of noise and melody from Justin Cober on guitar/keyboard/vocals.

Off to the left somewhat was Charles Bourassa on keys.  At first it didn’t seem like he was an integral part of the show, but I gather that after letting the other guys get the noise out of their system he was there to anchor the songs with synth melodies and more noise.  He was also lead vocals on a few songs.

I loved the noisy guitars that Cober played.  And how he switched back and forth between guitar and keys.  Between him and Bourassa, I’m not sure who was making what sounds.

There were some great sections of droning guitars and walls of sounds.  And they often has great moments when the bass and drums came in to anchor the song.

But when all was said and done they were just there to rock.

I chatted with th eband after the show and they were super friendly.  They have two EPS out on bandcamp right now.

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[ATTENDED: April 21, 2018] Gondola

I hadn’t heard of Gondola, the first of three bands this evening in The Black Box. They are a local Philly band with (apparently) a large following.  They are the first opening band I have ever seen called back for an encore.  They are also, subsequently the only band I’ve seen called back for an encore who was not allowed to play the encore because they ran out of time (apparently).

Gondola was fantastic.

They play a kind of psychedelic stoner metal, with heavy crunching guitars, awesome low end bass and some surprisingly catchy riffs.  I detected a serious 80s SST Records vibe from the sound of the guitar (solos especially) and the way the bass played off of it. (more…)

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[ATTENDED: December 12, 2017] Elephant Stone

I heard Elephant Stone on NPR and loved their alt rock/shoegaze sound mixed with some awesome sitar,

Lead singer/bassist Rishi Dhir is a masterful sitar player and, as I read somewhere, if you’ve heard a sitar in an alt-rock song, it was Dhir.

Elephant Stone are a trio based in Montreal with Dhir, Jean-Gabriel Lambert on guitar and Miles Dupire-Gagnon on drums.   For this show they had an additional player on keyboards and backing guitar but I never got his name.  Amusingly, the lightning in The Black Box was pretty dark and this extra guy was almost perpetually in the dark, so photos were pretty hard. (more…)

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